^^ ^^^-^ •V.A-V ,\^' -' a\^ :.^^ ^^^^'<^. (\ ' * •> 0^ .0* <^.. ^^^ ^^. * i 1 » ^' \^^ % .^^^' r -r, ■0 s aV \0 ■/, ^-iiU/- ,/' \^^^^' -J 0^ .-^'' ■O- X .0 S:'-y N» ■'•,. , '^ '"- 0 •<'V cP^V. ? . V o.^^ ^^- ^X x° -Co . ^. ^^' 3 ^. -■'^^. "^"^ ^V-^-, * .A .-^' . " ^ '- . ^A ^v ^.S^' -i .c' .. \X- o V -^^ .O' < 1 fi „ V. '/■ ,-x\- ,0 .. •\" -u J o. ^- ' S 1 > 0' •/:.. . -^^ c^^'.V ^^- 0^ •\^ -A \^ K-^' .^^^■^ o > N'-rl cf-. 0- 'S. "-^ 0^ x^- oN vv x'^' %.x^^ v ~^. f ■■^' <^'' ■■^o^' -o V^' ^^ ^'-% o>' ,A^ A-^- ^'^i^'r ), Cu^v(. pp. 2U8. monger, whose grand enterprise, however, is his Gallery of Weimar Authors; a series of strange little biographies, beginning with Schil- ler, and already extending over Wieland and Herder, — now comprehending, probably by conquest, Klopstock also, and lastly, by a sort oi droit d'aubaine, Jean Paul Friedrich Richter, neither of whom belonged to Weimar. Au- thors, it must be admitted, are happier than the old painter with his cocks : for they write, na- turally and without fear of ridicule or offence, the name and description of their work on the title-page ; and thenceforth the purport and tendency of each volume remains indi^putable. Doering is sometimes lucky in this privilege; for his manner of composition, being so pecu- liar, might now and then occasion difficulty, but for this precaution. His biographies he works up simply enough. He first ascertains, from the Leipzig Convcrsationslexicon or Jor- den's Poetical Lexicon, Flogel, or Koch, or other such Compendium or Handbook, the aate and place of the proposed individual's birth, his parentage, trade, appointments, and the titles of his works; (the date of his death yr a al- ready know from the newspapers ;) this Serves as a foundation for the edifice. He then goes through his writings, and all other writings where he or his pursuits are treated of, and whenever he finds a passage with his name in it, he cuts it out, and carries it away. In this manner a mass of materials Is collected, and the building now proceeds apace. Stone is laid on the top of stone, just as it comes to hand ; a trowel or two of biographic mortar, if perfectly convenient, being perhaps spread in here and there, by M^ay of cement; and so the strangest pile suddenly arises ; amorphous, pointing every way but to the zenith, — here a block of granite, there a mass of pipe-clay; till the whole finishes, when the materials are finished, — and you leave it standing to poste- rity, like some miniature Stonehenge, a perfect architectural enigma. To speak without figure, this mode of life- writing has its disadvantages. For one thing, the composition cannot well be what the critics call harmonious; and, indeed, Herr Doering's transitions are often abrupt enough. His hero 7 8 CARLYLE'S MISCELLANEOUS WRITINGS. changes his object and occupation from page to page, often from sentence to sentence, in the most unaccountable way ; a pleasure journey, and a sickness of fifteen years, are despatched with equal brevity; in a moment you find him married, and the father of three fine children. He dies no less suddenly; — he is studying as usual, writing poetry, receiving visits, full of life and business, when instantly some para- graph opens under him, like one of the trap- doors in the Vision of Mirza, and he drops, without note of preparation, into the shades below. Perhaps, indeed, not for ever : we have instances of his rising after the funeral, and winding up his affairs. The time has been, that when the brains were out the man would die; but Doering orders these matters dif- ferently. We beg leave to say, however, that we really have no private pique against Doering: on the contrary, we are regular purchasers of his ware ; and it gives us true pleasure to see his spirits so much improved since we first met him. In the Life of Schiller, his state did seem rather unprosperous : he wore a timorous, sub- missive, and downcast aspect, as if like Sterne's Ass, he were saying, " Don't thrash me ; — but if you will, you may !" Now, however, com- forted by considerable sale, and praise from this and the other Liter aturhlatt, which has commended his diligence, his fidelity, and, strange to say, his method, he advances with erect countenance and firm hoof, and even re- calcitrates contemptuously against such as do him offence. Gliick auf dem Weg ! is the worst we wish him. Of his Life of Richter, these preliminary ob- servations may be our excuse for saying but little. He brags much, in his preface, that it is all true and genuine ; for Richter's widow, it seems, had, by public advertisement, cau- tioned the world against it; another biography, partly by the illustrious deceased himself, part- ly by Otto, his oldest friend and the appointed editor of his works, being actually in prepara- tion. This rouses the indignant spirit of Doer- ing, and he stoutly asseverates, that, his docu- ments being altogether authentic, this biogra- phy is mo pseudo-biography. With greater truth he might have asseverated that it was no bio- graphy at all. Well are he and Hennings of Gotha aware that this thing of shreds and patches has been vamped together for sale only. Except a few letters to Kunz, the Bam- berg bookseller, which turn mainly on the pur- chase of spectacles, and the journeyings and freightage of two boxes that used to pass and repass between Richter and Kunz's circulating library; with three or four notes of similar im- portance, and chiefly to other booksellers, there are no biographical documents here, which were not open to all Europe as well as to Hein- rich Doering. Indeed, very nearly one-half of the Life is occupied with a description of the funeral and its appendages, — how the " sixty torches, with a number of lanterns and pilch- pans," were arranged ; how this patrician or pro- fessor followed that, through Friedrich-street, Chancery-street, and other sVeets of Bayreuth • and how at last the torches all went out, as Doctor Gabler and Doctor Spatzier were pero- rating (decidedly in bombast) over the grave. Then, it seems, there were meetings held in various parts of Germany, to solemnize the memory of Richter ; among the rest, one in the Museum of Frankfort on the Maine ; where a Doctor Borne speaks another long speech, if possible in still more decided bombast. Next come threnodies from all the four winds, mostly on very splay-footed metre. Thewhole of which is here snatched from the kind oblivion of the newspapers, and " lives in Settle's numbers one day more." We have too much reverence for the name of Richter to think of laughing over these un- happy threnodies and panegyrists ; some of whom far exceed any thing we English can ex- hibit in the epicedial style. They rather tes- tify, however maladroitly, that the Germans have felt their loss, — which, indeed, is one to Europe at large; they even affect us with a certain melancholy feeling, when we consider how a heavenly voice must become mute, and nothing be heard in its stead but the whoop of quite earthly voices, lamenting, or pretending to lament. Far from us be all remembrance of Doering and Company, while we speak of Richter! But his own works give us some glimpses into his singular and noble nature; and to our readers a few words on this man, certainly one of the most remarkable of his age, will not seem thrown away. Except by name, Jean Paul Friedrich Rich- ter is little known out of Germany. The only thing connected with him, we think, that has reached this country, is his saying, imported by Madame de Stael, and thankfully pocketed by most newspaper critics : " Providence has given to the French the empire of the land, to the English that of the sea, to the Germans that of — the air !" Of this last element, indeed, his own genius might easily seem to have been a denizen : so fantastic, many-coloured, far-grasp- ing, every way perplexed and extraordinary in his mode of writing, that to translate him is next to impossible; nay, a dictionary of his works has actually been in part published for the use of German readers ! These things have re- stricted his sphere of action, and may long re- strict it to his own counay: but there, in re- turn, he is a favourite of the first class ; studied through all his intricacies with trustful admi- ration, and a love which tolerates much. Dur- ing the last forty years, he has been continually before the public, in various capacities, and growing generally in esteem with all ranks of critics; till, at length, his gainsayers have been either silenced or convinced ; and Jean Paul, at first reckoned haif-mad, has long ago vindicated his singularities to nearly universal satisfaction, and noiv combines popularity with real depth of endowment, in perhaps a greater degree than any other writer; being second in the latter point to scarcely more fhan one of his contemporaries, and in the former second to none. The biography of so distinguished a person could scarcely fail to be interesting, especial- ly his autobiography; which, accordingly, we wait for, andmay in time submit to our readers, if it seem worthy: meanwhile, the history of his life, so far as outward events characterize JEAN PAUL FRIEDRICH RICHTER. 9 it, may be stated in fi w -words. He was born at Wunsiedel in Bayreuth, in March, 1763. His father was a subaltern teacher in the Gym- nasium of the place, and was afterwards pro- moted to be clergyman at Schwarzbach on the Saale. Richter's early education was of the scantiest sort ; but his fine faculties and un- wearied diligence supplied every defect. Un- able to purchase books, he borrowed what he could come at, and transcribed from them, often great part of their contents, — a habit of ex- cerpting, which continued with him through life, and influenced, in more than one way, his mode of writing and study. To the last, he was an insatiable and universal reader; so that his extracts accumulated on his hands, •'till they filled whole chests." In 1780, he went to the University of Leipzig ; with the highest character, in spite of the impediments which he had struggled with, for talent and ac- quirement. Like his father, he was destined for Theology ; from which, however, his va- grant genius soon diverged into Poetry and Phi- losophy, to the neglect, and, ere long, to the final abandonment, of his appointed profession. Not well knowing what to do, he now accepted a tutorship in some family of rank ; then he had pupils in his own house, — which, how- ever, like his way of life, he often changed; for by this time he had become an author, and, in his wanderings over Germany, was putting forth, — now here, now there, — the strangest books, with the strangest titles : For instance, — Greenland Lawsuits ; — Biographical Recreations under the Cranium of a Giantess; — Selection from the Papers of the Devil; — and the like. In these indescribable performances, the splendid fa- culties of the writer, luxuriating as they seemed in utter riot, could not be disputed ; nor, with all its extravagance, the fundamental strength, honesty, and tenderness of his nature. Genius will reconcile men to much. By degrees, Jean Paul began to be considered not a strange, crackbrained mixture of enthusiast and buf- foon, but a man of infinite humour, sensibility, force, and penetration. His writings procured him friends and fame ; and at length a wife and a settled provision. With Caroline Mayer, his good spouse, and a pension (in 1802) from the King of Bavaria, he settled in Bayreuth, the capital of his native province ; where he lived thenceforth, diligent and celebrated in many new departments of literature; and died on the 14th of November, 1825, loved as well as admired by all his countrymen, and most by those who had known him most intimately. A huge, irregular man, both in mind and person, (for his portrait is quite a physiogno- mical study,) full of fire, strength, and impe- tuosity, Richter seems, at the same time, to have been, in the highest degree, mild, simple- hearted, humane. He was fond of conversation, and might well shine in it: he talked, as he wrote, in a style of his own, full of wild strength and charms, to which his natural Bayreuth ac- cent often gave additional effect. Yet he loved retirement, the country, and all natural things ; from his youth upwards, he himself tells us, he may almost be said to have lived in the open air ; it was among groves and meadows that he studied, — often that he wrote. Even in 2 the streets of Bayreuth, we have heard, he was seldom seen without a flower in his breast. A man of quiet tastes, and warm, compassionate affections ! His friends he must have loved as few do. Of his poor and humble mother he often speaks by allusion, and never without reverence and overflowing tenderness. " Un- happy is the man," says he, " for whom his own mother has not made all other mothers vener- able !" and elsewhere : — " O thou who hast still a father and a mother, thank God for it in the day when thy soul is full of joyful tears, and needs a bosom wherein to shed them !" — We quote the following sentences from Doer- ing, almost the only memorable thing he has written in this volume: — " Richter's studying or sitting apartment of- fered, about this time, (1793,) a true and beau- tiful emblem of his simple and noble way of thought, which comprehended at once the high and the low. Whilst his mother, who then lived with him, busily pursued her household work, occupying herself about stove and dres- ser, Jean Paul was sitting in a corner of the same room, at a simple writing-desk, with few or no books about him, but merely with one or two drawers containing excerpts and manu- scripts. The jingle of the household operations seemed not at all to disturb him, any more than did the cooing of the pigeons, which fluttered to and fro in .the chamber, — a place, indeed, of considerable size." — P. 8. Our venerable Hooker, we remember, also enjoyed " the jingle of household operations," and the more questionable jingle of shrewd tongues to boot, while he wrote ; but the good thrifty mother, and the cooing pigeons, were wanting. Richter came afterwards to live in finer mansions, and had the great and learned for associates ; but the gentle feelings of those days abode with him: through life he was the same substantial, determinate, yet meek and tolerating man. It is seldom that so much rugged energy can be so blandly attempered; — that so much vehemence and so much soft- ness will go together. The expected edition of Richter's works is to be in sixty volumes: and they are no less multifarious than extensive; embracing sub- jects of all sorts, from the highest problems of transcendental philosophy, and the most passionate poetical delineations, to Golden Rules for the Weather-Prophct, and instructions in the Art of Falling Asleep. His chief productions are novels : the Unsichtbare Loge (Invisible Lodge); Flcgcljahre (Wild-Oats); Life of Fix- lein ; the Jubelsenior (Parson in Jubilee); Schmelzlc^s Journey to Fldtz ; Katzenberger^s Journey to the Bath; Life of Fibel ; with r:.«any lighter pieces ; and two works of a higher order, Hesperus and Titan, the largest and the best of his novels. It was the former that first (in 1795) introduced him into decisive and universal estimation with his countrymen : the latter he himself, with the most judicious of his critics, regarded as his master-piece. But the name Novelist, as we in England must understand it, would ill describe so vast and discursive a genius : for, with all his grotesque, tumultuous pleasantry, Richter is a man of a truly earnest, nay, high and solemn character 10 CARLYLE'S MISCELLANEOUS WRITINGS. and seldom writes -without a meaning far be- yond the sphere of common romancers. Hes- perus and Titan themselves, though in form nothing more than "novels of real life," as the Minerva Press would sa^', have solid metal enough in them to furnish whole circulating libaries, were it beaten into the usual filigree ; and much which, attenuate it as we might, no quarterly subscriber could well carry with him. Amusement is often, in part almost always, a mean with Richter; rarely or never his high- est end. His thoughts, his feelings, the creations of his spirit, walk before us imbodied under rrondrous shapes, in motley and ever-fluctuat- 'ng groups ; but his essential character, how- ever he disguise it, is that of a Philosopher and moral Poet, whose study has been human nature, whose delight and best endeavour are with all that is beautiful, and tender, and m)'s- teriously sublime, in the fate or history of man. This is the purport of his writings, whether their form be that of fiction or of truth; the spirit that pervades and ennobles his delineations of common life, his wild wayward dreams, allego- ries, and shadowy imaginings, no less than his disquisitions of a nature directly scientific. But in this latter province also, Richter has accomplished much. His Vorschuk der Aesthetik (Introduction to Esthetics*) is a work on po- etic art, based on principles of no ordinary depth and compass, abounding in noble views, and, notwithstanding its frolicsome exuberance, in sound and subtile criticism ; esteemed even in Germany, where criticism has long been treated of as a science, and by such persons as Winkelmann, Kant, Herder, and the Schlegels. Of this work we could speak long, did our limits allow. We fear it might astonish many an honest brother of our craft, were he to read it; and altogether perplex and dash his maturest counsels, if he chanced to understand it. — Richter has also written on education, a work entitled Levana ; distinguished by keen prac- tical sagacity, as well as generous sentiment, andacertain sobermagnificence of speculation ; the whole presented in that singular style which characterizes the man. Germany is rich in works on Education ; richer at present than any other country: it is there only that some echo of the Lockes and Miltons, speaking of this high matter, may still be heard ; and speak- ing of it in the language of our own time, with insight into the actual wants, advantages, perils, and prospects of this age. Among writers on this subject, Richter holds a high place ; if we look chiefly at his tendency and aims, perhaps the highest. — The Clavis Fichti- ana is a ludicrous pertbrmance, known to us only by report; but Richter is said to possess the merit, while he laughs at Fichte, of under- standing him; a merit among Fichte's critics, which seems to be one of the rarest. Report also, we regret to say, is all that we know of the Campaner Thai, a Discourse on the Immor- tality of the Soul ; one of Richter's beloved topics, or rather the life of his whole philosophy, ♦ From aiVSai/o/xai, to feel. A word invented by Baumgarten, (some eighty years ago,) to express gener- ally the Science of the Fine Mrtf ; and now in universal use among the Germans. Perhaps we also might as well adopt it ; at least if any such science should ever arise among us. glimpses of which look forth on us from almost every one of his writings. He died while en gaged, under recent and almost total blindness, in enlarging and remodelling this Campaner Thai : the unfinished manuscript was borne upon his coffin to the burial vault; and Klop- stock's hymn, Auferstehen wirst du, " Thou shall arise, my soul," can seldom have been sung with more appropriate application than over the grave of Jean Paul. We defy the most careless or prejudiced reader to peruse these works without an im- pression of something splendid, wonderful, and daring. But they require to be studied as well as read, and this with no ordinary patience, if the reader, especially the foreign reader, wishes to comprehend rightly either their truth or their want of truth. Tried by many an accepted standard, Richter would be speedily enough disposed of; pronounced a mystic, a German dreamer, a rash and presumptuous innovator; and so consigned, with equanimity, perhaps with a certain jubilee, to the Limbo appointed for all such wind-bags and deceptions. Ori- ginality is a thing we constantly clamour for, and constantly quarrel with ; as if, observes our author himself, any originality but our own could be expected to content us ! In fact, all strange things are apt, withoutfaultof theirs, to estrange us at first view, and unhappily scarcely any thing is perfectly plain, but what is also perfectly common. The current coin of the realm passes into all hands ; and be it gold, silver, copper, is acceptable and of known value: but with new ingots, with foreign bars, and medals of Corinthian brass, the case is widely different. There are few writers with whom delibera- tion and careful distrust of first impressions are more necessary than with Richter. He is a phenomenon from the very surface ; he presents himself with a professed and deter- mined singularity: his language itself is a stone of stumbling to the critic; to critics of the grammarian species, an unpardonable, often an insuperable, rock of offence. Not that he isignorant of grammar, or disdains the sciences of spelling and parsing ; but he exercises both in a certain lalitudinarian spirit; deals with astonishing liberality in parentheses, dashes, and subsidiary clauses ; invents hundreds of new words, alters old ones, or by hyphen, chains, pairs, and packs them together into most jarring combination ; in short, produces sentences of the most heterogeneous, lun^ber- mg, interminable kind. Figures without limit indeed the whole is one tissue of metaphors, and similes, and allusions to all the provinces of Earth, Sea, and Air, interlaced with epi- grammatic breaks, vehement bursts, or sar- donic turns, interjections, quips, puns, and even oaths ! A perfect Indian jungle it seems; a boundless, unparalleled imbroglio; nothing on all sides but darkness, dissonance, confusion worse confounded ! Then the style of the whole corresponds, in perplexity and extrava- gance, with that of the parts. Every work, be it in fiction or serious treatise, is embaled in some fantastic wrappage, some mad narrative ac- counting for its appearance, and connecting it with the author, who generally becomes a per JEAN PAUL FRIEDRTCH RICHTER. 11 son of the drama himself, before all is over. He has a whole imaginary geography of Europe in his novels ; the cities of Flachsenfingen, Haarhaar, Scheerau, and so forth, with their princes, and privy-councillors, and serene highnesses; most of whom, odd enough fel- lows every way, are Richter's private acquaint- ances, talk with him of state matters, (in the purest Tory dialect,) and often incite him to get on with his writing. No story proceeds without the mjst erratic digressions, and voluminous tagrags rolling after it in many a snaky twine. Ever and anon there occurs some "Extra-leaf," with its satirical petition, programme, or other wonderful intercalation, no mortal can foresee on what. It is, indeed, a mighty maze; and often the panting reader toils after him in vain, or, baffled and spent, indignantly stops short, and retires perhaps for ever. All this, we must admit, is true of Richter; but much more is true also. Let us not turn from him after the first cursory glance, and imagine we have settled his account by the words Rhapsody and Affectation. They are cheap words we allow, and of sovereign po- tency ; we should see, therefore, that they be not rashly applied. Many things in Richter accord ill with such a theory. There are rays of the keenest truth, nay, steady pillars of scientific light rising through this chaos: Is it in fact a chaos, or may it be that our eyes are not of infinite vision, and have only missed the plan 1 Few rhapsodists are men of science, of solid learning, of rigorous study, and ac- curate, extensive, nay, universal knowledge ; as he is. With regard to affectation, also, there is much to be said. The essence of afl^ecta- tion is that it be assumed: the character is, as it were, forcibly crushed into some foreign mould, in the hope of being thereby reshaped and beautified ; the unhappy man persuades himself that he is in truth a new and wonder- fully engaging creature, and so he moves about with a conscious air, though every movement betrays not symmetry, but dislocation. This it is to be affected, to walk in a vain show. But the •Strangeness alone is no proof of the vanity. Many men that move smoothly in the old es- tablished railways of custom will be found to have their affectation ; and perhaps here and there some divergent genius be accused of it unjustly. The show, though common, may not cease to be vain; nor become so for being uncommon. Before we censure a man for seeming what he is not, we should be sure that we know what he is. As to Richter in parti- cular, wj think it but fair to observe, that strange and tumultuous as he is, there is a certain benign composure visible in his writings; a mercy, a gladness, a reverence, united in such harmony, as we cannot but think tespeaks not a false, but a genuine state of mind; not a feverish and morbid, but a healthy and robust state. The secret of the matter, perhaps, is that Richter requires more study than most readers care to give ; for, as we approach more closely, many things grow clearer. In the man's own sphere there is c insistency; the farther we ad- vance into it, we see confusion more and more nnfold itself intJ order till at last, viewed from its proper centre, his intellectual universe, no longer a distorted, incoherent series of air- landscapes, coalesces into compact expansion ; a vast, magnificent, and variegated scene ; full, indeed, of wondrous products, and rude, it may be, and irregular; but gorgeous, and varied, and ample ; gay with the richest ver- dure and foliage, and glittering in the brightest and kindest sun. Richter has been called an intellectual Co- lossus ; and in truth it is still somewhat in this light that we view him. His faculties are all of gigantic mould; cumbrous, awkward in their movements ; large and splendid rather than harmonious or beautiful ; yet joined in living union, and of force and compass altogether extraordinary. He has an intellect vehement, rugged, irresistible ; crushing in pieces the hardest problems; piercing into the most hid- den combinations of things, and grasping the most distant: an imagination vague, sombre, splendid, or appalling; brooding over the abysses of Being; wandering through Infini- tude, and summoning before us, in its dim re- ligious light, shapes of brilliancy, solemnity, or terror: a fancy of exuberance literally un- exampled; for it pours its treasures with a lavishness which knows no limit, hanging, like the sun, a jewel on every grass-blade, and sowing the earth at large with orient pearl. But deeper than all these lies Humour, the ruling quality with Richter; as it were the central fire that pervades and vivifies his whole being. He is a humorist from his inmost soul; he thinks as a humorist, he feels, imagines, acts as a humorist : Sport is the element in which his nature lives and works. A tumultuous element for such a nature, and wild work he makes in il ! A Titan in his sport as in his earnestness, he oversteps all bound, and riots without law or measure. He heaps Pelion upon Ossa, and hurls the universe together and asunder hke a case of playthings. The Moon "bombards" the Earth, being a rebellious satellite; Mars " preaches" to the other planets very singular doctrine ; nay, we have Time and Space them- selves playing fantastic tricks : it is an infinite masquerade; all Nature is gone forth mum- ming in the strangest guises. Yet the anarchy is not without its purpose; these vizards are not mere hollow masks; but there are living faces beneath them, and this mumming has its significance, Richter is a man of mirth, but he seldom or never conucscf r.d? to be a merry-andrew. Nay, in spite of its extrava- gance, we should say that his humour is of all his gifts intrinsically the finest and most genu- ine. It has such witching turns ; there is some- thing in it so capricious, so quaint, so heartfelt. From his Cyclopean workshop, and its fuligi- nous limbecs, and huge unwieldy machinery, the little shrivelled, twisted figure comes forth at last, so perfect and so living, to be for ever laughed at and for ever loved I Wayward as he seems, he works not without forethought; like Rubens, by a single stroke, he can change a laughing face into a sad one. But in his smile itself, a touching pathos may lie hidden, a pity loo deep for tears. He is a man of feel- ing, in the noblest sense of that word ; for he loves all living with the heart of a brother; his 12 CARLYLE'S MISCELLANEOUS WRITINGS. st*il rusTies forth, in sympathy with gladness and sorrow, with goodness or grandeur, over all creation. Every gentle and generous affec- tion, every thrill of mercy, every glow of nobleness, awakens in his bosom a response, nay, strikes his spirit into harmony ; a wild music as of wind-harps, floating round us in fitful swells, but soft sometimes, and pure and soul-entrancing as the song of angels ! Aver- sion itself with him is not hatred; he despises much, but justly, with tolerance also, with placidity, and even a sort of love. Love, in fact, is the atmosphere he breathes in, the me- dium through which he looks. His is the spirit which gives life and beauty to whatever it embraces. Inanimate Nature itself is no longer an insensible assemblage of colours and perfumes, but a mysterious Presence, with which he communes in unutterable sympathies. We might call him, as he once called Herder, "a Priest of Nature, a mild Bramin," wandering amid spicy groves, and under benignant skies. The infinite Night with her solemn aspects. Day, and the sweet approach of Even and Morn, are full of meaning for him. He loves the green Earth with her streams and forests, her flowery leas and eternal skies; loves her with a sort of passion, in all her vicissitudes of light and shade ; his spirit revels in her grandeur and charms ; expands like the breeze over wood and lawn, over glade and dingle, stealing and giving odours. It has sometimes been made a wonder that things so discordant should go together; that men of humour are often likewise men of sen- sibility. But the wonder should rather be to see them divided; to find true genial humour dwelling in a mind that was coarse or callous. The essence of humour is sensibility; warm, tender fellow-feeling with all forms of existence. Nay, we may say that unless seasoned and purified by humour, sensibility is apt to run wild ; will readily corrupt into disease, false- hood, or, in one word, sentimentality. Wit- ness Rousseau, Zimmermann, in some points also St. Pierre : to say nothing of living in- stances ; or of the Kotzebues, and other pale hosts of wobegone mourners, whose wailings, like the howl of an Irish wake, from time to time cleft the general ear. The last perfection of our faculties, says Schiller with a truth far deeper than it seems, is that their activity, with- out ceasing to be sure and earnest, become sport. True humour is sensibility, in the mostcatholic and deepest sense ; but it is this sport of sensi- bility ; wholesome and perfect therefore ; as it were, the playful teasing fondness of a moth:/ to her child. That faculty of irony, of caricature, which often passes by the name of humour, but con- sists chiefly in a certain superficial distortion or reversal of objects, and ends at best in laughter, bears no resemblance to the humour of Richtcr. A shallow endowment this ; and often more a habit than an endowment. It is but a poor fraction of humour; or rather, it is the body to which the soul is wanting ; any life it has being false, artificial, and irrational. True numour springs not more from the head ♦han from the heart; it is not contempt, its r?sence is love ; it issues not in laughter, but in still smiles, which lie far deeper. It is a sort of inverse sublimity; exalting, as it were, into our affections what is below us, while sublimity draws down into our affections what is above us. The former is scarcely less ' precious or heart-affecting than the latter; per- haps it is still rarer, and, as a test of genius, still more decisive. It is, in fact, the bloom and perfume, the purest effluence of a deep, fine, and loving nature; a nature in harmony with itself, reconciled to the world and its stinted- ness and contradiction, nay, finding in this very contradiction new elements of beauty as well as goodness. Among our own writers, Shakspeare in this as in all other provinces, must have his place: yet not the first; his humour is heartfelt, exuberant, warm, but sel- dom the tenderest or most subtile. Swift in- clines more to simple irony; yet he had genu- ine humour too, and of no unloving sort, though cased, like Ben Jonson's, in a most bitter and caustic rind. Sterne follows next; our last specimen of humour, and, with all his faults, our best; our finest, if not our strongest, for Yoricl\ and Corporal Trim, and Uncle Toby, have yet no brother but in Don Quixote, far as he lies above them. Cervantes is indeed the purest of all humourists ; so gentle and genial, so full yet so ethereal, is his humour, and in such ac- cordance with itself and his whole noble na- ture. The Italian mind is said to abound in humour; yet their classics seem to give us no right emblem of it : except, perhaps, in Ariosto, there appears little in their current poetry that reaches the region of true humour. In France, since the days of Montaigne, it seems to be nearly extinct. Voltaire, much as he dealt in ridicule, never rises into humour; and even with Moliere, it is far more an affair of the un- derstanding than of the character. That in this point, Richter excels all German authors, is saying much for him, and may be said truly. Lessing has humour, — of a sharp, rigid, substantial, and on the whole, genial sort : yet the ruling bias of his mind is to logic. So likewise has Wieland, though much diluted by the general loquacity of his mature, and impo- verished still farther by the influences of a cold, meagre, French skepticism. Among the Ramlers, Gellerts, Hagedorns, of Frederick the Second's time, we find abundance, and delicate in kind too, of that light matter which the French call pleasantry; bui little or nothing that deserves the name of humour. In the present age, however, there is Goethe, with a rich true vein ; and this sublimated, as it were, to an essence, and blended in still union with his whole mind. Tieck also, among his many fine susceptibilities, is not without a vt^arm keen sense for the ridiculous ; and a humour rising, though by short fits, and from a much lower atmosphere, to be poetic. But of all these men, there is none that, in depth, copiottsness, and intensity of humour, can be compared with Jean Paul. He alone exists in humour; lives, moves, and has his being in it. With him it is not so much united to his other .'^.jalities, of intellect, fancy, imagination, mora, feeling, as these are united to it; or rather unite them- selves to it, and grow under its warmth, as in their proper temperature and climate. Not aa JEAN PAUL FRIEDRICH RICHTER. It if we meant to assert that his humour is in all cases perfectly natural and pure ; nay, that it is not often extravagant, untrue, or even ab- surd: but still, on the whole, the core and life of it are genuine, subtile, spiritual. Not without reason have his panegyrists named him Jean Paul der Einzige, — " Jean Paul the Only :" in one sense or the other, either as praise or cen- sure, his critics also must adopt this epithet ; for surely, in the whole circle of literature, we look in vain for his parallel. Unite the sportfulness of Rabellais, and the best sensibi- lity of Sterne, with the earnestness, and, even in slight portions, the sublimity of Milton ; and and let the mosaic brain of old Burton give forth the workings of this strange union, with the pen of Jeremy Bentham ! To say how, with so peculiar a natural en- dowment, Richter should have shaped his ind by culture, is much harder than to say •»at he has shaped it wrong. Of affectation ■ie will neither altogether clear him, nor very oudly pronounce him guilty. That his man- ter of writing is singular, nay, in fact, a wild U)mplicated Arabesque, no one can deny. But the n^uft question is, — how nearly does this manner of writing represent his real manner of thinking and existing ? With what degree of freedom does it allow this particular form of being to manifest itself; or what fetters and perversions does it lay on such manifestation 1 For the great law of culture is : Let each be- come all that he was created capable of being ; expand, if possible, to his full growth; resist- ing all impediments, casting off all foreign, especially all noxious adhesions ; and show himself at length in his own shape and stature, be these what they may. There is no uniform of excellence, either in physical or spiritual nature : all genuine things are what they ought to be. The reindeer is good and beautiful, so likewise is the elephant. In literature it is the same: "every man," says Lessing, "has his own style, like his own nose." True, there are noses of wonderful dimensions; but no nose can justly be amputated by the public, — not even the nose of Slawkenbergius himself: so it be a real nose, and no wooden one, put on for deception's sake and mere show. To speak in grave language, Lessing means, and we agree with him, that the outward style is to be judged of by the inward qualities of the spirit which it is employed to body forth ; that, without prejudice to critical propriety, well understood, the former may vary into many shapes as the latter varies; that, in short, the grand point for a writer is not to be of this or that external make and fashion, but, in every fashion, to be genuine, vigorous, alive, —alive with his whole being, consciously, and for beneficent results. Tried by this test, we imagine Richter's wild manner will be found less imperfect than many a very tame one. To the man it may not be unsuitable. In that singular form, there is a fire, a splendour, a benign energy, which per- suades us into tolerance, nay into love, of much that might otherwise offend. Above all, this man, alloyed with imperfections as he may be, IS consistent and coherent: he is at one with himself; lie knows his aims, and pursues them iU' sincerity of heart, joyfully, and with undi- vided will. Aharmoniousdevelopmentof being, the first and last object of all true culture, has therefore been attained ; if not completely, at least more completely than in one of a thousand ordinary men. Nor let us forget, that in such a nature, it was not of easy attainment; that where much was to be developed, some imper- fection should be forgiven. It is true, the beaten paths of literature lead the safeliest to the goal ; and the talent pleases us most, which submits to shine with new gracefulness through old forms. Nor is the noblest and most pecu- liar mind too noble or peculiar for working by prescribed laws : Sophocles, Shakspeare, Cer- vantes, and in Richter's own age, Goethe, how little did they innovate on the given forms of composition, how much in the spirit they breathed into them ! All this is true ; and Richter must lose of our esteem in proportion. Much, however, will remain ; and why should we quarrel with the high, because it is not the highest 1 Richter's worst faults are nearly al- lied to his best merits ; being chiefly exuber- ance of good, irregular squandering of wealth, a dazzling with excess of true light. These things may be pardoned the more readily, as they are little likely to be imitated. On the whole. Genius has privileges of its own ; it selects an orbit for itself; and be this never so eccentric, if it is indeed a celestial orbit, we mere star-gazers must at last com- pose ourselves ; must cease to cavil at it, and begin to observe it, and calculate its laws. That Richter is a new planet in the intellec- tual heavens, we dare not affirm ; an atmo- spheric meteor he is not wholly; perhaps a comet, that, though with long aberrations, and shrouded in a nebulous veil, has yet its place in the empyrean. Of Richter's individual works, of his opinions, his general philosophy of life, we have no room left us to speak. Regarding his novels, we may say, that, except in some few instances, and those chiefly of the shorter class, they are not what, in strict language, we can term unities : with much callida junctura of parts, it is rare that any of them leaves on us the impression of a perfect, homogeneous, indivisible whole A true work of art requires to he fused in the mind of its creator, and as it were, poured forth (from his imagination, though not from his pen) at one simultaneous gush. Richter's works do not always bear sufficient marks of having been in fusion; yet neither are they merely riveted together : to say the least, they have been ivelded. A similar remark applies to many of his characters ; indeed, more or less, to all of them, except such as are entirely humourous, or have a large dash of humour. In this latter province, certainly he is at home ; a true poet, a maker : his Siebenkds, his Schmelzle, even his Fibel and Fixlein are living figures. But in heroic personages, passionate, massive, overpowering as he is, we have scarcely ever a complete ideal ; art has not attained to the concealment of itself. With his heroines agaia he is more successful ; they are often true he- roines, though perhaps with too little variety of character; bustling, buxom mothers and housewives, with all the caprices, perversities, B 14 CARLYLE'S MISCELLANEOUS WRITINGS. and warm, gen jrous helpfulness of women ; or white, half-angelic creatures, meek, still, long-suffering, high-minded, of tenderest affec- tions, and hearts crushed yet uncomplaining. Supernatural figures he has not attempted ; and wisely, for he cannot write without belief. Yet many times he exhibits an imagination of a singularity, nay, on the whole, of a truth and grandeur,unexampled elsewhere. In his dreams there is a mystic complexity, a gloom, and amid the dim, gigantic, half-ghastly shadows, gleam- ings of a wizard splendour, which almost recall to us the visions of Ezekiel. By readers who have studied the Dream in the New-year's Eve we shall not be mistaken. Richter's Philosophy, a matter of no ordinary interest, both as it agrees with the common philosophy of Germany, and disagrees with it, must not be touched on for the present. One only observation we shall make : it is not me- chanical, or skeptical ; it springs not from the forum or the laboratory, but from the depths of the human spirit; and yields as its fairest product a noble system of morality, and the firmest conviction of religion. In this latter point we reckon him peculiarly worthy of study. To a careless reader he might seem the wildest of infidels ; for nothing can exceed the freedom with which he bandies to and fro the dogmas of religion, nay, sometimes, the highest objects of Christian reverence. There are pas- sages of this sort, which will occur to every reader of Richter ; but which, not to fall into the error we have already blamed in Madame de Stael, we shall refrain from quoting. More light is in the following: "Or," inquires he, in his usual abrupt way, (Note to SchmelzWi Journey,') " Or are all your Mosques, Episcopal Churches, Pagodas, Chapels of Ease, Tabernacles, and Pantheons, any thing else but the Ethnic Fore- court of the Invisible Temple and its Holy of Holies ?" Yet, independently of all dogmas, nay, perhaps in spite of many, Richter is, in the highest sense of the word, religious. A reverence, not a self-interested fear, but a noble reverence for the spirit of all goodness, forms the crown and glory of his culture. The fiery elements of his nature have been purified under holy influences, and chastened by a principle of mercy and humility into peace and well-doing. An intense and continual faith in man's immortality and native grandeur accompanies him ; from amid the vortices of life he looks up to a heavenly loadstar; the solution of what is visible and transient, he finds in what is invisible and eternal. He has doubted, he denies, yet he believes. " When, in your last hour," says he, (Levana, p. 251,) " when, in your last hour, (think of this,) all faculty in the broken spirit shall fade away and die into inanity, — imagination, thought, effort, enjoyment, — then at last will the night- flower of Belief alone continue blooming, and refresh with its perfumes in the last darkness." To reconcile these seeming contradictions, to explain the grounds, the manner, the con- gruity of Richter's belief, cannot be attempted here. We recommend him to the study, the tolerance, and even the praise, of all men who have inquired into this highest of questions with a right spirit; inquired with the martyr fearlessness, but also with the martyr reve- rence, of men that love Truth, and will not ac- cept a lie. A frank, fearless, honest, yet truly spiritual faith is of all things the rarest in our time. Of writings which, though with many reser- vations, we have praised so much, our hesitat- ing readers may demand some specimen. To unbelievers, unhappily, we have none of a convincing sort to give. Ask us not to repre- sent the Peruvian forests by three twigs pluck- ed from them ; or the cataracts of the Nile by a handful of its water ! To those, meanwhile, who will look on twigs as mere dissevered twigs, and a handful of water as only so many drops, we present the following. It is a sum- mer Sunday night ; Jean Paul is taking leave of the Hukelum Parson and his wife ; like him we have long laughed at them or wept for them ; like him, also, we are sad to part from them. " We were all of us too deeply moved. We at last tore ourselves asunder from repeated embraces ; my friend retired with the soul whom he lov^. I remained alone behind with the Night. "And I walked without aim through woods, through valleys, and over brooks, and through sleeping villages, to enjoy the great Night, like a Day. I walked, and still looked, like the magnet, to the region of midnight, to strength- en my heart at the gleaming twilight, at this upstretching aurora of a morning beneath our feet. White night-butterflies flitted, while blos- soms fluttered, white stars fell, and the white snow-powder hung silvery in the high Shadow of the Earth, which reaches beyond the Moon, and which is our Night. Then began the iEolian Harp of the Creation to tremble and tc sound, blown on from above ; and my immor- tal Soul was a string in this harp. — The heart of a brother, everlasting Man, swelled under the everlasting heaven, as the seas swell under the sun and under the moon. — The distaivt village clocks struck midnight, mingling, as it were, with the ever-pealing tone of ancient Eternity. — The limbs of my buried ones touched cold on my soul, and drove away its blots, as dead hands heal eruptions of the skin. — I walked silently through little hamlets, and close by their outer church-yards, where crum- bled upcast coffin-boards were glimmering, while the once bright eyes that had lain in them were mouldered into gray ashes. Cold thought I clutch not like a cold spectre at my heart : I look up to the starry sky, and an ever- lasting chain stretches thither, and over, and below ; and all is Life and Warmth, and Light, and all is Godlike or God. . . "Towards morning, I described thy late lights, little city of my dwelling, which I be- long to on this side the grave ; I returned to the Earth ; and in thy steeples, behind the by- advanced great midnight, it struck half-pavSt two : about this hour, in 1794, Mars went down in the west, and the Moon rose in the east; and my soul desired, in grief for the noble warlike blood which is still streaming on the blossoms of spring : * Ah, retire, bloody War, like red Mars : and thou, still Peace, come forth like the mild divided Moon !' " — End of Quintvs Fixlein. STATE OF GERMAN LITERATURE. 16 Such, seen through no uncoloured medium, t It in dim remoteness, and sketched in hurried, transitory outline, are some features of Jean Paul Friedrich Richter and his works. Ger- many has long loved him; to England also he must one day become known ; for a man of this magnitude belongs not to one people, but to the world. What our countrymen may decide of him, still more what may be his for- tune with posterity, we will not try to foretell. Time has a contracting influence on many a wide-spread fame ; yet of Richter we will say, that he may survive much. There is in him that which does not die ; that Beauty and Earnest- ness of soul, that spirit of Humanity, of Love and mild Wisdom, over which the vicissitudes of mode have no sway. This is that excellence of the inmost nature which alone confers immortality on writings ; that charm which still, under every defacement, binds us to the pages of our own Hookers, and Taylors, and Brownes, when their way of thought has long ceased to be ours, and the most valued of their merely intellectual opinions have passed away, as ours too must do, with the circumstances and events in which they took their shape or rise. To men of a right mind, there may long be in Richter much that has attraction and value. In the moral desert of vulgar Lite- rature, with its sandy wastes, and parched, bitter, and too often poisonous shrubs, the writings of this man will rise in their irregular luxuriance, like a cluster of date-trees, with its greensward and well of water, to refresh the pilgrim, in the sultry solitude, with nou- rishment and shade. STATE OF GERMAN LITERATURE.* [Edinburgh Review, 1827.] These two books, notwithstanding their di- versity of title, are properly parts of one and the same ; the " Outlines," though of prior date in regard to publication, having now assumed the character of sequel and conclusion to the larger work, — of fourth volume to the other three. It is designed, of course, for the home market ; yet the foreign student also will find in it a safe and valuable help, and, in spite of its imperfections, should receive it with thank- fulness and good-will. Doubtless we might have wished for a keener discriminative and descriptive talent, and perhaps for a somewhat more catholic spirit, in the writer of such a history: but in their absence we have still much to praise. Horn's literary creed would, on the whole, we believe, be acknowledged by his countryman as the true one ; and this, though it is chiefly from one immovable station that he can survey his subject, he seems heartily anxious to apply with candour and tolerance. Another improvement might have been a deeper principle of arrangement, a firmer grouping into periods and schools; for, as it stands, the work is more a critical sketch of German Poets, than a history of German Poetry. Let us not quarrel, however, with our au- tiior; his merits as a literary historian are plain, and by no means inconsiderable. Without rivalling the almost frightful laboriousness of Bouterwek or Eichhorn, he gives creditable proofs of research and general information, and possesses a lightness in composition, to which neither of these erudite persons can well pre- tend. Undoubtedly he has a flowing pen, and • 1. Die Poesie und Beredsavikeit der Deutsclien, von Lu- thers Zeit bis lur Oegtnwart. Dargestellt von Franz Horn. (The Poetry and Oratory of the Germans, from Luther's Time to the Present. Exhibited by Franz Horn.) Berlin, 1822—1824. 3 vols. 8vo. 2. Umrisse txr Oeschichte und Kritik der schonen Literatur Deutschlanda wdhrend der Jahn:, 1790 — 1818. (Outlines for the History and Critirism of Polite Litera- ure in Germany, during the years 1790—18 i8.) By Franz Born. Berlin, 1819, 8vo. is at home in this province ; not only a speak- er of the word, fndeed, but a doer of the work; having written, besides his great variety of tracts and treatises, biographical, philosophi- cal, and critical, several very deserving works of a poetic sort. He is not, it must be owned, a very strong man, but he is nimble and or- derly, and goes through his work with a cer- tain gayety of heart; nay, at times, with a frolicsome alacrity which might even require to be pardoned. His character seems full of susceptibility; perhaps too much so for its natural vigour. His novels, accordingly, to judge from the few we have read of them, verge towards the sentimental. In the present work, in like manner, he has adoptee' nearly all the best ideas of his contemporaries, but with something of an undue vehemence; and he advocates the cause of religion, integrity, and true poetic taste with great heartiness and vivacity, were it not that too often his zeal outruns his prudence and insight. Thus, for instance, he declares repeatedly, in so many ■ words, that no mortal can be a poet unless he is a Christian. The meaning here is very good; but why this phraseology 1 Is it not inviting the simple-minded (not to speak of scoflers, whom Horn very justly contemns,) to ask, when Homer subscribed the Thirty-nine Ar tides 1 or whether Sadi and Hafiz were really of the Bishop of Peterborough's opinion? ^Again, he talks too often of " representing the Infinite in the Finite," of expressing the un speakable, and such high matters. In fact, Horn's style, though extremely readable, has one great fault; it is, to speak it in a :ingle word, an aflfected style. His stream of mean- ing, uniformly clear and wholesome in itself, will not flow quietly along its channel ; but is ever and anon spurting up into epigram and antithetic jets. Playful he is, and kindly, and we do believe, honest-hearted ; but there is a certain snappishness in him, a frisking abrupt ness ; and then his sport is more a perpetuai 1« CARLYLE'S MISCELLANEOUS WRITINGS. giggle, than any dignified smile, or even any- sufficient laugh with gravity succeeding it. This sentence is among the best we recollect of him, and will partly illustrate what we mean. We submit it, for the sake of its import likewise, to all superfine speculators on the Reformation, in their future contrasts of Luther and Erasmus. "Erasmus," says Horn, "be- longs to that species of writers who have all the desire in the world to build God Almighty a magnificent church, — at the same time, how- ever, not giving the Devil any offence ; to whom, accordingly, they set up a neat little chapel close by, where you can offer him some touch of sacrifice at a time, and practise a quiet household devotion for him without disturb- ance." In this style of " witty and conceited mirth," considerable part of the book is written. But our chief business at present is not with Franz Horn, or his book ; of whom accordingly, recommending his labours to all inquisitive students of German, and himself to good esti- mation with all good men, we must here take leave. We have a word or two to say on that strange literature itself; concerning which our readers piobably feel more curious to learn what it is, than with what skill it has been judged of. Above a century ago, the Pere Bouhours propounded to himself the pregnant question : Si un AUemand pent avoir de Vesprit? Had the Pere Bouhours bethought him of what country Kepler and Leibnitz were, or who it was that gave to mankind the three great elements of modern civilization. Gunpowder, Printing, and the Protestant Religion, it might have thrown light on his inquiry. Had he known the Nibelungen Lied; and where Reimcke Fuchs, and Faust, and the Ship of Fools, and four-fifths of all the popular mythology, humour, and romance, to be found in Europe in the six- teenth and seventeenth centuries, took its rise ; had he read a page or two of Ulrich Hutten, Opitz, Paul Flemming, Logau, or even Lohenstein and Hoffmanns-waldau, all of whom had already lived and written in his day ; had the Pere Bouhours taken this trouble, who knows but he might have found, with what- ever amazement, that a German could actually have a little esprit, or perhaps even something better 1 No such trouble was requisite for the Pere Bouhours. Motion in vacuo is well known to be speedier and surer than through a re- sisting medium, especially to imponderous feodies ; and so the light Jesuit, unimpeded by facts or principles of any kind, failed not to reach his conclusion ; and, in a comfortable frame of mind, to decide negatively, that a Ger- man could not have any literary talent. Thus did the Pere Bouhours evince that he had " a pleasant wit;" but in the end he has paid dear for it. The French, themselves, have long since begun to know something of the Ger- mans, and something also of their own critical Daniel ; and now it is by this one M?uimely joke that the hapless Jesuit is doomed to live ; for the blessing of full oblivion is denied him, and so he hangs suspended in his own noose, over the dusky pool which he struggles toward, but for a great while will not reach. Might his fate but serve as a warning to kindred men of wit, in regard to this and so many other subjects ! For surely the pleasure of despising, at all times and in itself a dangerous luxury, is much safer after the toil of examining than before it. We differ from the Pere Bouhours in this matter, and must endeavour to discuss it dif- ferently. There is, in fact, much in the present aspect of German Literature, not onjydeserving notice but deep consideration from all thinking men, and far too complex for being handled in the way of epigram. It is always advantageous to think justly of our neighbours ; nay, in mere common honesty, it is a duty; and, like every other duty, brings its own reward. Perhaps at the present era this duty is more essential than ever; an era of such promise and such threat- ening, when so many elements of good and evil are everywhere in conflict, and human society is, as it were, struggling to body itself forth anew, and so many coloured rays are springing up in this quarter and in that, which only by their union can produce pure light. Happily, too, though still a difficult, it is no longer an impossible duty; for the commerce in material things has paved roads for commerce in things spiritual, and a true thought, or a noble crea- tion, passes lightly to us from the remotest countries, provided only our minds be open to receive it. This, indeed, is a rigorous proviso, and a great obstacle lies in it ; one which to many must be insurmountable, yet which it is the chief glory of social culture to surmount. For if a man who mistakes his own contract- ed individuality for the type of human nature, and deals with whatever contradicts him, as if it contradicted this, is but a pedant, and with- out true wisdom, be he furnished with partial equipments as he may, — what better shall we think of a nation that, in like manner, isolates itself from foreign influence, regards its own modes as so many laws of nature, and rejects all that is different as Unworthy even of ex- amination! Of this narrow and pei verted condition, the French, down almost to our own times, have afforded a remarkable and instructive example ; as indeed of late they have been often enough upbraidingly reminded, and are now them- selves, in a manlier spirit, beginning to admit. That our countrymen have at any time erred much in this point, cannot, we think, truly be alleged against them. Neither shall we say, with some passionate admirers of Germany, that to the Germans in particular they have been unjust. It is true, the literature and cha- racter of that country, which, within the last half century, have been more worthy perhaps than any other of our study and regard, are still very generally unknown to us, or, what is worse, misknown : but for this there are not wanting less offensive reasons. That the false and tawdry ware, which was in all hands, should reach us before the chaste and truly excellent, which it required some excellence to recognise; that Kotzebue's insanity should have spread faster, by some fifty years, than Lessing's wisdom ; that Kant's Philosophy should stand in the back-ground as a dreary and abortive dream, and Gall's Cranicbgy bo held out to us from every booth as a reality;- STATE OF GERMAN LITERATURE. 17 y all this lay in the nature of the case. That many readers should draw conclusions from imperfect premises, and by the imports judge too hastily of the stock imported from, was like- wise natural. No unfair bias, no unwise in- disposition, that we are aware of, has ever been at work in the matter; perhaps, at worst, a degree of indolence, a blamable incuriosity to all products of foreign genius : for what more do we know of recent Spanish or Italian lite- rature than of German ; of Grossi and Man- zoni, of Campomanes or Jovellanos, than of Tieck and Richter] Wherever German art, in those forms of it which need no interpreter, has addressed us immediately, our recognition of it has been prompt and hearty; from Diirer to Mengs, from Handel to Weber and Beetho- ven, we have welcomed the painters and mu- sicians of Germany, not only to our praise, but to our aflections and beneficence. Nor, if in their literature we have been more backward, is the literature itself without blame. Two centuries ago, translations from the German were comparatively frequent in England : Luther's Tubk-Talk is still a venerable classic in our language; nay Jacob Boehme has found a place among us, and this not as a dead letter, but as a living apostle to a still living sect of our religionists. In the next century, indeed, translation ceased; but then it was, in a great measure, because there was little worth trans- lating. The horrors of the Thirty Years' War, followed by the conquests and conflagrations of Louis the Fourteenth, had desolated the country ; French influence, extending from the courts of princes to the closets of the learned, lay like a baleful incubus over the far nobler mind of Germany; and all true nationality vanished from its literature, or was heard only in faint tones, which lived in the hearts of the people, but could not reach with any effect to the ears of foreigners.* And now that the genius of the ♦ Not that tlie Germans were idle ; or altosrether en- gaeeii. as we too loosely suppose, in the work of coni- mcritary anil lexicography. On the contrary, they rhymed and romanced with due vi'-'onr as lo quantity ; only the quality was had. Two facts on this head may deserve menliiin : In the year 1719, there were found, in the lilirary of one virtuoso, no fewer than 300 volumes of di'VdIional poetry, contaiiiinsr, says Horn, "a treasure of :!.'i712 German hymns ;" and, much aliout the same period, one of Gottsclied's scholars had amassed as many as 1500 German novels, all of the ITlh century. The hymns we understand to be much better than the novels, or rather, perhaps, the novels to be much worse than the hynuis. Neither was critical study neclected, nor in- deed honest endeavour on all hand's to attain improve- ment : witness the strange books from time to time put forth, anil the still sirancer institutions established for this |)urpose. Amonir the former we have the "Poeti- cal V\\\\M'\," (^PoeliFche Trichter.) manufactured at Niirn- U-T'i in 16.)0, and professing, within si.x hours, to pour in the whole essence of this ditlicult art into the most un- furnished head. Niirnhersalso was the chief seat of the famous Mt'isterslbirrcr and their Silvaeriuvfte, or Singer- guilds, in which poetry was tauu'ht and practised like any other handicraft, and this by sober and well-niean- hiii men, chiellv artisans, who could not understand why labour, which nianufactiired so many thinfrs, should not also manufacture another. Of these tuneful <;uild- hrethren, Hans Sachs, by trade a shoemaker, is greatly the most noted and most notable. His father was a tailor; he himself learned the mystery of sons; under one Nunuebeck, a weaver. He was an adherent of his srreat coniem|)orary Ijilher, who has even deigned to acknow- ledge his services in the cause of Reformaliou : how dili'.'ent a Inbourer Sachs must have been, will appear from the fact, that, in his 74th year, (1568.) on examin- ing his stock for publication, he found that he had writ- cpuntry has awaked in its old strength, our at- tention to it has certainly awakened also ; and if we yet know little or nothing of the Ger- mans, it is not because we wilfully do them wrong, but, in good part, because they are soinewhat diihcult to know. In fact prepossessions of all sorts naturally enough find their place here. A country which has no national literature, or literature too in- significant to force its way abroad, must always be, to its neighbours, at least in every important spiritual respect, an unknown and misestimated country. Its towns may figure on our maps; its revenues, population, manufacture,s, poli- tical connections, may be recorded in statistical books; but the character of the people has no symbol and no voice; we cannot know thenn by speech and discourse, but only mere sight and outward observation of their manners and procedure. Now, if both sight and speech, if both travellers and native literature, are found but ineflectual in this respect, how incalcu- lably more so the former alone ! To seize a character, even that of one man, in its life and secret mechanism, requires a philospher; to delineate it with truth and impressiveness, is a work for a poet. How then shall one or two sleek clerical tutors, with here and there a tedium-stricken esquire, or speculative half- pay captain, give us views on such a subject] How shall a man, to whom all characters of individual men are like sealed books, of which he sees only the title and the covers, decipher from his four-wheeled vehicle, and depict to us, the character of a nation ] He courage- ously depicts his own optical delusions; notes this to be incomprehensible, that other to be insignificant; much to be good, much to be bad, and most of all indifferent ; and so, with a few flowing strokes,' completes a picture which, though it may not even resemble any possible object, his countrymen are to take for a national portrait. Nor is the fraud so readily detected: for the character of a people has such complexity of aspect, that even the honest observer knows not always, not perhaps after long inspection, what to determine regarding it. From his, only accidental, point of view, the figure stands before him like the tracings on veined marble, — a mass of mere random lines, and tints, and entangled strokes, out of which a lively fancy may .shape almost any image. But the image he brings along with him is always the readiest; this is tried, it answers as well as another; and a second voucher now testifies its correctness. Thus each, in confident tones, though it may be with a secret misgiving, repeats his precursor; the hundred times repeated comes in the end to be ten 6048 poetical pieces, amons which were 208 trasredies and comedies ; and this, besides having all alons kepi house, like an honest Niiriiherg burgher, by assiduous and sufficient shoemakiiiL' I Hans is not without gehiu.s, and a shrewd irony ; anil above all, the most gay, child- like, yet devout and solid character. A man neither to be despised nor patronized, hut left standing on his own basis, as a singular product, and a still legible symbol, and clear mirror, of the lime and country where he lived His best piece known to us, and many are well wortli perusing, is the Fastnaclitgspiel (fSlirovetide Farce) of thu JVarrensclnieiden, where the Doctor cures a bloated and lethargic patient by cutting out half a dozen Fools from his interior! 18 CARLYLE'S MISCELLANEOUS WRITINGS. believed; the foreign nation is now once for all understood, decided on, and registered ac- cordingly; and dunce the thousandth writes of it like dunce tlie first. With the aid of literary and intellectual in- tercourse, much of this falsehood may, no doubt, be corrected : yet even here, sound judgment is far from easy ; and most national characters are still, as Hume long ago com- plained, the product rather of popular preju- dice than of philosophic insight. That the Germans, in particular, have by no means escaped such misrepresentation, nay, perhaps, have had more than the common share of it, cannot, in their circumstances, surprise us. From the time of Optiz and Flemming, to those of Klopstock and Lessing, — that is, from the early part of the seventeenth to the middle of the eighteenth century, — they had scarcely any literature known abrt^ad, or deserving to be known: their political condition, during this same period, was oppressive and every way un- fortunate externally ; and at home, the nation, split into so many factions and petty stales, had lost all feeling of itself as of a nation ; and its energies in arts as in arms were manifested only in detail, too often in collision, and always under foreign influence. The French, at once their plunderers and their scoffers, described them to the rest of Europe as a semi-barbarous people ; which comfortable fact the rest of Europe was willing enough to take on their word. During the greater part of the last cen- tury, the Germans, in our \ntellectual survey of the world, were quietly omitted; a vague contemptuous ignorance prevailed respecting them; it Avas a Cimmerian land, where, if a few sparks did glimmer, it was but so as to testify their own existence, too feebly to en- lighten lis* The Germans passed for appren- tices in all provinces of art ; and many foreign craftsmen scarcely allowed them so much. Madame d'; Stael's book has done away with this; all Europe is now aware that the Ger- mans are something; something independent and apart from others; nay, someihing deep, imposing, and, if not admirable, wonderful. What that something is, indeed, is still unde- cided ; for this gifted lady's Jlllvm(is:>ie, in doing much to excite curiosity, has still done little to satisfy or even direct it. We can no longer make ignorance a boast, but we are yet far from having acquired right knowledge; and cavillers, excluded from contemptuous nega- tion, have found a resource in almost as con- temptuous assertion. Translators are the same t'aithless and stolid race that they have ever been : the particle of gold they bring us over is hidden from all but the most patient eye, * So late as the year 1811, we find, from Piyikertnn's Oeography, the sole, representative of German literature to be Gottshed, (with his name wron? spelt,) " who first introduc(Hi a more refined style." — Gottsched has heen dead tlie greater part of the century ; and, for the last fifty years, ranks aniont; the Germans soniewliat as Prynne or Alexander I'oss does anion;: ourselves A man of a cold, risjid, perseveranl character, who mistook himself for a poet and the perfeclion of critics, and hail skill to pass current durinc; the greater part of his lite- rary life for such. On the strength of his Boilcnti and Batteux, he long reiciied supreme: bin it was like Night, in rayless majesty, and over a sliimberins people. They awoke, before his death, and hurled hiiu, perhaps too ill lignantly, into his native Abyss among shiploads of yellow sand and sulphur. GentleDulnesstoo,in this as in all otherthings, still loves her joke. The Germans, though much more attended to, are perhaps not less mistaken than before. Doubtless, however, there is in this mcreased attention a progress towards the truth; which it is only investigation and discussion that can help us to find. The study of Germar litera- ture has already taken such firm root among us. and its spreading so visibly, that by and by, as we believe, the true character of it must and will becoiue known. A result, which is to bring us into closer and friendlier union with forty millions of civilized men, cannot surely be otherwise than desirable. If they have pre- cious truth to impart, we shall receive it as the highest of all gifts ; iferror, we shall not only re- ject it, but explain it and trace out its origin, and so help our brethren also to reject it. In either point of view, and for all profitable pur- poses of national intercourse, correct know- ledge is the first and indispensable preliminary. Meanwhile, errors of all sorts prevail on this subject: even among men of sense and liber- ality we have found so much hallucination, so many groundless or half-grounded objections to Geriuan literature, that the tone in which a multitude of other men speak of it cannot ap- pear extraordinary. To much of this, even a slight knowledge of the Germans would furnish a sufficient answer. But we have thought it might be useful were the chief of these objec- tions marshalled in distinct order, and ex- amined with what degree of light and fairness is at our disposal. In attempting this, we are vain enough, for reasons already stated, to fancy ourselves discharging what is in some sort a national duty. It is unworthy of one great people to think falsely of another; it is unjust, and therefore unworthy. Of the injury it does to ourselves we do not speak, for that is an inferior consideration: yet surely if the grand principle of free intercourse is so pro- fitable in material commerce, much more must it be in the commerce of the mind, the pro- ducts of which are thereby not so much trans- ported out of one country into another, as mul- tiplied over all, for the benefit of all, and without loss to any. If that man is a bene- factor to the world who causes two ears of corn to grow where only one grew before, much more is he a benefactor who causes two truths to grow up together in hannony and mutual con- firmation, where before only one stood solitary, and, on that side at least, intolerant and hostile. In dealing with the host of objections which front us on this subject, we think it may be convenient to range them under two principal heads. Thefirst, as respects chiefly unsoundness or imperfection of sentiment; an error which may in general be denominated Ikul Taste. The second, as respects chiefly a wrong condition of intellect; an error which may be designated by the general title of /liystr-ts???. Both of these, no doubt, are partly connected ; and each, in some degree, springs from and returns into the other: yet, for present purposes, the divisions maybe precise enough. First, then, of the first: It is objected thai the Germans have a radically bad taUe. Thia STATE OF GERMAN LITERATURE. 19 is a deep-rooted objection, which assumes many forms, and extends through many rami- fications. Among men of less acquaintance with the subject of German taste, or of taste in general, the spirit of the accusation seems to be somewhat as follows : That the Germans, with much natural susceptibility, are still in a rather coarse and uncultivated state of mind; displaying, with the energy and other virtues of a rude people, many of their vices also ; in particular, a certain wild and headlong temper, which seizes on all things too hastily and im- petuously; weeps, storms, loves, hates, too fiercely and vociferously; delighting in coarse excitements, such as flaring contrasts, vulgar horrors, and all sorts of show}' exaggeration. Their literature, in particular, is thought to dwell with peculiar complacency among wiz- ards and ruined towers, with mailed knights, secret tribunals, monks, spectres, and banditti ; on the other hand, there is an undue love of moonlight, and mossy fountains, and the moral sublime: then we have descriptions of things which should not be described ; a general want of tact ; nay, often hollowness, and want of sense. In short, the German Muse comports herself, it is said, like a passionate, and rather fascinating, but tumultuous, uninstructed, and but half-civilized Muse. A belle sauvage at best, we can onl}'^ love her with a sort of su- percilious tolerance; often she tears a pas- sion to rags ; and, in her tumid vehemence, struts without meaning, and to the offence of all literary decorum. Now, in all this there is a certain degree of truth. If any man will insist upon taking Heinse's Ardlns:hcllo, and Miller's Siegwart, and the works of Veil Weber the younger, and, above all, the ei'erlasting Kotzebue, as his specimens of German literature, he may es- tablish many things. Black Forests, and the glories of Lubberland; sensuality and horror, the spectre nun, and the charmed moonshine, shall not be wanting. Boisterous outlaws, also, with huge whiskers, and the most cat-o'-moun- tain aspect; tear-stained sentimentalists, the grimmest man-haters, ghosts, and the like sus- picious characters, will be found in abundance. We are little read in this bowl-and-dagger de- partment; but we do understand it to have been at one time rather diligently cultivated ; though at present it seems to be mostly relin- quished as unproductive. Other forms of Un- reason have taken its place; which in their turn must yield to still other fi^rms ; tor it is the nature of this goddess to descend in frequent avntars among men. Perhaps not less than five hundred volumes of such stuffcould still be collected from the book-stalls of Germany. By which truly we may learn that there is in that country a class of unwise men and unwise women ; that many readers there labourundera degree of ignorance and mental vacancy, and read not actively but passively, not to learn but to be amused. But is this fact so very new to us 1 Or what should we think of a German critic that selected his specimens of British literature from the Caatlc ^pciirc, Mr. Lewis's Mviik, or even the Mysffvies of Udalpho, and Frankenstein or the jloikrn Frnniclhctis'r Or Would he judge rightly of our dramatic taste, if he took his extracts from Mr. Egan's Ton: and Jerry ; and told his readers, as he might truly do, that no play had ever enjoyed such currency on the English stage as this most classic performance 1 We think not. In like manner, till some author of acknowledged merit shall so write among the Germans, and be approved of by critics of acknowledged merit among them, or at least secure for him- self some permanency of favour among the million, we can prove nothing by such in- stances. That there is so perverse an author, or so blind a critic, in the whole compass of German literature, we have no hesitation in denying. But farther: among men of deeper views, and with regard to works of really standard character, we find, though not the same, a simi- lar objection repeated. Goethe's Wilhchn Meis- ter. it is said, and Favst, are full of bad taste also. With respect to the taste in which they are written, we shall have occasion to say some- what hereafter : meanwhile, we may be per- mitted to remark that the objection would have more force, did it seem to originate from a more mature consideration of the subject. We have heard few English criticisms of such works, in which the first condition of an approach to accuracy was complied with ; — a transposition of the critic into the author's point of vision, a survey of the author's means and objects as they lay before himself, and a just trial of these by rules of universal application. Faust, for instance, passes with many of us for a mere tale of sorcery and art-magic : but it would scarcely be more unwise to consider Hamlet as depending for its main interest on the ghost that walks in it, than to regard Fausi as a pro- duction of this sort. For the present, therefore, this objection may be set aside ; or at least may be considered not as an assertion, but an inquiry, the answer to which may turn out rather that the German taste is different from ours, than that it is worse. Nay, with regard even to difference, we should scarcely reckon it to be of great moment. Two nations that agree in estimating Shakspeare as the highest of all poets, can difl"er in no essential principle, if they understood one another, that relates to poetry. Nevertheless, this opinion of our opponents has attained a certain degree of consistency with itself; one thing is thought to throw light on another; nay, a quiet little theory has been propounded to explain the whole phenomenon. The cause of this bad taste, we are assured, lies in the condition of the German authors. These, it seems, are generally very ))oor; the ceremonial law of the country excludes them from all society with the great ; they cannot acquire the polish of drawing-rooms, but must live in mean houses, and therefore write an<\ think in a mean style. . Apart from the truth of these assumptions, and in respect of the theory itself, we confess there is something in the face of it that afflicis us. Is it then so certain that taste and richfts are dissolubly connected 1 that truth of feeling must ever be preceded by weight of purse, and the eyes be dim for universal and eternal Beauty, till they have long rested on gilt walls 20 CARLYLE'S MISCELLANEOUS WRITINGS. and cosily furniture? To the great body of mankind this were heavy news; for, of the thousand, scarcely one is rich, or connected with the rich; nine hundred and ninety-nine have always been poor, and must always be so. We take the liberty of questioning the whole postulate. We think that, for acquiring true poetic tasle, riches, or association with the rich, are distinctly among the minor requisites ; that, in fact, they have little or no concern with the matter. This we shall now endeavour to make probable. Tasle, if it mean any thing but a paltry con- noisseurship, must mean a general susceptibi- lity to truth and nobleness ; a sense to discern, and a heart to love and reverence, all beauty, order, goodness, wheresoever, or in whatsoever forms and accompaniments they are to be seen. This surely implies, as its chief condition, not any given external rankorsiluatjon,but a finely gifted mind, purified into harmony with itself, into keenness and justness of vision ; above all, kindled into love and generous admiration. Is culture of this sort found exclusively among the higher ranks 1 We believe it proceeds less frorn without than within, in every rank. The charms of Nature, the majesty of Man. the in- finite loveliness of Truth and Virtue, are not hidden from the eye of the poor; but from the eye of the vain, the corrupted, and self-seeking, be he poor or rich. In all ages, the humble Minstrel, a mendicant, and lord of nothing but his harp and his own free soul, had intimations of those glories, while to the proud Baron in tiis barbaiic halls they were unknown. Nor is there still any aristocratic monopoly of judg- ment more than of genius: And as to that Science of Negiilion. which is taught peculiarly by men of professed elegance, we confess we hold it rather cheap. It is a necessary, but decidedly a subordinate accomplishment: nay, if it be rated as the highest, it becomes a ruinous vice. This is an old truth; yet ever needing new application and enforcement. Let us know what to love, and we shall know also what to reject; what to affirm, and we shall know also what to deny : but it is dangerous to begin with denial, and fatal to end with it. To deny is easy; nothing is sooner learnt or more generally practised: as matters go, wp need no man of polish to teach it; but rather, if possible, a hundred men of wisdom to show us its limits, and teach us its reverse. Such is our hypothesis of the case: But how stands it with the fncts? Are the fineness and truth of sense manifested by the artist found, in mo: . nsfances,tobeproporti(mate to his wealth and jievation of acquaintance 7 Are they fnind to have any perceptible relation either with the one or the other? We imagine not. Whose taste in painting, for instance, is truer and finer than Claude Lorraine's? And was not he a poor colour-grinder; outwardly, the meanest cf menials? Where, again, we might ask, "ny Shak'speare's rent-roll; and what generous peer took him by the hand and unfolded to him the "open secret" of the Universe; teaching him that this was beautiful, and that not so? Was he not a peasant by birth, and by fortune something lower; and was it not thought much, "ven in the height of his reputation, that South- ampton allowed him equal patronage with Ihe zanies, jugglers, and bearwards of the time! Yet compare his taste, even as it respects the negative side of things; for in regard to the positive, and far higher side, it admits no com- parison with any other mortal's, — compare it, for instance, with the taste of Beaumont and Fletcher, his contemporaries, men of rank and education, and of fine genius like himself. Tried even by the nice, fastidious, and in great part false, and artificial delicacy of modern times, how stands it with the two parties : with the gay triumphant men of fashion, and the poor vagrant link-boy ? Does the latter sin against, we shall not say taste, but etiquette, as the farmer do? For one line, for one word, which some Chesterfield might wish blotted from the first, are there not in the others whole pages and scenes which, with palpitating heart, he would hurry into deepest night? This, too, ob- serve, respects not their genius, but their cul- ture; not their appropriation of beauties, but their rejection of deformities, by supposition, the grand and peculiar result of high breeding! Surely, in such instances, even that humble supposition is ill borne out. The truth of the matter seems to be, that with the culture of a genuine poet, thinker, or other aspirant to fame, the influence of rank has no exclusive or even special concern. For men of action, for senators, public speakers, political writers, the case may be different; but of such we speak not at present. Neither do we speak of imitator*;, and the crowd of me- diocre men, to whom fashionable life sometimes gives an external inoflensiveness, often com- pensated by a frigid malignity of character. We speak of men, who, from amid the per- plexed and conflicting elements of their every- day existence, are to form themselves into harmony and wisdom, and show forth the same wisdom to others that exist along with them. To such a man. high life, as it is called, will be a province of human life certainly, but no- thing more. He will study to deal with it as he deals with all forms of mortal being; to do it justice, and to draw instruction from it: bu his light will come from a loftier region, or he wanders for ever in darkness; dwindles inta a man of vers dc soricte, or attains at best to be a Walpole or a Caylus. Still less can we think that he is to be viewed as a hireling; that his excellence will be regulated by his pay. " Suffi- ciently })rovided for from within, he has need of little from without:" food and raiment, and an unviolated home, will be given him in the rudest land; and with these, while the kind earlh is round him, and the everlasting heaven is over him, the world has little more that it can give. Is he poor? So also were Homer and Socrates; so was Samuel Johnson ; so was John Milton. Shall we reproach him with his poverty, and infer that, because he is poor, he must likewise be worthless? God forbid that the time should ever come when he too shall esteem riches the synonyme of good ! The spirit of Mammon has a wide empire; but it cannot, and must not, be worshipped in the Holy of Holies. Nay, does not the heart of every genuine disciple of literature, however mean his sphere, instinctively deny this prin» STATE OF GERMAN LITERATURE. 21 eiple, as applicable either to himself or ano- ther? Is it not rather true, as D'Alembert has said, that for every man of letters, who de- serves that name, the motto and the watchword will be FiiEKDOM, Truth, and even this same PovEUTT ] and that if he fear the last, the two first can never be made sure to him 1 We have stated these things, to bring the question somewhat nearer its real basis ; not for the sake of the Germans, who nowise need the admission of them. The German authors are not poor; neither are they excluded from association with the wealth)'^ and well-born. On the contrary, we scruple not to say, that, in both these respects, they are considerably better situated than our own. Their booksellers, it is true, cannot pay as oars do; yet, there as here, a man lives by his writings; and, to compare Jordcn with Johmon and Ifhyacli, somewhat better there than here. No case like our own noble Otway's has met us in their biographies ; Boyces and Chattertons are much rarer in Ger- man, than in English history. But farther, and what is far more important: From the num- ber of universities, libraries, collections of art, museums, and other literary or scientific in- stitutions of a public or private nature, we question whether the chance, which a merito- rious man of letters has before him, of obtaining some permanent appointment, some independ- ent civic existence, is not a hundred to one in favour of the German, compared with the Englishman. This is a weighty item, and indeed the weightiest ofall ; for it will be grant- ed, that, for the votary of literature, the rela- tion of entire dependence on the merchants of literature, is, at best, and however liberal the terms, a highly questionable one. It tempts him daily and hourly to sink from an artist into a manufacturer; nay, so precarious, fluctuating, and every way unsatisfactory must his civic and economic concerns become, that too many of his class cannot even attain the praise of common honesty as manufiicturers. There is, no doubt, a spirit of martyrdom, as we have asserted, which can sustain this too : but few indeed have the spirit of martyrs; and that state of matters is the safest which requires it least. The German authors, moreover, to their credit be it spoken, seem to set less store by wealth than many of ours. There have been prudent, quiet men among them, who actually appeared not to want more wealth, — whom wealth could not tempt, either to this hand or that, from their pre-appointed aims. Neither must we think so hardly of the German nobi- lity as to believe them insensible to genius, or of opinion that a patent from the Lion King is so superior to " a patent direct from Almighty God." A fair proportion of the German au- thors are themselves men of rank : we mention only, as of our own time, and notable in other respects, the two Stolbergs and Novalis. Let us not be unjust to this class orperso' s. It is a poor error to figure them as wrapt up in ceremonial stateliness, avoiding the most gift- ed man of a lower station ; and, for their own supercilious triviality, themselves avoided by all truly gifted men. On the whole, we should change our notion of the German nobleman : 'Jiat ancient, thirsty, thickheaded, sixteen-quar- tered Baron, who still hovers in our minds, never did exist in such perfection, and is now as extinct as our own Squire Western. His descendant is a man of other culture, other aims, and other habits. We question whether there is an aristocracy in Europe, which, taken as a whole, both in a public and private capa- city, more honours art and literature, and does more both in public and private to encourage them. Excluded from society ! What, we would ask, was Wieland's, Schiller's, Herder's, Johannes Miiller's society 1 Has not Goethe, by birth a Frankfort burgher,been,since his twenty- sixth year, the companion, not of nobles but of princes, and for half his life a minister of state 1 And is not this man, unrivalled in so many far deeper qualities, known also and felt to be un- rivalled in nobleness of breeding and bearing; fit not to learn of princes, in this respect, but by the example of his daily life to teach thenil We hear much of the munificent spirit dis- played among the better classes in England; their high estimation of the arts, and generous patronage of the artist. We rejoice to hear it; we hope it is true, and will become truer and truer. We hope that a great change has taken place among these classes, since the time when Bishop Burnet could write of them, — "They .are for the most part the uwst instructed, and the least knowing, of any of their rank I ever went among!" Nevertheless, let us arrogate to ourselves no exclusive praise in this par- ticular. Other nations can appreciate the arts, and cherish their cultivators, as well as we. Nay, while learning from us in many other matters, we suspect the Germans might even teach us somewhat in regard to this. At all events, the pity, which certain of our authors express for the civil condition of their brethren in that country, is, from such a quarter, a super- fluous feeling. Nowhere, let us rest assured, is genius more devoutly honoured than there, by all ranks of men, from peasants and burgh- ers up to legislators and kings. It was but last year that the Diet of the Empire passed an act in favour of one individual poet: the final edition of Goethe's works was guarantied to be protected against commercial injury in every state of Germany; and special assurances to that efl^ecl were sent him, in the kindest terms, from all the Authorities there assembled, some of them the highest in his country or in Europe. Nay, even while we write, are not the news- papers recording a visit from the Sovereign of Bavaria in person, to the same venerable man; a mere ceremony, perhaps, but one which al- most recalls to us the era of the antique Sages and the Grecian Kings? This hypothesis, therefore, it would seem, is not supported by facts, and so returns to its original elements. The causes it alleges are impossible : but, what is still more fatal, the effect it proposes to account for has, in reality, no existence. We venture to deny that the Germans are defective in taste; e.-en as a nation, as a public, taking one thing with ano- ther, we imagine they may stand comparison with any of their neighbours; as writers, as critics, they may decidedly court it. True, there is a mass of dulness, awkwardness, and false susceptibility in the lower regions of their U:e« 28 CARLYLE'S MISCELLANEOUS WRITINGS. rature : but is no) bad taste endemical in such tcgionsof every literature under the sunl Pure Stupidity, indeed, is of a quiet nature, and con- tent to be merely stupid. But seldom do we find it pure; seldom unadulterated with some tincture of ambition, which drives it into new and strange metamorphoses. Here it has as- sumed a contemptuous trenchant air, intended to represent superior tact, and a sort of all- wisdom ; there a truculent atrabilious scowl, which is to stand for passionate strength: now we have an outpouring of tumid fervour; now a fruitless, asthmatic hunting after wit and humour. Grave or gay, enthusiastic or de- risive, admiring or despising, the dull man would be something which he is not and can- not be. Shall we confess, that, of these too common extremes, we reckon the German error considerably the more harmless, and, in our day, by far the more curable ? Of unwise admiration much may be hoped, for much good is really in it: but unwise contempt is itself a negation ; nothing comes of it, for it is nothing. To judge of a national taste, however, we must raise our view from its transitory modes to its perennial models ; from the mass of vul- gar writers, who blaze out and are extinguished with the popular delusion which they flatter, to those few who are admitted to shine with a pure and lasting lustre ; to whom, by common consent, the eyes of the people are turned, as to its lodestar and celestial luminaries. Among German writers of this stamp, we would ask any candid reader of them, let him be of what country or what creed he might, whether bad taste struck him as a prevailing characteristic. Was Wieland's taste uncultivated? Taste, we should say, and taste of the very species which a disciple of the Negative School would call the highest, formed the great object of his life; the perfection he unweariedly endeavoured after, and, more than any other perfection, has attained. The most fastidious Frenchman might read him, with admiration of his merely French qualities. And is not Klopstock, with his clear enthusiasm, his azure purity, and heavenly, if still somewhat cold and lunar light, a man of taste 1 His 3Iessias reminds us oftener of no other poets than of Virgil and Racine. But it is to Lessing that an Englishman would turn with the readiest affection. We cannot but wonder that more of this man is not known among us ; or that the knowledge of him has not done more to remove such misconceptions. Among all the writers of the eighteenth cen- tury, we will not except even Diderot and David Hume, there is not one of a more com- pact and rigid intellectual structure; who more distinctly knows what he is aiming at, or with more gracefulness, vigour, and pre- cision sets it forth to his readers. He thinks with the clearness and piercing sharpness of the most expert logician : but a genial fire pervades him, a wit, a heartiness, a general richness and fineness of nature, to which most logicians are strangers. He is a skeptic in many thmgs, but the noblest of skeptics ; a mild, manly, half-careless enthusiasm strug- gles through his indignant unbelief : he stands ";efore us like a toilworn, but unwearied and neroic champion, earning not the conquest but the battle; as indeed himself admits to vs, that " it is not the finding of truth, but the hon- est search for it, that profits." We confess, we should be entirely at a loss for the literary creed of that man who reckoned Lessing other than a thoroughly cultivated writer; nay en- titled to rank, in this particular, with the most distinguished writers of any existing nation. As a poet, as a critic, philosopher, or contro- versialist, his style will be found precisely such as we of England are accustomed to admire most; brief, nervous, vivid; yet quiet, without glitter or antithesis; idiomatic, pure without purism, transparent, yet full of cha- racter and reflex hues of meaning. "Every sentence," says Horn, and justly, "is like a phalanx ;" not a word wrong placed, not a word that could be spared ; and it forms itself so calmy and lightly, and stands in its com- pleteness, so gay, yet so impregnable ! As a poet he contemptuously denied himself all merit; but his readers have not taken him at his word: here, too, a similar felicity of style attends him ; his plays, his Minna von Burn- hihu, his Emilie Galutii, his Nathan der Wcise, have a genuine and graceful poetic life ; yet no works known to us in any language are purer from exaggeration, or any appearance of false- hood. They are pictures, we might say paint- ed not in colours, but in crayons; yet a strange attraction lies in them ; for the figures are grouped into the finest attitudes, and 'rue and spirit-speaking in every line. It is ■w th his style chiefly that we have to do here; yet we must add, that the matter of his works is not less meritorious. His Criticism and phi- losophic or religious Skepticism were of a higher mood than had yet been heard in Eu- rope, still more in Germany ; his Dramaiurgie first exploded the pretensions of the French theatre, and, with irresistible conviction, made Shakspeare known to his countrymen ; pre- paring the way for a brighter era in their lite- rature, the chief men of which still thankfully look back to Lessing as their patriarch. His Laocoon, with its deep glances into the philo- sophy of Art, his Dialogues of Free-rnaaons, a work of far higher import than its title in- dicates, may yet teach many things to most of us, which we know not, and ought to know. With Lessing and Klopstock might be join- ed, in this respect, nearly, every one, we do not say of their distinguished, but even of their tolerated contemporaries. The two Jacobis, known more or less in all countries, aie little known here, if they are accused of wanting literary taste These are men, whether as thinkers or poets, to be regarded and admired for their mild and lofty wisdom, the devoutness, the benignity and calm grandeur of their phi- losophical views. In such, it were strange if among so many high merits, this lower one of a just and elegant style, which is indeed their natural and even necessary product, had been wanting. We recommend the elder Jacobi no less for his clearness than for his depth ; of the younger, it may be enough in this point of view to say, that the chief praisers of his earlier poetry were the French. Neither are Hamann and Mendelsohn, who could meditate deep thoughts, defective in the power of uttering STATE OF GERMAIS LITERATURE. 23 them with propriety. Tiie Phcedon of the latter, in its chaste precision and simplicity of style, may almost remind us of Xenophon : Socrates, to our mind, has spoken in no modern language so like Socrates, as here, by the lips of this wise and cultivated Jew.* Among the poels and more popular writers of the time, the case is the same : Utz, Gellert, Cramer, Ramler, Kleist, Hagedorn, Rabener, Gleim, and a multitude of lesser men, whatever excellences they might want, certainly are not chargeable with bad taste. Nay, perhaps of all writers they are the least chargeable with it : a certain clear, light, unaffected elegance, of a higher nature than French elegance, it might be, yet to the exclusion of all very deep or genial qualities, was the excellence they strove after, and, for the most part, in a fair measure attained. They resemble Eng- lish writers of the same, or perhaps an earlier period, more than any other foreigners : apart from Pope, whose influence is visible enough, Beattie, Logan, Wilkie, Glover, unknown per- haps to any of them, might otherwise have al- most seemed their models. Goldsmith also would rank among them ; perhaps, in regard to true poetic genius, at their head, for none of them has left us a I'icnr of Wakefield; though, in regard to judgment, knowledge, general ta- lent, his place would scarcely be so high. The same thing holds, in general, and with fewer drawbacks, of the somewhat later and more energetic race, denominated the GoUingcn SchonI, in contradistinction from the Saxon, to which Rabener, Cramer, and Gellert directly belonged, and most of those others indirectly. Holty, Biirger, the two Stolbergs, are men whom Bossu mijrht measure with his scale and com- passes as strictly as he pleased. Of Herder, Schiller, Goethe, we speak not here : they are men of another stature and form of movement, whom Bossu's scale and compasses could not measure without difficulty, or rather not at all. To say that such men wrote with taste of this sort, were saying little ; for this forms not the apex, but the basis, in their conception of style ; a quality not to be paraded as an excellence, but to be understood as indispensable, as there by necessity, and like a thing of course. In truth, for it must be spoken out, our op- ponents are so widely astray in this matter, * TtiR history of Mendplsnhii is interesting in itself, and full of encoiirnseineiit to all lovers of self-improvement. At thirteen he was a wanderiiis: Jewisli bepgar, without health, without home, almost without a language, for the jargon of broken Hebrew and provincial German which he spoke could scarcely be called one. At middle age, lie could wrile this Phadon ; was a man of wealth and breeding, and ranked among the teachers of his age. Like Pope, he abode by his original creed, though often solicited to change it : indeed, the grand problem of his life was to better the inward and outward condition of his own' ill-fated people ; for whom he actually accom- plished much benefit. He was a mild, shrewd, and worthy man ; and might well love PlKTAlon and Socrates, for his own character was Socratic He was a friend of I.essing's : indeed a pupil ; for Lessing having acci- dentally met him at chess, recognised the spirit that lay 6triigi;ling under such incumbrances, and generously un- dertook to help him. Uy teaching the poor Jew a little Greek he disenchanted him from the Talmud and the Rabbins. The two were afterwards co-labourers in Nicolai's Deutsche Bibliotheic, the first German llcvicw of any character ; which, however, in the hands of Nicolai himself, it suhp.'quently lost. Mendelsohn's Works have mostly been translated into French. that their views of it are not only dim and per- plexed, but altogether imaginary and delusive. It is proposed to School the Germans in the Alphabet of taste ; and the Germans are al- ready busied with their Accidence ! Far from being behind other nations in the practice or science of Criticism, it is a fact, for which we fearlessly refer to all competent judges, that they are distinctly, and even considerably, in advance. We state what is already known to a great part of Europe to be true. Criticism has assumed a new form in Germany; it pro- ceeds on other principles, and proposes to itself a higher aim. The grand question is not now a question concerning the qualities of diction, the coherence of metaphors, the fitness of senti- ments, the general logical truth, in a work of art, as it was some half century ago among most critics. Neither is it a question mainly of a psychological sort, to be answered by discover- ing and delineating the peculiar nature of the poet from his poeliy, as is usual with the best of our own critics at present; but it is, not in- deed exclusively, but inclusively of those two other questions, properly and ultimately a question on the essence and peculiar life of the poetry itself. The first of these questions, as we see it answered, for instance, in the criticisms of Johnson and Kames, relates, strictly speaking, to the garment of poetry; the second, indeed, to its body and material exist- ence, a much higher point; but only the last to its soul and spiritual existence, by which alone can the body, in its movements and phases, be informed with significance and rational life. The problem is not now to determine by what mechanism Addison com- posed sentences, and struck out similitudes, but by what far finer and more mysterious mechanism Shakspeare organized his dramas, and gave life and individuality to his Ariel and his Hamlet. Wherein lies that life ; how have they attained that shape and individuality'! Whence comes that empyrean fire, which ir- radiates their whole being, and pierces, at least in starry gleams, like a liviner thing, into all hearts 1 Are these dramas of his not verisimilar only, but true; nay, truer than reality itself, since the essence of unmixed reality is bodied forth in them under more ex- pressive symbols 1 What is this unity of theirs ; and can our deeper inspection discern it to be indivisible, and existing by necessity, because each work springs, as it were, from the general elements of all Thought, and grows up there- from, into form and expansion, by its own growth? Not only who was the poet, and how did he compose; but what and how was the poem, and why was it a poem and not rhymed eloquence, creation and not figured passion ? These are the questions for the critic. Criticism stands like an interpreter between the inspired and the uninspired; bi; tween the prophet and those who hear the melody of his words, and catch stmie glimpse of their material meaning, but understand not their deeper import. She pretends to open for us this deeper import; to clear our sense that it may discern the pure brightness of ihis etc nal Beauty, and recognise it as heavenly, under all forms where it looks forth, and rejeci, a.i S4 CARLYLE'S MISCELLANEOUS WRITINGS. of the earth earthy, all forms, be their mate- rial splendour what il may, where no gleaming of that other shines through. This is the task of Criticism, as the Germans understand it. And how do they accomplish this task 1 By a vague declamation clothed in gorgeous mystic phraseology 1 By vehement tumultuous anthems to the poet and his poetry ; by epithets and laudatory similitudes drawn from Tartarus and Elysium, and all intermedi- ate terrors and glories ; whereby, in truth, it is rendered clear both that the poet is an ex- tremely great poet, and also that the critic's allotment of understanding, overflowed by these Pythian raptures, has unhappily melted intode- liquium? Nowise in this manner do the Ger- mans proceed: but by rigorous scientific in- quiry ; by appeal to principles which, whether correct or not, have been deduced patiently, and by long investigation, from the highest and calmest regions of Philosophy. For this finer portion of their Criticism is now also embo- died in systems; and standing, so far as these reach, coherent, distinct, and methodical, no less than, on their much shallower foundation, the systems of Boileau and Blair. That this new Criticism is a complete, much more a cer- tain science, we are far from meaning to afiirm : the (ss'ltdic theories of Kant, Herder, Schiller, Goethe, Richter, vary in external aspect, ac- cording to the varied habits of the individual ; and can at best only be regarded as approximar tions to the truth, or modifications of it; each critic representing it as it harmonizes more or less perfectly with the other intellectual per- suasions of his own mind, and of different classes of minds that resemble his. Nor can we here undertake to inquire what degree of such approximation to the truth there is in each or all of these writers; or in Tieck and the two Schlegels, who, especially the latter, have laboured so meritoriously in reconciling these various opinions ; and so successfully in impressing and diff"using the best spirit of them, first in their own country, and now also in several others. Thus much, however, we will say : That we reckon the mere circumstance of such a science being in existence, a ground of the highest consideration, and worthy the best attention of all inquiring men. For we should err widely, if we thought that this new tendency of critical science pertains to Ger- many alone. It is a European tendency, and springs from the general condition of intellect in Europe. We ourselves have all, for the last thirty years, more or less distinctly felt the ne- cessity of such a science: witness the neglect into which our Blairs and Bossus have silently fallen ; our increased and increasing admira- tion, not only of Shakspeare, but of all his con- temporaries, and of all who breathe any por- tion of his spirit ; our controversy whether Pope was a poet; and so much vague effort on the part of our best critics, everywhere, to express some still unexpressed idea concerning the nature of true poetry ; as if they felt in their hearts that a pure glory, nay, a divine- ness, belonged to it, for which they had as yet no name, and no intellectual form. But in Italy too, in France itself, the same thing is visible. Their grand controversy, so hotly urged, between the Classicists and the Roman' linsls, in which the Schlegels are assumed, much too loosely, on all hands, as the patrons and generalissimos of the latter, shows us sufficiently what spirit is at Avork in that long stagnant literature. Doubtless this turbid fermentation of the elements will at length settle into clearness, both ihere, and here, as in Germany it has already in a great measure done; and perhaps a more serene and genial poetic day is everywhere to be expected with some confidence. How much the example of the Germans may have to teach us in this particular, needs no farther exposition. The authors and first promulgators of this new critical doctrine, were at one time ccm- temptuously named the Neiu Srlwul: nor was it till after a war of all the few good heads in the nation, with all the many bad ones, had ended as such wars must ever do,* that these critical principles were generally adopted; and their assertors found to be no Srhoul. or new hereti- cal Sect, but the ancient primitive Catholic Communion, of which all sects that had any living light in them were but members and subordinate modes. It is, indeed, the most sacred article of this creed to preach and prac- tise universal tolerance. Every literature of the world has been cultivated by the Germans ; and to every literature they have studied to give due honour. Shakspeare and Homer, no doubt, occupy alone the loftiest station in the poetical Olympus ; but there is space for all true Sing- ers, out of every age and clime. Ferdusi and the primeval Mythologists of Hindostan, live in brotherly union with the Troubadours anc, ancient Story-tellers of the West. The way ward m3'stic gloom of Calderon, the lurid fire of Dante, the auroral light of Tasso, the clear icy glitter of Racine, all are acknowledged and reverenced: nay, in the celestial fore-court an abode has been appointed for the Cressets and Delilles, that no spark of inspiration, no tone of mental music, might remain unrecognised. The Germans study foreign nations in a spirit which deserves to be oftener imitated. It is their honest endeavour to understand each with its own peculiarities, in its own special man- ner of existing; not that they may praise it, oi censure it, .or attempt to alter it, but simply that they may see this manner of existing as the nation itself sees it, and so participate in whatever worth or beauty it has brought into being. Of all literatures, accordingly, the German has the best as well as the most trans- lations ; men like Goethe, Schiller, Wieland, Schlegel, Tieck, have not disdained this task Of Shakspeare there are three entire versions admitted to be good; and Ave know not how * It bejian in Scliiller's JMiisenalmanch for 1793. The Xenien, (a series of philosophic episraiiis jointly by Scliillcr and Goelhe,) descended there tine.xpectedly, like a flood of ethereal fire, on the German literary world ; quickening all that was noble into new life, bnt visiting the ancient empire of Dulness with astonishment and unknown pangs. The agitation was extreme : scarcely since the age of Luther, has there been such stir and strife in the intellect of Germany ; indeed, scarcely since that age, has there been a controversy, if we consider it* ultimate bearings on the best and noblest interests ot mankind, so important as this, which, for the time, seemed only to turn on metaphysical iMibtilties, and mafters'of mere elgance. Its farther applications be- came apparent by degrees. STATE OF GERMAN LITERATURE. 2& many partial, or considered as bad. In their criticisms of him we ourselves have long ago admitted, that no such clear judgment or hearty- appreciation of his merits had ever been exhi- bited by any critic of oijr own. To attempt stating in separate aphorisms the doctrines of this new poetical s)'^siem, would, in such space as is now allowed us, be to ensure them of misapprehension. The science of Criticism, as the Germans practise it, is no study of an hour; for it springs from the depths of thought, and remotely or imme- diately connects itself with the subtilest prob- lems of all philosophy. One characteristic of it we may state, the obvious parent of many others. Poetic beauty, in its pure essence, is not, by this theory, as by all our theories, from Hume's to Alison's, derived from any thing external, or of merely intellectual origin; not from association, or an}' reflex or reminiscence of mere sensations ; nor from natural love, either of imitation, of similarity in dissimi- larity, of excitement by contrast, or of seeing difficulties overcome. On the contrary, it is assumed as underived; not borrowing its ex- istence from such sources, but as lending to most of these their significance and principal charm for the mind. It dwells, and is born in the inmost Spirit of Man, united to all love of Virtue, to all true belief in God ; or rather, it is one with this love and this belief, another phase of the same highest principle in the mysterious infinitude of the human Soul. To apprehend this beauty of poetry, in its full and purest brightness, is not easy, but difficult ; thousands on thousands eagerly read poems, and attain not the smallest taste of it; yet to all uncorrupted hearts, some effulgences of this heavenly glory are here and there revealed; and to apprehend it clearly and wholly, to ac- quire and maintain a sense and heart that sees and worships it, is the last perfection of all humane culture. With mere readers for amusement, therefore, this Criticism has, and can have, nothing to do; these find their amusement, in less or greater measure, and the nature of Poetry remains for ever hidden from them in the deepest concealment. On all hands, there is no truce given to the hypothesis, that the ultimate object of the poet is to please. Sensation, even of the finest and most rap- turous sort, is not the end but the means. Art is to be loved, not because of its effects, but because of itself; not because it is useful for spiritual pleasure, or even for moral culture, but because it is Art, and the highest in man, and the soul of all Beauty. To inquire after its vtiliiy, would be like inquiring after the uliliiy of a God, or what to the Germans would sound stranger than it does to us, the uiility of Virtue and Religion. On these particulars, the authenticity of which we might verify, not so much by citation of individual passages, as by reference to the scope and spirit of whole trea- tises, we must for the present leave our read- ers to their own reflections. Might we advise them, it would be to inquire farther, and, if pos- sible, to see the matter with their own eyes. Meanwhile, that all this must tend, among the Germans, to raise the general standard of An, and of what an Artist ought to be in his own esteem and that of others, will be reaiily inferred. The character of a Poet does, aC' cordingly, stand higher with the Germans than with most nations. That he is a man of in- tegrity as a man ; of zeal and honest diligence in his art, and of true manly feeling towards all men, is of course presupposed. Of persons that are not so, but employ their gifts, in rhyme or otherwise, for brutish or malignant pur- poses, it is understood that such lie without the limits of Ciiticism, being subjects not lor the judge of Art, but for the judge of Police. But even with regard to the fair tradesman, who offers his talent in open market, to do work of a harmless and acceptable sort for hire, — with regard to this person also, their opinion is very low. The " Bread-artist," as they call him, can gain no reverence for himself from these men. " Unhappy mortal !" says the mild but lofty-minded Schiller. " Unhappy mortal ! that, with Science and Art, the noblest of all instru- ments, effectest and attemptest nothing more than the day-drudge with the meanest; that in the domain of perfect freedom, bearest about in thee the spirit of a Slave !" Nay, to the genuine Poet, they deny even the privilege of regarding what so many cherish, under the title of their "fame,'" as the best and highest of all. Hear Schiller again : "The Artist, it is true, is the son of his age; but pity for him if he is its pupil, or even its favourite ! Let some beneficent divinity snatch him, when a suckling, from the breast of his mother, and nurse him with the milk of a bettei time, that he may ripen to his full stature be- neath a distant Grecian sky. And having grown to manhood, let him return a foreign shape, into his century; not, however, to de- light it by his presence, but dreadful, lilce the son of Agamemnon, to purify it. The matter of his works he will take from the present, but their form he will derive from a nobler time; nay, from beyond all time, from the absolu.e unchanging unity of his own nature. Here, from the pure asther of his spiritual essence, flows down the Fountain of Beauty, uncontami- nated by the pollutions of ages and generations, which roll to and fro in their turbid vortex far beneath it. His matter, Caprice can dishonour, as she has ennobled it; but the chaste form is withdrawn from her. mutations. The Roman of the first century had long bent the knee be- fore his Coesars, when the statues of Rome were still standing erect; the temples con- tinued holy to the eye, when their gods had long been a laughing-stock; and the abomina- tions of a Nero and a Commodus were silentlj rebuked by the style of the edifice, which lent them its concealment. Man has lost his dignity, but Art has saved it, a,nd preserved it fir him in expressive marbles. Truth still lives in fiction, and from the copy the original will be restored. " But how is the Artist to guard himself from the corruptions of his time, which m. every side assail him 1 By despising its decisions. Let him look upwards to his dignity and the law, not dow'iwards to his happiness and his M'ants. Free al.ke from the vain activity mat longs to impress its traces on the fleeting instant, and from the querulous spirit of enthusiasm that C CARLYLE'S MISCELLANEOUS WRITINGS. measures by the scale of perfection the meagre product of reality, let iiim leave to mere Un- derstanding:, which ishereathome,thei)rovince of the actual ; while he strives, by uniting the possible with the necessary, to produce the ideal. This let him imprint and express in fiction and truth; imprint it in the sport of his imagination and the earnest of his actions; im.print it in all sensible and spiritual forms, and cast it silently into everlasting time."* Still higher are Fichte's notions on this iub- ject; or rather expressed in higher terms, for the central principle is the same both in the philosopher and the poet. According to Fichte, there is a "Divine Idea" pervading the visible Universe; which visible Universe is indeed but Its symbol and sensible manifestation, hav- ing in itself no meaning, or even true existence independent of it. To the mass of men this Divine Idea of the world lies iiidden : yet to discern it, to seize it, and live wholly in it, is the condition of all genuine virtue, knowledge, freedom ; and the end, therefore, of all spiritual effort in every age. Literary Men are the ap- pointed interpreters of this Divine Idea; a perpetual priesthood, we might say, standing ibrth, generation after generation, as the dis- pensers and living types of God's everlasiinj; wisdom, to show it and imbody it in their writings and actions, in such paiticular form as their own particular times require it in. For each age, by the law of its nature, is ditTerent from every other age, and demands a different representation of this Divine Idea, the essence of which is the same in all ; so that the lite- rary man of one century is only by mediation and re-interpretation aj)plicable to the wants of another. But in eveiy century, every man who labours, be it in what province he may, to teach others, must first have possessed him- self of this Divine Idea, or, at least, be with his whole heart and his whole soul striving after it. If, without possessing it or striving after it, he abide diligently b)' some material practical department of knowledge, he may indeed still be (says Fichte, in his usual rugged way,) a "useful hodman ;" but should lie at- tempt to deal with the Whole, and to become an architect, he is, in strictness of language, "Nothing;" — "he is an ambiguous mongrel between the possessor of the Idea, and the man ho feels himself solidly supported and ear- ned on by (.he common Reality of things; in his fruitless endeavour after the Idea, he has neglected to acquire the craft of taking part in this Reality; and so hovers between two worlds, without pertaining to either." Else- where he adds : "There is still, fr6m another point of view, another division in our notion of the Literary Man, and one to us of immediate application. Namely, either the Literary Man has already laid hold of the whole Divine Idea, in so far as it can be comprehended by man, or perhaps of a special portion of this its comprehensible part, — which truly is not possible without at [east a clear oversight of the whole, — he has already laiu hold of it, penetrated, and made it entirely clear to himself, so that it has become * Ueber die JJesthetische Erziehuiur des Menschen. (On tb<3 .Sslfietic Education of Man.) a possession recallable at all times in the samt shape to his view, and a component part of his personality: in that case he is a completed and equipt Literary Man, a man who has studied. Or else, he is still struggling and striving to make the Idea in general, or that particular portion and point of it, from which onwards he for his part means to penetrate the whole, — entirely clear to himself; detached sparkles of light already spring forth on him from all sides, and disclose a higher world be- fore him ; but they do not yet unite themselves into an indivisible whole ; they vanish from his view as capriciously as they came ; he cannot yet bring them under obedience to his freedom ; in that case he is a progressing and self-unfold- ing litei'ary man, a Student. That it be ac- tually the Idea, which is possessed or striven after, is common to both. Should the striving aim merely at the outward form, and the letter of learned culture, there is then produced, when the circle is gone round, the completed, when it is not go \e round, the progressing, Bungler (Slumpcr). The latter is more tolera- ble than the former; for there is still room to hope that, in continuing his travel, he may at some future point be seized by the Idea; but of the first all hope is over."* From this bold and lofty principle the duties of the Literary man are deduced with scientific precision ; and stated, in all their sacredness and grandeur, with an austere brevity more impressive than any rhetoric. Fichte's meta- physical theory may be called in question, and readily enough misapprehended ; but the sub- lime stoicism of his sentiments will find some response in many a heart. We must add the conclusion of his first Discourse, as a farther illustration of his manner: "In disquisitions of the sort like ours of to- day, which all the rest, too, must resemble, the generality are wont to censure : First, their se- verity ; very often on the good-natured suppo- sition that the speaker is not aware how much his rigour must displease us; that we have but frankly to let him know this, and then doubtless he will reconsider himself, and soften his state- ments. Thus, we said above, that a man who, after literary culture, had not arrived at know- ledge of the Divine Idea, or did not strive to- wards it, was in strict speech Nothing; and far- ther down, we said that he was a Bungler. This is in a style of those unmerciful expressions by which philosophers give such ofl'ence. — Now lotdcing away from the present case, that we may front the maxim in its general shape, I remind you that this species of character, without decisive force to renounce all respect for Truth, seeks merely to bargain and cheap- en something out of her, whereby itself on easier terms may attain to some consideration. But truth, which once for all is as she is, and' cannot alter aught of her nature, goes on her way; and ihcre remains for her, in regard to those who desire her not simpi}' because she is true, nothing else but to leave them stand- ing as if they had never addressed her. "Then farther, discourses of this sort are wont * Ueber das IVefen des Gelehrten ; (On the Nature of the Literarr Man ;) a Course of Lectures delivered at Jena, in 1805. STATE OF GERMAN LITERATURE. S7 to be censured as unintelligible. Thus I figure to myself, — nowise you, Gentlemen, but some completed I,iteraryMan of the second species, who-se eye tlie disquisition here entered upon chanced to meet, as coming forward, doubting this way and that, and at last reflectively ex- claiming: 'The Idea, the Divine Idea, that which lies at the bottom of Appearance : what pray may Ihis mean 1' Of such a questioner I would inquire in turn: 'What pray may this question mean ]' — Investigate it strictly, it means in most cases nothing more than this, ' Under what other names and in what other formulas, do I already know this same thing, which thdu expressest by so strange and to me so unknown a symbol V And to this again in most cases the only suitable reply were. ' Thou knowest this thing not at all, neither under this, nor under any other name; and wouldst thou arrive at the knowledge of it, thou must even now tiegin at the beginning to make study thereof; and then, most fitly, under that name by which it is first presented to thee !' " With such a notion of the Artist, it were a strange inconsistency did Criticism show it- self unscientific or lax in estimating the products of his Art. For light on this point, we might refer to the writings of almost any individual among the German critics : take, for instance, the Charakttristikcn of the two Schlegels, a work too of their younger years ; and say whether in depth, clearness, minute and patient fidelity, these Clutraclers have often been surpassed, or the import and poetic worth of so many poets and poems more vividly and accurately brought to view. As an instance of a much higher kind, we might refer to Goethe's criticism of Huiiilct in his Wilhclm 3Ieis!cr. This truly is what may be called the poetry of criticism ; for it is in some sort also a creative art; aim- ing, at least, to reproduce under a difl"ei-ent shape the existing product of the poet; paint- ing to the intellect what already lay painted to the heart and the imagination. Nor is it over poetry alone that criticism watches with such loving strictness: the mimic, the pictorial, the musical arts, all modes of representing or ad- dressing the highest nature of man, are ac- knowledged as younger sisters of Poetry, and fostered with the like care. Winkelmann's History of PUislir Art is known by repute to all readers: and of those who know it by Inspec- tion, many may have wondered why such a work has not been added to our own literature, to instruct our own statuaries and painters. On this subject of the plastic arts, we cannot withhold the following little sketch of Goethe's, as a specimen of pictorial criticism in what we consider a superior style. It is of an imaginary landscape-painter, and his views of Swiss scenery; it will bear to be studied minutely, for there is no word without its meaning: " He succeeds in representing the cheerful repose of lake prospects, where houses in friendly approximation, imaging themselves in the clear wave, seem as if bathing in its depths; shores encircled with green hills, be- hind which rise forest mountains, and ic)' peaks of glaciers. The tone of colouring in such scenes is gay, mirthfully clear; the distances as if overflowed with softening vapour, which from watered hollows and river valleys mounts up grayer and mistier, and indicates their wind- ings. No less is the master's art to be praised in views from valleys lying nearer the high Alpine ranges, where declivities slope down, luxuriantly overgrown, and fresh streams roll hastily along by the foot of rocks. " With exquisite skill, in the deep shady trees of the foreground, he gives the distinctive cha- racter of the several species, satisfying us in the form of the whole, as in the structure of the branches, and the details of the leaves ; no less so in the fresh green with its manifold shadings, where soft airs appear as if fanning us with benignant breath, and the lights as if thereby put in motion. " In the middle-ground, his lively green tone grows fainter by degrees ; and at last, on the more distant mountain-tops, passing into weak violet, weds itself with the blue of the sky. But our artist is above all happy in his paintings of high Alpine regions ; in seizing the simple greatness and stillness of their character; the wide pastures on the slopes, where dark soli- tary firs stand forth from the grassy carpet; and from high clifts, foaming brooks rush down. Whether he relieves his pasturages with graz- ing cattle, or the narrow winding rocky path with mules and laden pack-horses, he paints all with equal truth and richness ; still, introduced in the proper place, and not in too great co- piousness, they decorate and enliven these scenes, without interrupting, without lessening their peaceful solitude. The execution testifies a master's hand; easy, with a few sure strokes, and yet complete. In his later pieces, he em- ployed glittering English permanent-colours on paper: these pictures, accordingly, are of preeminently blooming tone; cheerful, yet, at the same time, strong and sated. " His views of deep mountain chasms, where, round and round, nothing fronts us but dead rock, where, in the abyss, overspanned by its bold arch, the wild stream rages, are, indeed, of less attraction than the former: yet their truth excites us ; we admire the great efl^ect of the whole, produced at so little cost, by a few expressive strokes, and masses of iocal colours. " With no less accuracy of character can he represent the regions of the topmost Alpine ranges, where neither tree nor shrub any more appears ; but only amid the rocky teeth and snow summits, a few sunny spots clothe them selves with a soft sward. Beautiful, and balmy and inviting as he colours these spots, he has here wisely forborne to introduce grazing herds ; for these regions give food only to the chamois, and a perilous employment to the wild-hay-men."* We have extracted this passage ft cm Wil- hclm Mcister's Wander jnhre, Goethe's last Novel. The perusal of his whole Works would show, among many other more important facts, that Criticism also is a science of which he is mas- ter ; that if ever any man had studied Art in all its branches and bearings, from its origin in * The poor wlld-hay-man of the Rigiber?, Whose trade is, on tlie hrow of the abyss, To mow tlie coiiiiiion grass from noolts and s)ict«'es. To which the cattle dare not climb. ScHiLLKBS iVilhelm Ttll, 28 CARLYLE'S MISCELLANEOUS WRITINGS. the depths of the creative spirit, to its minutest finish on the canvas of the painter, on the lips of the poet, or under the finger of themusician, he was that man. A nation which appreciates such studies, nay, requires and rewards them, cannot, wherever its defects may lie, be defec- tive in judj;;ment of the arts. But a weightier question still remains. What has been the fruit of this its high and just judgment on these matters'! What has criticism profited it, to the bringing forth of good works 1 How do its poems and its poets correspond with so lofty a standard? We an- swer, that on this point also, Germany may rather court investigation than fear it. There are poets in that country who belong to a no- bler class than most nations iiave to show in these days; a class entirely unknown to some nations; and, for the last two centuries, rare in all. We have no hesitation in stating, that we see in certain of the best German poets, and those too of our own time, something ■which associates them, remotely or nearly we say not, but which does associate them with the Masters of Art, the Saints of Poetry, long since departed, and, as we thought, Avithout successors, from the earth ; but canonized in the hearts of all generations, and yet living to all by the memory of what they did and were. Glances we do seem to find of that ethereal glory, which looks on us in its full brightness from the Tranffiguration of Rafaelle, from the Tcupest of Shakspeare; and in broken, but purest and still heart-piercing beams, strug- gling through the gloom of long ages, from the tragedies of Sophocles and the weather-worn sculptures of the Parthenon. This is that heavenly spirit, which, best seen in the aerial embodiment of poetry, but spreading likewise over all the thoughts and actions of an age, has given us Surreys, Sydneys, Raleighs in court and camp, Cecils in policy, Hookers in divinity. Bacons in philosophy, and Shakspeares and Spensers in song. All hearts that know this, know it to be the highest; and that, in poetry or elsewhere, it alone is true and imperishable. In affirming that any vestige, however feeble, of this divine spirit, is discernible in German poetry, we are aware that we place it above the existing poeti'y of any other nation. To prove this bold assertion, logical argu- ments were at all times unavailing; and, in the present circumstances of the case, more than usually so. Neither will any extract or specimen help us ; for it is not in parts, but in whole poems, that the spirit of a true poet is to be seen. We can, therefore, only name such men as Tieck, Richter, Herder, Schiller, and, above all, Goethe ; and ask any reader who has learned to admire wisely our own literature of Queen Elizabeth's age, to peruse these writers also ; to study them till he feels that he has understood them, and justly esti- mated both their light and darkness; and then to pronounce whether it is not, in some degree, as we have said. Are there not tones here of that old melody ? Are there not glimpses of that serene soul, thatcalm harmonious strength, .hat smiling earnestness, that Love and Faith and Humanity of nature? Do these foreign eontempofaries of ours still exhibit, in their characters as men, something of that sterling nobleness, that union of majesty with meek- ness, which we must ever venerate in those our spiritual fathers! And do their works, in the new form of this century, show forth that old nobleness, not consistent only, with the science, the precision, the skepticism of these days, but wedded to them, incorporated with them, and shining through them like their life and soul 1 Might it in truth almost seem to us, in reading the prose of Goethe, as if we were reading that of Milton ; and of Milton writing with the cul- ture of this lime; combining French clearness with old English depth? And of his poetry may it indeed be said that it is poetry, and yet the poetry of our own generation; an ideal world, and yet the world we even now live in? — These questions we must leave candid and studious inquirers to answer for themselves; premising only, that the secret is not to be found on the surface; that the first reply is likely to be in the negative, but with inquirers of this sort, by no means likely to be the final one. To ourselves, we confess, it has long so ap- peared. The poetry of Goethe, for instance, we reckon to be Poetry, sometimes in the very hignest sense of that word; yet it is no remi- niscence, but something actually present and before us ; no looking back into an antique Fairy-land, divided by impassable abysses from the real world as it lies about us and within us : but a looking round upon that real world itself, now rendered holier to our eyes, and once more become a solemn temple, where the spirit of Beauty still dwells, and, under new emblems, to be worshipped as of old. With Goethe, the mythologies of bygone days pass only for what they are ; we have no witchcraft or magic in the common acceptation ; and spirits no longer bring with them airs from heaven or blasts from hell; for Pandemonium and the steadfast Empyrean have faded away, since the opinions which they symbolized no longer are. Neither does he bring his heroes from remote Oriental climates, or periods of Chivalry, or any section either of Atlantis or the Age of Gold ? feeling that the reflex of these things is cold and faint, and only hangs like a cloud-picture in the distance, beautiful but delusive, and which even the simplest know to be delusion. The end of Poetry is hisher ; she must dwell in Reality, and become manifest to men in the forms among which they live and move. And this is what we prize in Goethe, and more or less in Schiller and the rest; all of whom, each in his own way, are writers of a similar aim. The coldest skeptic, the most callous worldling, sees rot the actual aspects of life more sharply than they are here delineated : the nineteenth cen- tury stands before us, in all its contradiction and perplexity ; barren, mean, and baleful, as we have all known it ; yet here no longer mean or barren, but enamelled into beauty in the poet's spirit ; for its secret significance is laid open, and thus, as it were, the life-giving fire that slumbers in it is called forth, and flowers and foliage, as of old, are springing on ?».s bleakest wildernesses, and overmanlling its sternest clifls. For these men have not only STATE OF GERMAN LITERATURE. 29 ifae clear eye, but the lovitiir heart. They have penetrated into the mystery of Nature; after long trial they have been initiated: and, to unwearied endeavour, Art has at last yielded her secret; and thus can the Spirit of our Age, itnbodicd in fair imaginations, look forth on us, earnest and full of meaning, from their works. As the first and indispensable condi- tion of good poets, they are wise and good men: much they have seen and suflered, and they have conquered all this, and made it all their own ; they have known life in its heights and dejillis, and mastered it in both, and can teach others what it is, and how to lead it rightly. Their minds are as a mirror to us, where the perplexed image of our own being is reflected back in soft and clear interpretation. Here mirih and gravity are blended together; wit rests on deep devout wisdom, as the green- sward with its flowers must rest on the rock, whose foundations reach downward to the centre. In a word, they are believers; but their faith is no sallow plant of darkness ; it is green and flowery, for it grows in the sunlight. And this faith is the doctrine they have to teach us, the sense which, under every noble and graceful form, it is their endeavour to set forth: As all nature's thousand chausps But one clianL'eless God prorluim, So in Art's wirle kinjilouis ranses One sole nipaniii?, still lh(> same ; . Tills is Trutli. eternal Reason, Which from Beauty takes its dress. And, serene throuirh time and season, Stands for aye in loveliness. Such indeed is the end of Poetry at all times; yet in no recent literature known to us, except the German, has it been so far attained; nay, perhaps, so much as consciously and stead- lastly attempted. The reader feels that if this our opinion be in any measure true, it is a truth of no ordinary moment. It concerns not this writer or that ; but it opens to us new views on the fortune of spiritual culture with ourselves and all na- tions. Have we not heard gifted men com- plaining that Poetry had passed away without return; that creative imagination consorted not with vigour of intellect, and that in the cold light of science there was no longer room for faith in things unseen 1 The old simplicity of heart was gone; earnest emotions must no longer be expressed in earnest symbols ; beauty must recede into elegance, devoutness of cha- racter be replaced by clearness of thought, and grave wisdom by shrewdness and persiflage Such things we have heard, but hesitated to believe them. If the poetry of the Germans, and this not by theory but by example, have proved, or even begun to prove, the contrary, it will deserve far higher encomiums than any we have passed upon it. In fact, the past and present aspect of Ger- man literature illustrates the literature of Eng- land in more than one way. Its history keeps pace with that of ours; for so closely are all European communities connected, that the phases of mind in any one country, so far as these represent its general circumstances and intellectual position, are but modified repeti- tions of its phases in every other. We hinted above, that the Saxon School corresponded with what might be called the Scotch : Cra mer was not unlike our Blair; Von Cron°gk might be compared with Michael Bruce; and Rabener and Gellert with Beattie and I.ogan. To this mild and cultivated period, there suc- ceeded, as with us, a partial abandonment of poetry, in favour of political and philosophical Illuinination. Then was the time, when hot war was declared against Prejudice of all sorts; Utility was set up for the universal measure of mental as well as material value; poetry, except of an economical and precep- torial character, was found to be the product of a rude age; and religious enthusiasm was but derangement in the biliary organs. Then did the Prices and Condorcets of Germany indulge in day-dreams of perfectibility ; a new social order was to bring back the Saturnian era to the world ; and philosophers sat on their sunny Pisgah, looking back over dark savage deserts, and forward into a land flow- ing with milk and hone}'. This period also passed away, with its good and its evil; of which chiefly the latter seems to be reinembered ; for we scarcely ever find the afl'air alluded to, except in terms of con- tempt, by the title Aufdarercy (Illumination- ism) ; and its partisans, in subsequent sa- tirical controversies, received the nickname of Pliilislcni (Philistines), which the few scat- tered remnants of them still bear, both in writ- ing and speech. Poetry arose again, and in a new and singular shape. The Sorrows of Wev' ler, Goetz van Ferlirhihgen, and The Robbers, may stand as patriarchs and representatives of three separate classes, which, commingled ia various proportions, or separately coexisting, now with the preponderance of this, now of that, occupied the whole popular literature of Germany, till near the end of the last century. These were the Sentimentalists, the Chivalry, play-writers, and other gorgeous and outrage- ous persons; as a whole, now pleasantly de nominated the Krnpmdnncr, literally. Power- men. They dealt in skeptical lamentation^ mysterious enthusiasm, frenzy and suicide: they recurred with fondness to the Feudal Ages, delineating many a battlemented keep, and swart buff'-belted man-at-arms; for in re- flection as in action, tkey studied to be strong, vehement, rapidly effective; of battle-tumult, love-madness, heroism, and despair, there was no end. This literary period is called the Stii.rm-unrl-Draiig-Zei', the Storm-and-Stress Pe- riod; for great indeed was the wo and fury of these Power-men. Beauty, to their mind, seemed synonymous with Strength. All pas- sion was poetical, so it were but fierce enough. Their head moral virtue was Pri;le : their beau i(?eal of manhood was some transcript of Mil- ton's Devil. Often they inverted Bolingbroke's plan, and instead of "patronizing Providence," did directly the opposite; raging with extreme animation against Fate in general, because it enthralled free virtue; and with clenched hands, or sounding shields, hurling defiance towards the vault of heaven. These Power-men are gone too; and, with few exceptions, save the three originals above named, their works have already followed them. The application of all this to our own '■. 2 so CARLYLE'S MISCELLANEOUS WRITINGS. literature is too obvious to require much ex- position. Have we not also had our Power- men ? And will not, as in Germany, to us likewise a milder, a clearer, and a truer time come round? Our Byron was, in his youth, but what Schiller and Goethe had been in theirs: yet the author of IVerlcr wrote Tphi- genie and Torqwtto Tiiaso ; and he who be^an with T/(ei?o6/)f7-.f ended with Wilhclm Tell. With longer life, all things were to have been hoped for from Byron : for he loved truth in his in- most heart, and would have discovered at last that his ('orsairs and Harolds were not true. It was otherwise appointed: but with one man all hope does not die. If this way is the right one, we too shall find it. The poetry of Ger- many, meanwhile, we cannot but regard as well deserving to be studied, in this as in other points of view: it is distinctly an advance beyond any other known to us; whether on the right path or not, may be still uncertain; but a path selected by Schillers and Goefhes, and vindicated by Schlegels and Tiecks, is surely worth serious examination. For the rest, need we add that it is study for self-in- struction, nowise for purposes of imitation, that we recommend 1 Among the deadliest of poetical sins is imitation ; for if every man must have his own way of expressing it, much more every nation. But of danger on that side, in the country of Shakspeare and Milton, there seems little to be feared. We come now to the second grand objection against German literature, its mysticism. In treating of a subject itself so vague and dim, it were well if we tried, in the first place, to settle, with more accuracy, what each of the two contending parties really means to say or to contradict regarding it. Mysticism is a word in the mouths of all : yet, of the hun- dred, perhaps not one has ever asked himself what this opprobrious epithet properly signi- fied in his mind; or where the boundary be- tween true Science and this Land of Chimeras was to be laid down. Examined strictly, mys- tical, in most cases, will turn out to be merely synonymous M'ith vot understood. Yet surely tnere may be haste and oversight here ; for it is well known, that, to the understanding of any thing, fM.'o conditions are equally required; intelligihUity in the thing itself being no whit more indispensable than intelligence in the examiner of it. "I am bound to find you in reasons, Sir," said Johnson, " but not in brains;" a speech of the most shocking un- polileness, yet truly enough expressing the state of the case. It may throw some light on this question, if we remind our readers of the following fact. In the field of human investigation, there are objects of two sorts: First, the visible, in- cluding not only such as are material, and may be seen by the bodily eye; but all such, likewise, as may be represented in a shape, bef ire the mind's eye, or in any way pictured thv^re : And, secondly, the iiivisiljle, or such as are not only unseen by human eyes, but as cannot be seen by any eye; not objects of sense at all ; not capable, in short, of being yicvred or imaged in the mind, or in any way represented by a shape either without the mind or within it. If any man shall here turn upon us, and assert that there are no such invisibl« objects; that whatever cannot be so picture^ or imagined {va&ViX\m^ imaged) is nothing, and the science that relates to it nothing; we shall regret the circumstance. We shall request him, however, to consider seriously and deeply within himself what he means simply by these two words, Go!) and his own Soul; and whether he finds that visible shape and true existence are here also one and the same? If he still persist in denial, we have nothing for it, but to wish him good speed on his own separate path of inquir}'; and he and we will agree to differ on this subject of mysticism, as on so many more important ones. Now, whoever has a material and visible object to treat, be it of natural Science, Politi- cal Philosophy, or any such externally and sensibly existing department, may represent it to his own mind, and convey it to the minds of others, as it were, by a direct diagram, more complex indeed than a geometrical diagram, but still with the same sort of precision ; and provided his diagram be complete, and the same both to himself and his reader, he may reason of it, and discuss it, with the clearness, and, in some sort, the certainty of geometry itself. If he do not so reason of it, this must be for want of comprehension to image out the ivhole of it, or of distinctness to convey the same whole to his reader: the diagrams of the two are differ- ent; the conclusions of the one diverge from those of the other, and the obscurity here, pro- vided the reader be a man of sound judgment and due attentiveness, results from incapacity on the part of the writer. In such a case, the latter is justly regarded as a man of imperfect intellect; he grasps more than he can carry; he confuses what, with ordinary faculty, might be rendered clear ; he is not a mystic, but, what is much worse, a dunce. Another matter it is, however, when the object to be treated of be- longs to the invisible and immaterial class; cannot be pictured out even by the writer him- self, much less, in ordinary symbols, set before the reader. In this case, it is evident, the diffi- culties of comprehension are increased an hundred-fold. Here it will require long, pa- tient, and skilful efl^ort, b'>th from the writer and the reader, before the two can so much as speak together ; before the former can make known to the latter, not hoxe{he matter stands, but even what the matter is, which they have to investigate in concert. He must devise new means of explanation, describe conditions of mind in which this invisible idea arises, the false persuasions that eclipse it, the false shows that may be mistaken for it, the glimpses of it that appear elsewhere; in short, strive by a thousand well-devised methods, to guide his reader up to the perception of it; in all which, moreover, the reader must faithfully and toil- somely co-operate with him, if any fruit is to come of their mutual endeavour. Should th« latter take up his ground too early, and affirm to himself that now he has seized what he still has not seized; that this and nothing else is the thing aimed at by his teacher, the conse- quences are plain enough : disunion, darkness, and contradiction between the twi; the writer STATE OF GERMAN LITERATURE. 31 has written for another man, and this reader, after long provocation, quarrels with him finally, and quits him as a niyslir. JNevertheless, after all these limitations, we shall not hesitate to admit, that there is in the German mind a tendency to mysticism, pro- perly so called; as perhaps there is, unless carefully guarded against, in all minds tem- pered like theirs. It is a fault; but one hardly separable from the excellencies we admire most in them. A simple, tender, and devout nature, seized by some touch of divine Truth, and of this perhaps under some rude enough symbol, is wrapt with it into a whirlwind of unutteiable thoughts; wild gleams of splendour dart to and fro in the eye of the seer, but the vision will not abide with him, and yet he feels that its light is light from heaven, and precious to him beyond all price. A simple nature, a George Fox, or a Jacob Boehme, ignorant of all the ways of men, of the dialect in which they speak, or the forms by which they think, is labouring with a poetic, a religious idea, which, like all such ideas, must express itself by word and act, or consume the heart it dwells in. Yet how shall he speak, how shall he pour forth into other souls, that of which his own soul is full even to bursting] He cannot speak to us ; he knows not our state, and can- not make known to us his own. His words are an inexplicable rhapsody, a speech in an unknown tongue. Whether there is meaning in it to the speaker himself, and how much or how true, we shall never ascertain; for it is not in the language of men, but of one man who had not learned the language of men ; and, with himself the key to its full interpretation was lost from amongst us. These are mystics; men who either know not clearly their own mean- ing, or at least cannot put it forth in formulas of thought, whereby others, with whatever diifi- culty, may apprehend it. Was their meaning clear to themselves, gleams of it will yet shine through, how ignorantly and unconsci- ously soever it may have been delivered; was it still wavering and obscure, no science could have delivered it wisely. In either case, much more in the last, they merit and obtain the name of mystics. To scoffers they are a ready and ch3ap prey ; but sober persons understand that pure evil is as unknown in this lower Universe as pure good ; and that even in mys- tics, of an honest and deep-feelin? heart, there may be much to reverence, and of the rest more to pity than to mock. But it is not to apologize for Boehme, or Novalis, or the school of Theosophus and Flood, that we have here undertaken. Neither is it on such persons that the charge of mys- ticism brought against the Germans mainly rests. Boehme is little known among us; Novaiis, much as he deserves knowing, not at all; nor is it understood, that, in their own country, these men rank higher than they do, or might do, with ourselves. The chief mys- tics in Germany, it M'ould appear, are the Transcendental Philosophers, Kant, Fichte, and Schelling! Wiih these is the chosen seat of mysticism, these are its " tenebrific constel- lation," from which it "doth ray out darkness" over lh( earth. Among a certain class of thmkers, does a frantic exaggeration in senti- ment, a crude fever-dream in opinion, any where break forth, it is directly labelled aa Kantism ; and the moon-struck speculator is, for the time, silenced and put to shame by this epithet. For often, in such circles, Kant's Philosophy is not only an absurdity, but a wickedness and a horror ; the pious and peace- ful sage of KiJnigsberg passes for a sort of Necromancer and Blackartist in Metaphysics; his doctrine is a region of boundless baleful gloom, too cunningly broken here and there by splendours of unholy fire ; spectres and tempt- ing demons people it; and, hovering over fathomless abysses, hang gay and gorgeous air-castles, into which the hapless traveller is seduced to enter, and so sinks to rise no more. If any thing m the history of Philosophy could surprise us, it might well be this. Per- haps among all the metaphysical wruers of the eighteenth century, including Hume and Hartley themselves, there is not one that so ill meets the conditions of a mystic as this same Immannel Kant. A quit, vigilant, clear- sighted man, who had become distinguished to the world in mathematics before he attempted philosophy; who, in his writings generally, on this and other subjects, is perhaps character- ized by no quality so much as precisely by the distinctness of his conceptions, and the se- quence and iron strictness with which he reasons. To our own minds, in the little that we knovv of him, he has more than once recalled Father Boscovich in Natural Philosophy ; so piercing, yet so sure; so concise, so still, so simple; with such clearness and composure does he mould the complicacy of his subject and so firm, sharp, and definite are the results he evolves from it.* Right or wrong as his hypothesis may be, no one that knows him will suspect that he himself had not seen it, and seen over it; had not meditated it with calm- ness and deep thought, and studied throughout to expound it with scientific rigor. Neither, as we often hear, is there any superhuman faculty required to follow him. We venture to assure such of our readers as are in any measure used to metaphysical study, that the 7wt i/, ilcr reinen Vernnnft is by no means the hardest ta-;k they have tried. It is true, there is an unknown and forbidding terminology to be mastered ; but is not this the case also with Chemistry, and Astronomy, and all other sciences that deserve the name of science'? It is true, a careless or unprepared reader will find Kant's writing a riddle; but will a reader of this sort make much of Newton's Prinripii, or D'Alembert's Calculus of Viiridlions? He will make nothing of them; perhaps less than nothing; for if he trust to his own judgment, he will pronounce them madness. Yet if the Philosophy of Mind is any philosophy at all, Physics and Mitlhe- malics must be plain sulijects compared with it. But these latter are happy, nnt only in the fixedness and simplicity of their niethods, but also in the universal acknovi'ledgment of their * We hnve hmrd that the I-ntin Trin?Intinn of h»» works is iiiiinlflli'.'i'ih', Ihe Triiisl itnr hinisi'lf ncit h;iv- itic mulcrstodrl it ; alsoilrit VilU-rs is tio s:i(p a li.le in th(> stmiy oCliiiii. Neit)ier Villers nor those Latin work* are known lo us. 82 CARLYLE'S MISCELLANEOUS WRITINGS. claim to that prior and continual intensity of application, without which All progress in any science is impossible ; though more than one may be attempted without it; and blamed, he- cause without it they will yield no result. The truth is, German Philosophy differs not more widely from ours in the substance of its doctrines, than in its manner of communicat- ing them. The class of disquisitions, named Kamm-Philosophic (Parlor-fire Philosophy) in Germany, is there held in little estimation. No right treatise on any thing, it is believed, least of all on the nature of the human mind, can be profitably read, unless the reader himself co-operates: the blessing of half-sleep in such cases is denied him ; he must be alert, and strain every faculty, or it profits nothing. Philosophy, with these men, pretends to be a Science, nay, the living principle and soul of all Sciences, and must be treated and studied scientifically, or not studied and treated at all. Its doctrines should be present with every cul- tivated writer; its spirit should pervade every piece of composition, how slight or popular soever; but to treat itself popularly would be a degradation and an impossibilit}'. Philoso- phy dwells aloft in the Temple of Science, the divinity of its inmost shrine : her dictates des- cend among men, but she herself descends not ; whoso would behold her, must climb with long and laborious effort ; nay, still linger in the forecourt, till manifold trial have proved him worthy of admission into the interior solem- nities. It is the false notion prevalent respecting the objects aimed at, and the purposed manner of attaining them, in German Philosophy, that causes, in great part, this disappointment of our attempts to study it, and the evil report which the disappointed naturally enough bring back with them. Let the reader believe us, the Critical Philosophers, whatever they may be, are no mystics, and have no fellowship with mystics. What a mystic is, we have said above. But Kant, Fichte, and Schelling, are men of cool judgment, and determinate ener- getic character ; men of science and profound and universal investigal^ion ; nowhere does the world, in all its bearings, spiritual or material, theoretic or practical, lie pictured in clearer or truer colours, than in such heads as these. We have heard Kant estimated as a spiritual brother of Boehme ; as justly might we take Sir Isaac Newton for a spiritual brother of Count Swedenborg, and Laplace's Mechanism of the Heavens for a peristyle to the Vision of the New Jerusalem. That this is no extravagant comparison, we appeal to any man acquainted with any single volume of Kant's writings. Neither, though Schelling's system differs still more widely from ours, can we reckon Schell- ing a mystic. He is a man evidently of deep insight into individual things; speaks wisely, and reasons with the nicest accuracy, on all matter^ where we understand his data. Fairer migl^t i* be in us to say that we had not yet a]>preciated his truth, and therefore could not appreciate his error. But above all, the mysti- cism of Fichte might astonish us. The cold, colossal, adamantine spirit, standing erect and «*!*»ar, like a Cato Major among degenerate men : fit to have been the teacher of the Stoa, and to have discoursed of Beauty and Virtue in the groves of Academe ! Our reader has seen some words of Fichte's : are these like words cf a mystic'? We state Fichte's cha- racter, as it is known and admitted by men of all parties among the Germans, when we say that so robust an intellect, a soul so calm, so lofty, massive, and immovable, has not mingled in philosophical discussion since the time of Luther. We figure his motionless look, had he heard this charge of mysticism ! For the man rises before us, amid contradiction and debate, like a granite mountain amid clouds and wind. Ridicule, of the best that could be commanded, has been already tried against him; but it could not avail. What was the wit of a thousand wits to him? The cry of a thousand choughs assaulting that old cliff of granite : seen from the summit, these, as they winged the midway air, showed scarce so gross as beetles, and their cry was seldom even audible. Fichte's opinions may be true or false ; but his character, as a thinker, can be slightly valued only by such as know it ill; and as a man, approved by action and suffer- ing, in his life and in his death, he ranks with a class of men who were common only in better ages than ours. The Critical Philosophy has been regarded by persons of approved judgment, and nowise directly implicated in the farthering of it, as distinctly the greatest intellectual achievement of the century in which it came to light. Au- gust Wilhelm Schlegel has stated in plain terms his belief that, in respect of its probable in- fluence on the moral culture of Europe, it stands on a line with the Reformation. We mention Schlegel as a man whose opinion has a known value among ourselves. But the worth of Kant's philosophy is not to be gathered from votes alone. The noble system of morality, the purer theology, the lofty views of man's na- ture derived from it; nay, perhaps, the very discussion of such matters, to which it gave so strong an impetus, have told with remarkable and beneficial influence on the whole spiritual character of Germany. No writer of any im- portance in that country, be he acquainted or not with the Critical Philosophy, but breathes a spirit of devoutness and elevation more or less directly drawn from it. Such men as Goethe and Schiller cannot exist without effect in any literature or in any century : but if one circum- stance more than another has contributed to forward their endeavours, and introduce that higher tone into the literature of Germany, it has been this philosopical system ; to which, in wisely believing its results, or even in wisely denying them, all that was lofty and pure in the genius of poetry, or the reason of man, so readily allied itself. That such a system must in the end become known among ourselves, as it is already be- coming known in France and Italy, and over all Europe, no one acquainted in any measure with the character of this matter, and the cha- racter of England, will hesitate to predict. Doubtless it will be studied here, and by heads adequate to do it justice : it will be investigated duly and thoroughl}-,/ and settled in our minds STATE OF GERMAN LITERATURE. 33 on the footing which belongs to it, and where thenceforth it must continue. Respecting the degrees of truth and error which will then be found to exist in Kant's system, or in the mo- difications it has since received, and is still re- ceiving, we desire to be understood as making no estimate, and little qualitied to make any. We would have it studied and known, on ge- neral grounds; because even the errors of such men are instructive; and because, without a large admixture of truth, no error f«H exist un- der such combinations, and become diffused so widely. To judge of it we pretend not : we are still inquirers in the mere outskirts of the mat- ter; and it is but inquiry that we wisli to see promoted. Meanwhile, as an advance or first step to- wards this, we may state something of what has most struck ourselves as characterizing Kant's system ; as distinguishing it from every other known to us ; and chiefly from the Me- taphysical philosophy which is taught in Bri- tain, or rather which wa^ taught ; fir, on look- ing round, we see not that there is any such Philosophy in existence at the present day.* The Kantist, in direct contradiction to Locke and all his followers, both of the French, and English or Scotch school, commences from within, and proceeds outwards ; instead of commencing from without, and, with various precautions and hesitations, endeavouring to proceed inwards. The ultimate aim of all Phi- losophy must be to interpret appearances, — from the given symbol to ascertain the thing. Now the first step towards this, the aim of what may be called Primary or Critical Philosophy, must be to find some indubitable principle; to fix ourselves on some unchangeable basis : to discover what the Germans call the Unvahr, the Primitive Truth, the necessarily, absolute- ly, and eternally IVuc. This necessarily True, this absolute basis of Truth, Locke silently, and Reid and his followers with more tumult, find in a certain modified Experience, and evi- dence of Sense, in the universal and natural persuasions of all men. Not so the Germans : they deny that there is here any absolute Truth, * The name of Diiftald Stewart is a name venerabte to all Europe, and to none more dear and venerable than to ourselves. Nevertheless his writings are not a phi- losophy, but a maltiiis ready for one He does not enter on tiie field to till it, he only encompasses it with fences, invites cultivators, and drives away intruders ; often (I'allen on evil days) he is reduced to long arguments with passers by, to prove that it is a field, that this so highly prized domain of his is, in truth, soil and sub- stance, not clouds and shadow. We regard his discus- sions on the nature of philosophic Lansuage, and his un- wearied elTorts to set forth and guard against its fallacies, as worthy of all acknowledgment ; as indeed forming the greatest, perhaps the only true improvement, which Philosophy has received among us in our age. It is only to ii superficial observer that the import of these discus- siotis can seem trivial : rightIy((inderstood they give suf- ficient and final answer to Hartley's and Darwin's and all other possible forms of Materialism, the grand Idola- try, as we may rightly call it, by which, in all times, the true Worship, that of the invisible, has been polluted and withstood. Mr. Stewart has written warmly against Kant ; but it would surprise him to find how much of a Kantist he himself essentially is. Has not the whole scope of his labotirs been to reconcile what a Kantist would call his Understandins with his Reason ; a noble, but still too fruitless effort to overarch the chasm which, for all minds but his own. separates his .Science from his Religion'? We regard the assiduous study of )■'-: Works, as the best preparation of studying those of ilalit. or that any Philosophy whatever can be built on such a basis ; nay, they go the length of asserting, that such an appeal even to the universal persuasions of mankind, gather them with what precautions you may, amounts to a total abdication of Philosophy, strictly so called, and renders not only its further progress, but its very existence, impossible. What, they would say, have the persuasions, or instinc- tive beliefs, or whatever they are called, of men, to do in this matter? Is it not ihe object of Philosophy to enlighten, and rectify, and inaiiy times directly contradict these very beliefs. Take, for instance, the voice of all generations of men on the subject of Astronomy. Will there, out of any age or climate, be one dissen- tient against the/art t>f the Sun's going round the Earth] Can any evidence be clearer, is there any persuasion more universal, any be- lief more instinctive ? And yet the sun moves no hairsbreadth ; but stands in th-; centre of his Planets, let us vote as we please. So is it like- wise with our evidence for an external inde- pendent existence of Matter, and, in general, with our whole argtiment against Hume; whose reasonings, from the premises admitted both by him and us, the Germans affirm to be rigorously consistent and legitimate, and, on these premises, altogether uncontroverted and incontrovertible. British Philosophy, since the time of Hume, appears to them nothing more than a "laborious and unsuccessful striving to build dike after dike in front of our Churches and Judgment-halls, and so turn back from them the deluge of Skepticism, with which that extraordinary writer overflowed us, and still threatens to destroy whatever we value most." This is Schlegel's meaning: his words are not before us. The Germans take up the matter differently, and would assail Hume, not in his outworks but in the centre of his citadel. They deny his first principle, that Sense is the only inlet of Knowledge, that Experience is the primary ground of Belief. Their Primitive Truth, however, they seek, not historically and by experiment, in the universal persuasions of men, but by intuition, in the deepest and purest nature of Man. Instead of attempting, which they consider vain, to prove the existence of God, Virtue, an immaterial Soul, by inferences drawn, as the conclusion of all Philosophy, from the world of sense, they find these things written as the beginning of all Philosophy, in obscured but ineffaceable characters, within our inmost being; and theinselves first afford- ing any certainty and clear meaning to liiat very world of sense, by which we endeavour to demonstrate them. God is nay, alone is, for with like emphasis we cannot say that any thing else is. This is the Absolute, the Primi tively True, which the philosopher seeks Endeavouring, by logical argument, to prove the existence of God, a Kantist might say, would be like taking out a candle to look for the sun; nay, gaze steadily into your candle- light, and tile sun himself may be invisible To open the inward eye to the sight of thi.s Primitively True ; or, rather, we might call it, to clear off the Obscurations of sense, which eclipse this truth within us, so that we niav 34 CARLYLE'S MISCELLANEOUS WRITINGS. see it, and believe it not only to be true, but the foundation and essence of all other truth, ma}', in such language as we are here using, be said lo be the problem of Critical Phi- losophy. In this point of view, Kant's system may be tlioughl lo have a remote affinity to those of Malebranche and Descartes. But if they in some measure agree as to their aim, there is the widest diflerence as to the means. We state what to ourselves has long appeared the grand characteristic of Kanl's Philosophy, when we mention his distinction, seldom per- haps expressed so broadly, but uniformly im- plied, between Understanding and Reason (Vcrs/a7id and Vcrmuifl). To most of our readers this may seem a distinction without a diflerence; nevertiieless, to the Kantists it is by no means such. They believe that both Understanding and Reason are organs, or rather, we should say, modes of operation, by which the mind discovers truth; but they think tnat their manner of proceeding is es- sentially different: that their provinces are separable and distinguishable, nay, that it is of the last importance to separate and distin- guish them. Reason, the Kantists say, is of a liigher nature than Understanding; it works by more subtle methods, on higher objects, and requires a far finer culture for its de- velopment, indeed in many men it is never developed at all; but its results are no less certain, nay, rather, they are much more so; for Reason discerns Truth itself, the absolutely and primitively True: while Understanding discerns only rclalions, and cannot decide with- out if. The proper province of Understand- ing is all, strictly speaking, rev/, practical, and material knowledge. Mathematics, Physics, Political Economy, the adaptation of means to ends in the whole business of life. In this province it is the strength and universal im- plement of the mind: an indispensable ser- vant, without which, indeed, existence itself would be impossible. Let it not step beyond this province, however, not usurp the province of Reason, which it is appointed to obey, and cannot rule over without ruin to the whole spiritual man. Should Understanding attempt to prove the existence of God, it ends, if thorough-going and consistent with itself, in Atheism, or a faint possible Theism, which scarcely diifers from this: should it speculate of Virtue, it ends in Utility, making Prudence and a sufficiently cunning love of Self the highest good. Consult Understanding about the Beauty of Poetry, and it asks, where is this Beauty? or discovers it at length in rhythms and fitnesses, and male and female rhymes. Witness also its everlasting para- doxes on Necessity and the Freedom of the Will; its ominous silence on the end and meaning of man; and the enigma which, under such inspection, the whole purport of existence becomes. Nevertheless, say the Kantists, there is a truth in these things. Virtue is Virtue, and not prudence; not less surely than the angle iij a semicircle is a right angle, and no trape- zium : Shakspeare is a Poet, and Boileau is none think of it as you may : Neither is it more certain that I myself exist, than that God exists, infinite, eternal, invisible, the same yesterday, to-day, and for ever. To discern these truths is the province of Reason, which therefore is to be cuiiivated as the highest faculty in man. Not by logic and argument does it work; yet surely and clearly may it be taught to work: and its domain lies in that higher region whither logic and argument cannot reach; in that holier region, where Poetry, and Virtue, and Divinity abide, in whose presence Understanding wavers and recoils, dazzled into utter darkness by that "sea of light," at once the fountain and the termination of all true knowledge. Will the Kantists forgive us for the loose and popular manner in which we must here speak of these things, to bring them in any measure before the' eyes of our readers? — It may illustrate this distinction still farther, if we say, that, in the opinion of a Kantisl, the French are of all European nations the moot gifted with Understanding, and the most desti tute of Reason ;* that David Hume had no forecast of this latter, and that Shakspeare and Luther dwelt perennially in its purest sphere. Of the vast, nay, in these days boundless, impoi'tance of this distinction, could it be scientifically established, we need remind no thinking man. For the rest, far be it from the reader to suppose that this same Reason is but a new appearance, under another name, of our own old "Wholesome Prejudice," so well known to most of us ! Prejudice, whole- some or unwholesome, is a personage for whom the German Philosophers disclaim all shadow of respect; nor do the vehement among them hide their deep disdain for all and sundry who fight under her flag. Truth is to be loved purely and solely because it ia true. With moral, political, religious con- siderations, high and dear as they may other- wise be, the Philosopher, as such, has no con- cern. To look at them would but perplex him, and distract his vision from the task in his hands. Calmly he constructs his theorem, as the Geometer does his, without hope or fear, save that he may or may not find the solution ; and stands in the middle, by the one, it maybe, accused as an Infidel, by the other as an Enthu- siast and a Mystic, till the tumult ceases, and what was true is and continues true to the end of all time. Such are some of the high and momentous questions treated of, by calm, earnest, and deeply meditative men, in this system of Phi- losophy, which to the wiser minds among us is still unknown, and by the unwiser is spoken of and regarded as their nature requires. The profoundness, subtilty, extent of investigation, which the answer of these questions presup- poses, need not be farther pointed out. With the truth or falsehood of the system, we have here, as already' stated, no concern ; our aim has been, so far as might be done, to show it as it appeared to us ; and lo ask such of our read- ers as pursue these studies, whether this also * Sclielling has said as iiiitch or more, {Metliode de» .ffcailemischen Studium, pp 105 — 111,) in terms which we could wish we had space to transcribe. LIFE AND WRITINGS OF WERNER. 35 is not worthy of some study. The reply we must now leave to themselves. As an appendage to the charge of Mysticism brought against the Germans, there is often added the seemingly incongruous one of Irre- ligion. On this point also we had much to say; but must for the present decline it. Mean- while, let the reader be assured, that to the charge of Irreligion, as to so many others, the Germans will plead not guilty. On the contra- ry, they will not scruple to assert that their lite- rature is, in a positive sense, religious ; nay, perhaps to maintain, that if ever neighbouring nations are to recover that pure and high spirit of devotion, the loss of which, however we may disguise it or pretend to overlook it, can be hidden from no observant mind, it must be by travelling, if not on the same path, at least in the same direction, in which the Germans have already begun to travel. We shall add, that the Religion of Germany is a subject not fu- slight but for deep study, and, if we mistake not, may in some degree reward the deepest. Here, however, we must close our examina- tion or defence. We have spoken freely, be- cause we felt distinctly, and thought the matter worthy of being stated, and more fully inquired into. Farther than this, we have no quarrel for the Germans; we would have justice done them, as to all men and all things; but for their literature or character we profess no sectarian or exclusive preference. We think their re- cent Poetry, indeed, superior to the recent Poetry of any other nation; but taken as a whole, inferior to that of several; inferior not tr> our own only, but to that of Italy, nay, per- haps to that of Spain. Their Philosophy, too, must still be regarded as uncertain; at best only the beginning of better things. But surely even this is not to be neglected. A little light is precious in great darkness: nor, amid the myriads of Poetasters and Phitosophes, are Poets and Philosophers so numerous that we should reject such, when they speak to us in the hard, but manly, deep, and expressive tones of that .old Saxon speech, which is also our mother tongfue. We confess the present aspect of spiritual Europe might fill a melancholic observer with doubt and foreboding. It is mournful to see so many noble, tender, and high-aspiring minds deserted of that religious light which once guided all such : standing sorrowful on the scene of past convulsions and controversies, as on a scene blackened and burnt up with fire; mourning in the darkness, because there is de- solation, and no home for the soul ; or what is worse, pitching tents among the ashes, and kindling weak earthly lamps which we are to take for stars. This darkness is but transitory obscuration: these ashes are the soil of future herbage and richer harvests. Religion, Poetry, is not dead; it will never die. Its dwelling and birthplace is in the soul of man, and it is eternal as the being of man. In any point of Space, in any section of Time, let there be a living Man: and there is an Infinitude above him and beneath him, and an eternity encom- passes him on this hand and on that ; and tones of Sphere-music, and tidings from loftier worlds, will flit round him, if he can but listen, and visit him with holy influences, even in the thickest press of trivialities, or the din of busiest life. Happy the man, happy the nation that can hear these tidings ; that has them written in fit characters, legible to every eye, and the so- lemn import of them present at all moments to every heart ! That there is, in these days, no nation so happy, is too clear; but that all na- tions, and ourselves in the van, are, with more or less discernment of its nature, struggling towards this happiness, is the hope and the glory of our time. To us, as to others, success, at a distant or a nearer day, cannot be uncer- tain. Meanwhile, the first condition of success is, that, in striving honestly ourselves, we ho- nestly acknowledge the striving of our neigh- bour; that with a Will unwearied in seeking Truth, we have a Sense open for it, whereso- ever and howsoever it may arise. LIFE AND WETTINGS OF WERNER. [Foreign Review, 1823.] If the charm of fame consisted, as Horace has mistakenly declared, "in being pointed at * 1. Lebens-Mriss Friedrirh Ludiciir ZarhariasJVerners. yon dem Ileraiisireber iwii Nnffmanns Lebtni vnd J^Tach- liiss.) Sketch of the Life of Froileiic I.uiiwiff Ziicharias Werner. IJy the Eiliior of "Hoffmann's Life and Re- mains.") Derlin, 1823. 2. Die Sohne dcs Tlials. (The Sons of the Valley.) A Dramatic Poem. Part I. Die Tempter aiif Cijpern. (The remplars in Cyprus.) Part H. Die Krevzesbriidcr. (The rSrethrcnof the Cross.) Berlin, 1801, 1802. 3. Das Kreuz an der Ostsce. (The Cross on the Baltic.) A Trai'edy. Berlin, 1800. 4. Jilartin Luther, oder Die fVeihe der Kraft. (Martin Luther, or the Consecration of Strength.) A Tragedy. Berlin, 1(^(IT. 5. 'He Mutter der Maklcabiier. (The Mother of the Maccabees ■> A Tragedy. Vienna, 1820. with the finger, and having it said, This is he f" few writers of the present age could boast o£ more fame than Werner. It has been the un- happy fortune of this man to stand for a long period incessantly before the world, in a far stronger light than naturally belonged to him, or could exhibit him to advantage. Twenty years ago he was a man of considerable note, which has ever since been degenerating into notoriety. The mystic dramatist, the skepti- cal enthusiast, was known and partly esteemed by all students of poetry ; Madame de Stael, we .'•ecollect, allows him an entire chapter in her " AUemagne." It was a much coarser cu- riositj', and in a much wider circle, which the CARLYLE'S MISCELLANEOUS WRIT INGS. dissipated man, by successive indecorums, oc- casioned; till at last the convert to Popery, the preaching zealot, came to figure in all news- papers ; and some picture of him was required for all heads that would not sit blank and mute in the topic of every coffeehouse and (Esthetic tea. In dim heads, that is, in the great majo- rity, the picture was, of course, perverted into a strange bugbear, and the original decisively enough condemned; but even the few, who might see him in his true shape, felt too well that nothing loud could be said in his behalf; that, with so many mournful blemishes, if ex- tenuation could not avail, no complete defence was to be attempted. At the same time, it is not the history of a mere literary profligate that we have here to do with. Of men whom fine talents cannot teach the humblest prudence, whose high feeling, unexpressed in noble action, must lie smould- ering with baser admixtures in their own bosom, till their existence, assaulted from without and from within, becomes a burnt and blackened ruin, to be sighed over by the few, and stared at, or trampled on, by the many, — there is unliappiiy no want in any country; nor can the unnatural union of genius with depravity and degradation have such charms for our readers, that we should go abroad in quest of it, or in any case to dwell on it, other- wise than with reluctance. Werner is some- thing more than this: a gifted spirit, struggling earnestly amid the new, complex, tumultuous influences of his time and country, but without force to body himself forth from amongst them; a keen adventurous swimmer, aiming towards high and distant landmarks, but too weakly in so rough a sea, for the currents drive him far astray, and he sinks at last in the waves, at- taining little for himself, and leaving little, save the memory of his failure, to others. A glance over his history may not be unprofita- ble ; if the man himself can less interest us, the ocean of German, of European Opinion, still rolls in wild eddies to and fro; and with its movements and refluxes, indicated in the history of such men, every one of us is con- cerned. Our materials for this survey are deficient, not so much in quantity as quality. The "Life," now known to be by Hitzig of Berlin, seems a very honest, unpresuming performance; but, on the other hand, it is much too fragmentary and discursive for our wants ; the features of the man are nowhere united into a portrait, but left for the reader to unite as he may ; a task which, to most readers, will be hard enough : for the work, short in compass, is more than proportionally short in details of facts; and Werner's historjr, much as an in- timate friend must have known of it, still lies before us, in great part, dark and unintelligible. For what he has done we should doubtless thank our Author; yet it seems a pity, that, in this instance, he had not done more and better. A singular chance made him, at the same time, companion of both Hoffmann and Werner, perhaps the two most showy, heterogeneous, and misinterpretable writers of his day; nor fliall v/e deny, that, in performing a friend's '?uiv tt their memory, he has done truth also a service. His " Life of Hoffmann," pretendmg to no artfulness of arrangement, is redundant, rather than defective, in minuteness; but there, at least, the means of a correct judgment are brought within our reach, and the work, as usual with Hitzig, bears marks of the utmost fairness; and of an accuracy which we might almost call professional : for the author, it would seem, is a legal functionary of long standing, and now of respectable rank; and he examines and records, with a certain notarial strictness too rare in compilations of this sort. So far as Hoffmann is concerned, therefore, we have reason to be satisfied. In regard to Werner, however, we cannot say so much: here we should certainly have wished for more facts, though it had been with fewer conse- quences drawn from them ; were these some- what chaotic expositions of Werner's charac- ter exchanged for simple particulars of his walk and conversation, the result would be much surer, and, especially to foreigners, much more complete and luminous. As it is, from repeated perusals of this biography, we have failed to gather any very clear notion of the man ; nor with, perhaps, more study of his wi-itings than, on other grounds, they might have mer- ited, does his manner of existence still stand out to us with that distinct cohesion which puts an end to doubt. Our view of him the reader will accept as an approximation, and be content to wonder with us, and charitably pause where we cannot altogether interpret. Werner was born at Konigsberg, in East Prussia, on the 18th of November, 17C8. His father was Professor of History and Eloquence in the University there; and further, in virtue of this oflice. Dramatic Censor, which latter circumstance procured young AVerner almost daily opportunity of visiting the theatre, and so gave him, as he says, a greater acquaint- ance with the mechanism of the stage than even most pla3'ers are possessed of. A strong taste for the drama it probably enough gave him ; but this skill in stage mechanism may be questioned, for often in his own plays no such skill, but rather the want of it, is evinced. The Professor and Censor, of whom we hear nothing in blame or praise, died in the four- teenth year of his son, and the boy now fell to the sole charge of his mother, a woman whom he seems to have loved warmly, but whose guardianship could scarcely be the best for him. Werner himself speaks of her in earnest commendation, as of a pure, high-minded, and heavily-afl^icted being. Hoffmann, however, adds, that she was hypochondriacal, and gen- erally quite delirious, imagining herself to be the Virgin Mary, and her son to be the promised Shiloh ! Hoffmann had opportunity enough of knowing; for it is a curious fact that these two singular persons were brought up under the same roof, though, at this lime, by reason of their difference of age, Werner being eight years older, they had little or no acquaintance. What a nervous and melancholic parent was, HotTmann, by another unhappy coincidence had also full occasion to know : his own mothei parted from her husband, lay helpless and broken-hearted for the last seventeen years of her life, and the first seventeen of his ; a source LIFE AKD WRITINGS OF WERNER. 37 of painfu, influences, which he used to trace throiicjh the wliole (if his own character; as to the like ciiu.se he imputed the primary perver- sion of Werner's. How far liis views on this point were accurate or exaggerated, we have f)o means of judging. Of Werner's early years the biographer says l.'ttle or nothing. We learn only that, about ihe usual age, he matriculated in the Konigs- t>e>-g University, intending to qualify himself 'or the business of a lawyer; and with his pro- 'essional studies united, or attempted to unite, he study of philosophy under Kant. His collage-life is characterized by a single, but too c'xpressive word: "It is said," observes Hitzig, •■'to have been very dissolute." His progress in metaphysics, as in all branches of learning, might thus be expected to be small ; indeed, at no period of his life can he, even in the language of panegyric, be called a man of cul- ture or solid information on any subject. Never- theii'ss, he contrived, in his twenty-first year, to publish a little volume of" Poems," apparent- ly in ievy tolerable magazine metre, and after some ' roamings" over Germany, having loiter- ed for a while at Berlin, and longer at Dresden, he betvik himself to more serious business, applied for admittance and promotion as a Prussia; man of law; the employment which young j irists look for in that country being chiefly i ^ the hands of government: consist- ing, indeed, of appointments in the various judicial or administrative Boards by which the Provinces are managed. In 1793, Werner ac- cordingly was made Kainmcrsecretdr (Exchequer Secretary;) a subaltern office, which beheld successively in several stations, and last and longest in Warsaw, where Hitzig, a young man foUowins: the same profession, first became ac- quainted with him in 1799. What the purport or result of Werner's "roamings" may have been, or how he had de- meaned himself in office or out of it, we are nowhere informed; but it is an ominous cir- cumstance that, even at this period, in his thirtieth year, he had divorced two wives, the last at least by mutual consent, and was look- ing out for a third! Hitzig, with whom he seems to have formed a prompt and close in- timacy, gives us no full picture of him under any of his aspects: yet we can see, that his life, as naturally it might, already wore some- what of a shattered appearance in his own eyes, that he was broken in character, in spirit, perhaps in bodily constitution ; and, content- ing himself with the transient gratifications of so gay a city, and so tolerable an appointment, had renounced all steady and rational hope either of being happy or of deserving to be so. Of unsteady and irrational hopes, however, he had still abundance. The fine enthusiasm of his nature, undestroyed by so many external perplexities, nay, to which, perhaps, these very perplexities had given fresh and undue excite- ment, glowed forth in strange manj'-coloured brightness, from amid the wreck of his fortunes, and led him into wild worlds of speculation. the more vehemently, that the real world of action and duty had become so unmanageable in iiis hands. Werner's early publication had sunk, after a brief provincial life, into merited oblivion ; in fact, he had then only been a rhymer, and was now, for the first time, beginning to be a poet. We have one of those youthful pieces tran- scribed in this volume, and certainly it exhibits a curious contrast with his subsequent writ- ings, both in form and spirit. In form, because, unlike the first fruits of a genius, it is cold and correct : Avhile his later works, without excep- tion, are fervid, extravagant, and full of gross blemishes. In spirit no less, because, treating of his favourite theme, Religion, it treats of it harshly and skeptically; being, indeed, little more than a metrical version of common Util- itarian Freethinking, as it may be found (without metre) in most taverns and debating- societies. Werner's intermediate secret history might form a strange chapter in psychology: for now, it is clear, his French skepticism had got overlaid with wondrous Iheosophic garni- ture; his mind was full of visions and cloudy glories, and no occupation pleased him better than to controvert, in generous inquiring minds, that very unbelief which he appears to have once entertained in his own. From Hitzig's account of the matter, this seems to have formed the strongest link of his intercourse with Werner. The latter was his senior by ten years of time, and by more than ten years of unhappy experience ; the grand questions of Immortality, of Fate, Free-will, Fore-knowledge absolute, were in continual agitation between them ; and Hitzig still remembers with grati- tude these earnest warnings against irregular- ity of life, and so many ardent and not ineffec- tual endeavours to awaken in the passionate temperament of youth a glow of purer and en- lightening fire. "Some leagues from Warsaw," says the Biographer, " enchantingly embosomed in a thick wood, close by the high banks of the Vistula, lies the Cameldulensian Abbey of Bielany, inhabited by a class of monks, who in strictness of discipline yield only to those of La Trappe. To this cloistral solitude Werner was wont to repair with his friend, every fine Saturday of the summer of 1800, so soon as their occupations in the city Avere over. In defect of any formal inn, the two used to bivouac in the forest, or at best to sleep under a temporary tent. The Sunday was then spent in the open air; in roving about the woods; sailing on the river, and the like; till late night recalled them to the city. On such occasions, the younger of the party had ample room to unfold his whole heart before his more mature and settled companion; to advance his doubts and objections against many theories, whJch Werner was already cherishing: and so, ly exciting him with contradiction, to cause him to make them clearer to himself." Week after week-, these discussions were carefully resumed from the point where they had been left : indeed, to Werner, it would seem, this controversy had unusual attractions ; for he was now busy composing a Poem, in- tended ]irincipally to convince the world of those very truths which he was striving to im- press on his friend ; and to which the world, as might be expected, was likely to give a similar reception. The character, or at least the wav D 38 CARLYLE'S MISCELLANEOUS WRITINGS. of thought, attributed to Robert d'Heredon, the Scottish Templar, in the Sons of the Valley, was borrowed, it appears, as if by regular instal- ments, from these conferences with Hitzig; the result of the one Sunday being duly entered in dramatic form during the week; then audited on the Sunday following; and so forming the text for further disquisition. "Blissful days," adds Hitzig, "pure and innocent, which doubt- less Werner also ever held in pleased remem- brance!" The Sblnic rlea Thuls, composed in this rather questionable fashion, was in due time forth- coming; the First Part in 1801, the Second about a year afterwards. It is a drama, or rather two dramas, unrivalled at least in one particular, in length; each Part being a play of six acts, and the whole amounting to some- what more than eight hundred small octavo pages! To attempt any analysis of such a work would but fatigue our readers to little purpose: it is, as might be anticipated, of a most loose and formless structure: expanding on all sides into vague boundlessness, and, on the whole, resembling not so much a poem as the rude materials of one. The subject is the destruction of the Templar Order; an event which has been dramatized more than once, but on which, notwithstanding, Werner, we suppose, may boast of being entirely original. The fate of Jacques Molay, and his brethren, acts here but lilce a little leaven ; and lucky were we, could it leaven the lump; but it lies buried under such a mass of Mystical theology, Masonic mummery, Cabalistic tradition, and Rosicrucian philosophy, as no power could work into dramatic union. The incidents are few, and of little interest; interrupted contin- ually by flaring shows and long-winded specu- lations; for Werner's besetting sin, that of loquacity, is here in decided action ; and so we wander, in aimless windings, through scene after scene of gorgeousness or gloom ; till at last the whole rises before us like a wild phan- tasmagoria; cloud heaped on cloud, painted indeed here and there with prismatic hues, but representing nothing, or at least not the subject, but the author. In this last point of view, however, as a pic- ture of himself, independently of other consid- erations, this play of Werner's may still have a certain value for us. The strange chaotic nature of the man is displayed in it: his skep- ticism and theosophy ; his audacity, yet in- trinsic weakness of character; liis baffled longings, but still ardent endeavours after Truth and Good; his search for them in far jouineyings, not on the beaten hiffhways, but through the pathless infinitude of Thought. To call it a work of art would be a misappli- cation of names : it is little more than a rhap- sodic effusion; the outpouring of a passionate and mystic soul, only half knowing what it utters, and not ruling its own movements, but ruied by them. It is fair to add that such also, in a greai measure, was Werner's own view of the matter: most likely the utterance of these things gave him such relief, that, crude as ihey were, he could not suppress them. For :'. ought to be remembered, that in this per- formance one condition, at least, of genuine in- spiration is not wanting: Werner evidently thinks that in these his ultramundane excur- sions he has found truth; he has something positive to set forth, and he feels himself as if bound on a high and holy mission in preach- ing it to his fellow-men. To explain with any minuteness the articles of Werner's creed, as it was now fashioned, and is here exhibited, would be a task perhaps too hard for us, and, at all events, unprofitable in proportion to its difficulty. We have found some separable passages, in which, under dark symbolical figures, he has himself shadowed forth a vague likeness of it: these we shall now submit to the reader, with such exposi- tions as we gather from the context, or as Ger- man readers, from the usual tone of specula- tion in that country, are naturally enabled to suppl}'. This may, at the same time, convey as fair a notion of the work itself, with its tawdry splendours, and tumid grandiloquence, and mere playhouse thunder and lightning, as by any other plan our limits would admit. Let the reader fancy himself in the island of Cyprus, where the Order of the Templars still subsists, though the heads of it are already summoned before the French King and Pope Clement; which summons they are now, not without dreary enough forebodings, preparing to obey. The purport of this First Part, so far as it has any dramatic purport, is to paint the situation, outward and inward, of that once pious and heroic, and still magnificent and powerful body. It is entitled The Templars in Cyprus: but why it should also be called The Sons of the Valley does not so well appear ; for the Brotherhood of the Valley has yet scarcely come into activity, and only hovers before us in glimpses, of so enigmatic a sort, that we know not fully so much as whether these its Sons are of flesh and blood like ourselves, or of some spiritual nature, or of something inter- mediate, and altogether nondescrii)t. For the rest, it is a series of spectacles and disserta- tions; the action cannot so much be said to advance as to revolve. On this occasion the Templars are admitting two new members; the acolytes have already passed their prelim- inary trials; this is the chief and final one; — ACT FIFTH.— SCENE first. Mi'Inight. Interior of the Tetiiple Church. Backwards, a deep perspeo- live of Allars and Golhic Pillars. On Ihe rishl-Innd side of the foreground, a lillle Chapel ; and in this an Altar with the fifiurc of SI. Sebastian. Th« scene is lighted very dimly by a single Laii.p which hangs before Ihe Altar. « » » » » « ADALBERT (ijrcs.ied in white, vithnnt mantle or doublet} groping his way in the dark.) Was it not at the Altar of Sebastian Th:U I was liiti to wait for tlie unknown f Here should it be ; but dartiness with Iier veil Inwraps the figures. {Advancing to the j?Ztor.) Here is the fifth pillar! Yes, this is he, thn Sainted. — How the glimmer Of that faint lamp falls on his fading eye!— Ah, it is not the spears o' th' Saracens, It is the pangs of hopeless love that burning Transfi.x thy heart, poor Comrade ! — O my Agnes May not thy s(iirit, in this earnest hour. Be looking on 1 Art hovering in that moon-beam Which struggles through the painted window, and diet Amid the cloister's gloom 1 Or linger'st thou LIFE AND WRITINGS OF WERNER. Behind these pillars, which, ominous and blacli, Look down on me, like horrors of the Past Upon the Present; and hidest thy gentle form, Lest with thy paleness thou too much affright mel Hide not tliyself, pale shadow of my Agnes, Thou affrlghtest not thy lover. — Hush I — Hark! Was there not a rustling 1 — Father! You 1 PHILIP (rushing- in with wild looks.) Yes, Adalbert !— But time is precious !— Come, My son, my one sole Adalbert, come with nie ! ADALBERT. What would you, father, in this solemn hourl PHILIP. This hour, or never ! (Leading Adalbert to the Altar.) Hither ! — Know'st thou him ? ADALBERT. •Tig Saint Sebastian. Because he would not Renounce his faith, a tyrant had him murder'd. (Points to his head.) These furrows, too, the rage of tyrants ploughed In thy old father's face. My son, iny lirst-born cliiUi, In this great hour I do conjure thee ! Wilt Ihou, Wilt tho-i obey me 1 ADALBERT. Be it just, I will ! Then swear, in this great hour, in this dread presence, Here by thy father's head made early gray, By the remembrance of thy mother's agony, And by the ravished blossom of thy Agnes, Against the Tyranny which sacrificed us, Inexpiable, bloody, everlasting hate ! ADALBERT. Ha! This the All-avenger spoke through thee ! — Yes! Bloody shall my Agues' dealhtorcli burn In Philip's heart ; I swear it ! PHILIP (icith increasing vehemence.) And if thou break This oath, and if thou reconcile thee to him. Or let his golden chains, his gifis, his prayers, His dying-niDan itself, avert thy dagger When th' hour of vengeance comes, — shall this gray head, Thy mother's wail, the last sii;h of thy Agnes, Accuse thee at the bar of the Eiernall ADALBERT. So be it, if I break my oath ! Then man thee ! — (Looking up, then shrinking togcthrr as with daiiled eye.".) Ha ! was nnt that his lightning'?— Fare thee well! I hear the footstep of the Ureadnd ! — Firm I — Reinembei nie, remember this stern midnight ! (Retires hastily ) ADALBERT (alone ) Ves, drayhead, whom the beckoning of the Lord Sent hither to awake me out of craven sleep, I will remember thee and this stern midnight. And my Agnes' spirit shall have vengeance i Enter an armed man. (Ife is mailed from head to /not in black harness ; his visor is cloted.) ASMED HAX. Pray ! (ADALBERT knecls.) Bare thyself! (He strips him to the girdle and raises him.) Look on the ground, and follow! (He leads him into the back-ground to a trap door, on the right. He descends first himself; and when Adalbert hat followed him, it closes.) SCENE SECOND. Cemetery of the Templars, under the Church. The scene is lighted 011I7 by a Lamp which hang^ down from the vault. Around are Toinbslones of deceased Knights, marked with Crosses and sculptured Bones. In the back- ground, two colossal Skeletons holding between them a lar^e white Buok, marked wiih a nd Cross; from the under end of the Book hanjs a long hl.ick curtain. The Book, of which only the cover is visible, has an inscrip. lion in black ciphers, 'the Skeleton on the right hidds in its ri'ht hand 11 naked drawn sword ; that on the left holds in its left hand a Palm turned downwards. On the right side of the foreground, stands a black Coifin open; on the left, a similar one with the body of a Templar in full dress of hij Order; on both O.lTini are inscriptions in white ciphers. On each side, nearer the back-ground, are seen the lowest steps of the stairs, whiih lead up into the Temjrlc Church above the vault. ARMED MAN {not yet visible ; above on the right-hand stairs.) Dreaded ! Is the grave laid open 1 CONCEALED TOICES. Yea! ARMED MAN (irho after a pause shows himself on the stairs.) Shall he behold the Tombs o' th' fathers'? CONCEALED ■VOICES. Yea ! (AitMED MAN with drawn swnrd leads ADALBERT carefully down the steps on the right hand.) ARMED MAN (to ADALBERT.) Look down ! 'Tis on thy life ! (Lrads him to the open Coffin.) What seest thou ? ADALBERT. An open empty Coffin. ARMED MAN. 'Tis the house Where thou one oay shall dwell. Canst read th' inscrij^ tior '» ADALBERT. No. aRmed man. Hear it, then ; " Thy /vages, Sin, is Death." {Leads him to the opposite Coffin where the Body is lying.) Look down! 'Tis on thy life!— What seest thou'? {Shows the Coffin.) ADALBERT. A Coffin with a Corpse. AHMED Hi AN. He is thy Brother, One day thou art as he. — Canst read the inscription'? ADALBERT Nq 40 CARLYLE'S MISCELLANEOUS WRITINGS. ARMED MAN. Hear: "Corruption is the name of Life." Now look around ; go forward,— move, and act ! — {He pushes him towards the back-ground of the staffe.) ADALBEUT (.observing the Book.) Ha ! Here the Book of Ordination ! — Seems (.Approaching.) Ab If th' inscription on it miglit be read. (lie reads it.) "Knock four times on the ground, Thou shalt behold thy loved one." O Heavens ! And may I see thee, sainted Agnes I (Hastening close to the Book.) My bosom yearns for thee! — {fVith the following words, he stamps four times on the ground.) One,— Two,— Three,— Four !— {The Curtain hanging from the Book rolls rapidly up, and covers it. Jl colossal DeviV s-head appears between the tiDO Skeletons : its form is horrible ; it is gilt ; has a huge golden Crown, a Heart of the same in its Brow ; roll- ing flaming Eyes: Serpents instead of Hair: golden Chains round its neck, which is visible to the breast: and a golden Cross, yet not a Crucifix, which rises over its right shoulder, as if crushing it down. The whole Bust rests on four gilt Dragon's feet, ^t sight of it, Adalbert Itarts back in horror, and ezclaiins :) Defend us ! AHMED MAN. Dreaded, may he hear if? CONCEALED VOICES. Yea! AIlMED MAN (touchcs the Curtain with his sword: it rolls down over the DeviVs-head, concealing it again ; and above, as before, appears the Book, but now opened, with white colossal leaves and red characters. The armtd man, pointing constantly to the Book with his Sword, and there- with turning the leaves, addresses Adalbert, who stands on the other side of the Book, and nearer the foreground.) List to the Story of the Fallen Master. (He reads the following from the Book: yet not stand- ing before it but on one side, at some paces distance, and whilst he reads, turning the leaves with hia sword.) "So now when the foundation-stone was laid, The Lord called forth the Master, Bafiometus, And said to him ; Go and complete my Temple ! But in his heart the Master thought : What boot.s it Building thee a temple? and took the.stoncs, And built himself a dwelling, and what stones Were left he gave for filthy gold and silver. Now after forty moons the Lord returned, And s|)ake : Where is my teinple, Bafrometusf riie Master said : I had to build myself /V dwelling : grant me other forty weeks. And after forty weeks, the Lord returns, And ask? : where is my temple, Baftbmetus? Hp said: There were no stones (but he had sold them For lilthy gold ;) so wait yet forty days. In forty days thereafter came the I>ord, And cried : Where is my temple, Bati'ometusi Thoi like a mill-stone fell it on his soul How he for lucre had betrayed his Lord ; But yet to other sin the Fiend did tempt him, And he answered, saying : Give me forty hours! And when the forty hours were gone, the Lord Came down in wrath : My Temple, B.ifTometus'? Then fell he quaking on his face, and cried For mercy ; but the Lord was wroth, and said : Since thou hast cozened me with empty lies, jvnil those the stones I lent thee for my Temple Hast sold them for a purse of filthy golil, ).o, I will cast thee f)rth, and with the Mammon 'Vill chastise thee, until a Saviour rise Of thy own seed, who shall redeem thy trespass. '•ill did the Lord lift up the purse of Gold; And shook the gold into a melting-pot, And set the melting-pot upon the Sun, So that the metal fused into a fluid mass. And then he dipt a finger in the same, And; straightway touching BafTometus, Anoints him on the chin and brow and cheeki. Then was the face of Baffometus changed : His eye-balls rolled like fire-flames, His nose became a crooked vuKure's bill. The tongue hung bloody from his throat ; the flesh Went from his hollow cheeks; and of his hair Grew snakes, and of the snakes grew Devil's-horni). Again the Lord put forth his finger with the gold And pressed it upon Baffometus' heart; Whereby the heart did bleed and wither up. And all his members bled and withered up, And fell away, the one and then the other. At last his back itself sunk into ashes : The head alone continued gilt and living; And instead of back, grew dragon's-talons, Which destroyed all life from off the Earth. Then from the ground the Lord took up the heart, Which, as he touched it, also grew of gold. And placed it on the brow of Baffometus; And of the other metal in the pot He made for Irin a burning crown of gold. And crushed it on his serpent-hair, so that Ev'n to the bone and brain, the circlet scorched him. And round the neck he twisted golden chains, Which strangled him and pressed his breath together. What in the pot remained he poured upon the ground. Athwart, along, and there it formed a cross ; The which he lifted and laid upon his neck. And bent him that he could not raise his head. Two Deaths moreover he appointed warders To guard him: Death of Life, and Death of Hope. The sword of the first he sees not but it smites him; The other's Palm he sees, but it escapes him. So languishes the outcast Baffometus Four thousand years and four-and-forty moons, Till once a Saviour rise from his own seed, Redeem his trespass, and deliver him." (To ADALBERT.) This is the Story of the Fallen Master. (With his sword he touches the Curtain, which now ai before rolls up over the hook : so that the head under it again becomes visible, in its former shape.) ADALBERT {looking at the HEAD.) Hah, what a hideous shape ! HEAD (with a hollow voice.) Deliver me! AHMED MAN. Dreaded ! Shall the work begin f CONCEALED VOICES. Yea! ARMED MAN (to ADALBERT.) Take the Neckband Away ! (Pointing to the head.) ADALBERT. I dare not! HEAD (with a still more piteous tone.) O, deliver me! ADALBERT (taking off the chains.) Poor fallen one .' ARMED MAN. Now lift the Crown from 's head '. ADALBERT It seems so heavy! LIFE AND WRITINGS OF WERNER. 41 ABHES MAN. Touch it, it grows light. ATALBERT (taking off the Crown, and casting it, as he did the chaiiis, on the ground.) AHMED MAN. Now lake the golden heart from off his brow ! ADALBERT. R Beems to burn ! ARMED MAN. Thou errest ; ice is warmer. ADALBERT (taking the Heart from the Brow.) Ilah! shivering frost! ARMED MAN. Take from his back the Cross, And throw it from thee ! — ADALBERT. How ! the Saviour's token 1 HEAD. Deliver, O deliver me ! ARMED MAN. This Cross Is not thy Master's, not that bloody one : Its counterfeit is this : throw 't from thee ! ADALBERT (taking it front the Bust, and laying it softly on the ground.) The Cross of the Good Lord that died for mel ARMED MAN. Thou shall no more believe in one that died ; Thou shall henceforth believe in one that liveth Jlnd never dies ! — Obey, and question not, — Step over it! ADALBERT. Take pity on me ! ARMED JIAN (threatening him with his sword.) Step! ADALBERT. I do 't with shuddering— (Steps over, and then looks up to the head which raises itself, as if freed from a load.) How the figure rises And looks in gladness! ARMED MAN. Him whom thou hast served Till now, deny ! ADALBERT (horror-struck.) Deny the Lord my God f ARMED MAN. Tliy God 'tis not : the Idol of this world! Deny him, or — (Pressing on him with ti.e Sword in a threatening pos- tare.) — thou diest ! ADALBERT. I deny! AHMED MAK (pointing to the Head with his Sword.) Go 10 the Fallen ! — Kiss his lips ! — — And so on through many other sulphurous pages ! How much of this mummery is copied from the actual practice of the Templars we know not with certain!}'-; nor what precisely either they or Werner intended, by this mar- 6 vellous " Story of the Fallen Master," to sha- dow forth. At first view, one might take it for an allegory, couched in masonic language, — and truly no flattering allegory, — of the Catho- lic Church ; and this trampling on the Cross, which is said to have been actually enjoined on every Templar at his initiation, to be a type of his secret behest to undermine that Institu- tion, and redeem the spirit of Religion from the state of thraldom and distortion under which it was there held. It is known at least, and was well known to Werner, that the heads of the Templars entertained views, both on religion and politics, which they did not think meet for communicating to their age, and only imparted by degrees, and under mysterious adumbra- tions, to the wiser of their own Order. They had even publicly resisted, and succeeded in thwarting, some iniquitous measures of Phi- lippe Auguste, the French King, in regard to his coinage; and this, while it secured them the love of the people, was one great cause, per- haps second only to their wealth, of the hatred which that sovereign bore them, and of the savage doom which he at last executed on the whole body. But on these secret principles of theirs, as on Werner's manner of conceiving them, we are only enabled to guess ; for Werner, too, has an esoteric doctrine, which he does not promulgate, except in dark Sybilline enigmas, to the unitiated. As we are here seeking chief- ly for his religious creed, which forms, in truth, with its changes, the main thread where- by his wayward, desultory existence attains any unity or even coherence in our thoughts, we may quote another passage from the same First Part of this rhapsody; which, at the same time, will aftbrd us a glimpse of his favourite hero, Robert d'Heredon, lately the dar- ling of the Templars, but now, for some mo- mentary infraction of their rules, cast into prison, and expecting death, or, at best, exclu- sion from the Order. Gottfried is another Templar, in all points the reverse of Robert. ACT FOURTH. SCENE FIRST. (Prison; at the wall a Tabic. Robebt, without sword, cap, or mantle, .'lits downcast on one side of it : Gott- fried, who keeps walch by him, sitting at the other.) GOTTFRIED. But how could'st thou so fir forget thyself? Thou wert our pride, the Master's friend and favourite I ROBERT. I did it, thou perceivest ! GOTTFRIED. How could a word Of the old surly Hugo so provoke thee I ROBERT. Ask not! — Man's being is a spider-web: The passionate flash o' th' snul— comes not of him; It is: the breath of that dark Genius, Which whirls invisible along the threads: A servant of eternal Destiny, It purifies them from the vulgar dust, Which earthward strives to precs the net: But Fate gives sign ; the breath becomes a whirlwind And in a moment rends to shreds the thing Wo thought was woven for Eternity. D 2 4S CARLYLE'S MISCELLANEOUS WRITINGS. GOTTFUIED. ^ct each man shapes his destiny himself. BOBKRT. Bmall Boul ! Dost thou too know It f Has the story Of Force and free Volition, that, defying The corporal Atoms and Annihilation, Methodic guides the car of Destiny, Come down to thee 7 Dreani'st thou, poor Nothingness, That thou, and like of thee, and ten times better Than thou or I, can lead the wheel of Fate One hair's-breadth from its everlasting track 1 I too have had such dreams : but fearfully Have I been shook from sleep; and they are fled! — Look at our OrcVr: has it spared its thousands Of noblest lives, the victims of its Purpose; And has it gained this Purpose ; can it gain ill Look at our noble Molay's silvered hair : The fruit of watchful nights and slormful days, And of the broken yet still burning heart! That mighty heart! — Through sixty battling years, 'T has beat in pain for nothing: his creation Hemains the vision of his own great soul ; It dies with him ; and one day shall the pilgrim Ask where his dust is lying, and not learn ! GOTTFRIED (yawning.) But then the Christian has the joy of Heaven For recompense : in his flesh he shall see God. ROBERT. In his flesh?— Now fair befal the journey ! Wilt stow it in behind, by way of luggage. When the Angel comes to coach Ihee into Glory 1 Mind also that the memory of those fair hours When dinner smoked before thee, or thou usedst To dress thy nag, or scour thy rusty harness, And such like noble business be not left behind !- Ha ! self-deceiving bipeds, is it not enoush The carcass should at every slop oppress, Imprison you ; that toothache, headache. Gout, — who knows what all,— at every moment, Degrades the god of Earth into a beast; But you would fake this villanous mingle, The coarser dross of all the elements, Which, by the Light-beam from on high that visits And dwells in it, but baser shows its baseness, — Take this, and all the freaks which, bubble-like, Spring forth o' th' blood, and which by sui h f.iir names You call,— along with you into your Heaven'? — Well, be it so ! much good may't — (^s his eye, by chance, lights on Gottfried, tcho mean- while has fallen asleep) — Sound already 1 There is a race for whom all serves as— pillow, Even rattling chains are but a lullaby. This Robert d'Heredon, whose preaching has here such a narcotic virtue, is destined ul- timately for a higher office Ihan to rattle his chains by way of lullaby. He is ejected from the Order; not, however, with disgrace and in anger, but in sad feeling of necessity, and with tears and blessings from his brethren ; and the messenger of the Valley, a strange, ambigu- ous, Utile sylph-like maiden, giyes him obscure encouragement, before his departure, to pos- sess his soul in patience; seeing, if he can learn the grand secret of Renunciation, his course is not ended, but only opening on a fairer scene. Robert knows not well what to make of this ; but sails for his native Hebrides, in darkness and contrition, as one who can do nr, other. In the end of the Second Part, which is re- presented as divided from the First by an interval of seven years, Robert is again sum- moned forth; and the whole surprising secret of his mission, and of the \'aUey which ap- points it for him, is disclosed. This Frieden- thal (Valley of Peace), it now appears, is an immense secret association, which has its chief seat somewhere about the roots of Mount Carmel, if we mistake not; but, comprehending in its ramifications the best heads and hearts of every country, extends over the whole civi- lized world; and has, in particular, a strong body of adherents in Paris, and indeed a sub- terraneous, but seemingly very commodious suite of rooms, under the Carmelite Monastery of that city. Here sit in solemn conclave the heads of the Establishment; directing from their lodge, in deepest concealment, the princi- pal movements of the kingdom : for William of Paris, Archbishop of Sens, being of their number, the king and his other ministers, fan- cying within themselves the utmost freedom of action, are nothing more than puppets in the hands of this all-powerful Brotherhood, which watches, like a sort of Fate, over the in- terests of mankind, and by mysterious agen- cies, forwards, we suppose, " the cause of civil and religious liberty over all the world." It is they that have doomed the Templars; and, without malice or pil.y, are sending their lead- ers to the dungeon and the stake. That knight- ly Order,once a favourite minister of good, has now degenerated from its purity, and come to mistake its purpose, having taken up politics and a sort of radical reform ; and so inusl now be broken and reshaped, like a worn imple- ment, which can no longer do its appointed work. Such a magnificent "Society for the Sup pression of Vice" may well be supposed to walk by the most philosophical principles. These Friedcnihalcra, in fact, profess to be a sort of Invisible Church ; preserving in vestal purity the sacreil fire of religion, which burns with more or less fuliginous admixture in the worship of every people, but only with its clear sidereal lustre in the recesses of the I'allcy, They are Bramins on the Ganges, Bonzes on the Hoangho, Monks on the Seine. They ad- dict themselves to contemplation, and the sub- tilest study; have penetrated far into the inys- teries of spiritual and physical nature; they command the deep-hidden virtues of plant and mineral; and their sages can discriminate the eye of the mind from its sensual instruments, and behold, without type or material embody- ment, the essence of Being. Their activity is all-comprehending and unerringly calculated: they rule over the world by the authority of wisdom over ignorance. In the Fifth Act of the Second Part, we are at length, after many a hint and significant note of preparation, introduced to the privacies of this philosophical Sainte Hcrmatulad. A strange Delphic cave this of theirs, under the ver}' pavements of Paris! There are brazen folding doors, and concealed voices, and sphinxes, and naptha-lamps, and all manner of wondrous furniture. It seeins, moreover, to be a sort of gala evening with them ; for the "Old Man of Carmel, in eremite garb, with a long beard reaching to his girdle," is for a mo- ment discovered " reading in a deep monoto- LIFE AND WRITINGS OF WERNER. 48 ;'..'us roice." The " Strong Ones," meanwhile", are out in quest of Robert d'Heredon; who, by cunning practices, has been enticed from his Hebridean solitude, in the hope of saving Mo- lajsand is even now to be initialed, and equip- ped for his task. After a due allowance of pompous ceremonial, Robert is at last ushered in, or rather dragged in ; for it appears that he has made a stout debate, not submitting to the customary form of being ducked, — an essential preliminary, it would seem, — till compelled by the direst necessity. He is in a truly Highland anger, as is natural: but by various manipula- tions and solacements, he is reduced to reason again, finding, indeed, the fruitlessness of any thing else; for « hen lance and sword and free space are given him, and he makes a thrust at Adam of Valincourt, the master of the cere- monies, it is to no purpose: the old man has a torpedo quality in him, which benumbs the stoutest arm ; and no death issues from the ballled sword-point, but only a small spark of electric fire. With his Scottish prudence, Robert, under these circumstances, cannot but perceive that quietness is best. The people hand him, in succession, the " Cup of Strength," the "Cup of Beauty," and the "Cup of Wis- dom;" liquors brewed, if we may judge from their effect, with the highest stretch of Rosi- crucian art; and which must have gone far to disgust Robert d'Heredon with his natural ms- quclxiuglt, however excellent, had that fierce drink been in use then. He rages in a fine frenzy; dies away in raptures; and then, at last, "considers what he wanted and what he wants." Now is the time for Adam of Valin- court to strike in with an interminable exposi- tion of the '< objects of the society." To not unwilling, but still cautious ears, he unbosoms himself, in mystic wise, with extreme copious- ness ; turning aside objections like a veteran disputant, and leading his apt and courageous pupil, by signs and wonders, as well as by logic, deeper and deeper into the secrets of theosophic and thaumatnrgic science. A little glimpse of this our readers may share with us ; though we fear the allegory will seem to most of them but a hollow nut. Nevertheless, it is an allegory — of its sort; and we can profess to have translated with entire fidelity. ADAM. Tfiy riddle by a second will be solved, {f{e leads hivt to the Sphinx.) Behold this Sphinx ! Ilalf-benst, half-ringel, both Combined in one, it is an pmbleiii to tlioe Of lir ancient Mother, Nature, hirself a riiUIle, And only by a deeper to be inaster'd. Eternal dearness in tli' eternal Ferment : This is the riildle of Existence : — read it, — Prnfiose that other to her, and she serves thee ! •^Thf. dour on the riirht hand opens, and, in the space behind it appears, as before, the oLn MAJf OF CAIIMEL, siltinv at a Table, and reading in a large Volume. The deep strokes of a Bell are heard.) OLD MAX OF CARMEL {reading with aloud but still mo- notonous voice) "And when the Lord saw Phosphoros " — ROBEUT {interrupting him.) Ha ! Again A story as --f Baironietus t Not so. That tale of theirs was but some poor distortion Of th' outmost image of our sanctuary. — Keep silence here ; and see thou interrupt not. By too bold cavilling, this mystery. OLD MAN (.reading.) "And when the Lord saw Phosphoros his pride. Being wroth thereat, he cast him forth, And shut him in a prison called Life ; And gave him for a Garment, earth and water, And hound him straitly in four Azure Chains, And pour'd for him the bitter Cup of Fire. The Lord moreover spake : Because thou hast forgotlei My will I yield thee to the Element, And thou shall be his slave, and have no longer Remembrance of thy birthplace or my name. And sithencfi thou hast sinn'd against me by Thy prideful Thought of being One and Somewhat, I leave with thee that thought to be thy whip, And this thy weakness for a Bit and Bridle ; Till once a Saviour from the waters rise, Who shall again baptize thee in my bosom. That so thou may'st be Nought and AH. "And when the Lord had spoken, he drew back As in a mighty rushing ; and the Element Rose up round Phosphoros, and tower'd itself Aloft to Heav'n; and he lay stunn'd beneath it. " But when his first-born Sister saw his pain, Her heart was full of sorrow, and she turn'd her To the Lord ; and with veil'd face, thus spake Mylitta :* Pity my Brothrr, and let me console him ! " Then did the Lord in pity rend asunder A little chink in Phosphoros his dungeon. That so he might behold his Sister's face : And when she silent peep'd into his Prison, She left with him a Mirror for his solace, .\nd when he look'd therein, his earthly Garment Pressed him less ; and, like the gleam of morning, Some f.iiut remembrance of his Birthplace dawn'd "But yet the A/.ure Chains she could not break, The bitter Cup of Fire not take from him. Therefore she pray'd to ^lythras, to her Father, To save his younger-born: and Mythras went Up to the footstool of the Lord, and said : Take pity on my Son !— Then said the Lord ; Have I not sent Mylitta that he may Behold his Birthplace f — Wherefore Mythras answer'dj What profits it f The chains she cannot break. The bitter Cup of Fire not take from him. So will I, said the Lord, the Salt he given him. That so the bitter Cup of Fire be softened ; But yet the Azure Chains must lie on him Till once a Saviour rise from out the Waters. — And when the Salt was laid on Phosphor's tongue The Fire's piercing ceased ; but th' Element Congeal'd the Salt to Ice, and Phosphoros Lay there benumb'd, and had not power to move. But Isis saw him, and thus spake the mother : "Thou who art Father, Strength and Word and Light: Shall he my last-born grandchild lie for ever In pain, the down-press'd thrall of his rude Brother I Then had the Lord compassion, and he sent him The Herald of the Saviour from the Waters ; The cup of Fluidness, and in the Cup The drops of Sadness and the drops of Longing : And then the Ice was thawed, the Fire grew co/., And Phosphoros again had room to breathe. But yet the earthy Garment cumber'd him, The Azure chains still gall'd, and the Rememhrancn Of the Name, the Lord's, which he had lost, was want- ing. "Then the Mother's heart was moved with pity. She beckoned the Son to her, and said : Thou who art more than I, and yet my nursling, *jMliliita, in the old Persian mysteries, was the nanri of t!ie Moon : Muthras tliat of the Sun. 44 CARLYLE'S MISCELLANEOUS WRITINGS. Put on this Robe of Earth, and show thyself To fallen Phosphoros hniind in the dungeon, And open liiin that diinseoii's narrow cover. Then said the Word : It shall be so ! and sent His inesseiiKer Diskase; she broke the roof Of Piiosphor's Prison, so that once ajiain The Fonnt of I,iehl he saw : the Element Was dazzled blind; but Phosphor knew his Father. And when the Word, in Earlh, came to the Prison, The Element address'd him as his like ; But PJins[ihiiros look'd up to him, and said : Thou art sent hither to redeem from Sin, Yei art ihon not the Savionr from the Waters. — Then spake the Word : The Saviour from the Waters I surely am not ; yet when thou hast drunk The Cup of Fliiidness, I will Redeem thee. Then I'hosfihor drank the Cup of Fluidness, Of LonjiinfT, and of t.nie. And Phosphoros looked into it, and saw Wrote on the Azure of Infinity The long-forgotten Name, and the REMEMBnANCE Of his Bihthplace, gleaming as in light of gold. "Then fell there as if scales from Phosphor's eyes, lie left the Thought of being One and Somewhat, His nature melted in tiie mighty All ; Like sighings from above came balmy healing, So lh;it his heart for very bliss was bursting. For (Chains and Garment cumher'd him no more : The Garment he had changed to royal purple, And of his Chains were fishion'd glancing jewels. " True, still the Savionr from the Waters tarried ; Yet came the Spirit over him ; the Lord Turn'd towards him a gracious countenance, And Isis held him in her mother-arms. "This is the last Evangile. 'The door closes, and ag-ain conceals the OLD MAN OF CAnMEL.) The purport of thi.s enigma Robert confesses !hat he does not "wholly" understand; an ad- mi^sion in which, we suspect, most of our readers, and the Old Man of Carmel himself, ■were he candid, might be inclined to agree with him. Sometimes, in the deeper consider- ation which translators are bound to bestow on such extravagances, we have fancied xre could discern in this apologue some glimmer- ings of meaning, scattered here and there like weak lamps in the darkness; not enough to interpret the riddle, bn! to show that by possi- bility it might have an interpretation, — was a typical vision, with a certain degree of signifi- cance in the wild mind of the poet, not an in- ane fever-dream. Might not Phosphoros, for example, indicate generally the spiritual es- sence of a man, and this story be an emblem of his history? He longs to be " One and Somewhat;" that is, he labours under the very common complaint o[ egoiism ; cannot, in the grandeur of Beauty and Virtue, forget his own so beautiful and virtuous Self ; but, amid the glories of the majestic All, is still haunted and blinded by some shadow of his own little Mc. For this reason he is punished ; impri- soned in the "Element" (of a material body,) and has the " four Azure Chains " (the four principles of matter) bound round him ; so that he can neither think nor act, except in a foreign medium, and under conditions that confuse him. The "Cup of Fiie" is given him ; perhaps, the ntde, barbarous passion and cruelty natural to all uncultivated tribes ? But, at length, he beholds tne "Moon;" begins lo have some sight and love of material Nature ; and, looking into her "Mirror," forms to him- self, under gross emblems, a theogony and sort of mythologic pnetr}' ; in which, if he cannot behold the "Name," and has forgotten his own " Birthplace," both of which are blotted out and hidden hy the "Element," he finds some spiritual solace, and breathes more freely. Still, however, the "Cup of Fire" tortures him; till the "Salt" (intellectual culture?) is vouch- safed; which, indeed, calms the raging of that furious bloodthirstiness and warlike strife, but leaves him, as mere culture of the understand- ing may be supposed to do, frozen into irreli- gion and moral inactivity, and farther from the "Name" and his "Own Original" than ever. Then is the " Cup of Fluidness " a more merciful disposition ? and intended, with "the Drops of Sadness and the Drops of Longing," to shadow forth that Avo-struck, desolate, yet softer and devouter state in which mankind displayed itself at the coming of the " Word," at the first promulgation of the Christian reli- gion ? Is the "Rainbow" the modern poetry of Europe, the Chivalry, the new form of Sto- icism, the whole romauiir feeling of these later days ? But who or what the "Ilcihind avs den Wusscm" (Saviour from the Waters) may oe, we need not hide our entire ignorance; thi.s being apparently a secret of the Volley, which Robert d'Heredon, and Werner, and men of like gifts, are in due time to show the world, but unhappily have not yet succeeded in bring- ing to light. Perhaps, indeed, our whole in- terpretation may be thought little better than lost labour; a reading of what was only scrawled and flourished, not written; a shap- ing of gay castles and metallic palaces from the sunset clouds, which, though mountain- like, and purple and golden of hue, and tow- ered together as if by Cyclopean arms, are but dyed vapour. Adam of Valincourt continues his expofii- LIFE AND WRITINGS OF WERNER IS tion in the most liberal way ; but, througlr many pages of metrical lecturing, he does little to satisfy us. What was more to his purpose, he partly succeeds in satisfying Ro- bert d'Heredon; who, after due preparation, — Molay being burnt like a martyr, under the most promising omens, and the Pope and the King of France struck dead, or nearly so, — sets out to found the order of St. Andrews in his own countr)s that of Calatrava in S))ain, and other knightly Missions of the Heihind am den Wasrcrn elsewhere; and thus, to the great satisfaction of all parties, the .Vo»s of the Valley terminates, "positively for the last time." Our reader may have already convinced himself that in this strange phaniasmagoria there are not wanting indications of very high poetic talent. We see a mind of great depth, if not of sufficient strength ; struggling with objects which, though it cannot master them, are essentially of richest significance. Had the writer only kept his piece till the ninth 5^ear ; meditating it with true diligence and un- wearied will ! But the weak Werner was not a man for such things: he must reap the har- vest on the morrow after seed-day, and so stands before us at last, as a man capable of much, only not of bringing aught to perfec- tion. Of his natural dramatic genius, this work, ill-concocted as it is, affords no unfavourable specimen ; and may, indeed, have justified ex- pectations which were never realized. It is true, he cannot yet give form and animation to a character, in the genuine poetic sense ; we do not !^ce any of his dratnatis persona, but only hear of them: yet, in some cases his endea- vour, though imperfect, is by no means abor- tive ; and here, for instance, Jacques Molay, Philip Adalbert, Hugo, and the like, though not living men, have still as much life as many a buff-and-scarlet Sebastian or Barbarossa, whom we find swaggering, for years, with ac- ceptance, on the boards. Of his spiritual beings, whom in most of his plays he intro- duces too profusely, we cannot speak in com- mendation: they are of a mongrel nature, neither rightly dead nor alive ; in fact, they sometimes glide about like real, thongh rather singular mortals, through the whole piece; and only vanish as ghosts in the fifth act. But, on the other hand, in contriving theatrical incidents and sentiments ; in scenic shows, and all manner of gorgeous, frightful, or as- tonishing machinery, Werner exhibits a copi- ous invention, and strong though untutored feeling. Doubtless, it is all crude enough ; all illuminated by an impure, barbaric splendour; not the soft, peaceful brightness of sunlight, hntthe red, resinous glare of playhouse torches. Werner, however, was still young; and had he been of a right spirit, all that was impure and crude might in time have become ripe and clear; and a poet of no ordinary excellence would have been moulded out of him. But as matters stood, this was by no means the thing Werner had most at heart. It is not the degree of poetic talent manifested in the Sons of the Valley that he prizes, but the reli- gious truth shadowed forth in it. To judge from the parables of Baffometus and Phosphoros, our readers may be disposed to hold his reve- lations on this subject rather cheap. Never* theless, taking up the character of Vutcs in its widest sense, Werner earnestly desires not only to be a poet, but a prophet; and, indeed, looks upon his merits in the former province as altogether subservient to his higher pur- poses in the latter. We have a series of the most confused and long-winded letters to Hit- zig, who had now removed to Berlin ; setting forth, with a singular simplicitj'-, the mighty projects Werner was cherishing on this head, lie thinks that there ought to be a new Creed promulgated, a new Body of Religionists es- tablished ; and that, for this purpose, not writ- ing, but actual preaching, can avail. He detests common Protestantism, under which he seems to mean a sort of Socinianism, or diluted French Infidelity; he talks of Jacob Bcehrae, and Luther, and Schleiermacher, and a new Trinity of "Art, Religion, and Love." All this should be sounded in the ears of men, and in a loud voice, that so their torpid slum- ber, the harbinger of spiritual death, may be driven away. With the utmost gravity he commissions his correspondent to wait upon Schlegel, Tieck, and others of a like spirit, and see whether they will not join him. For his own share in the matter, he is totally in- different; will serve in the meanest capacity, and rejoice with his whole heart, if, in zeal and ability as poets and preachers, not some only, but every one, should infinitely outstrip him. We suppose, he had dropped the thought of being "One and Somewhat;" and now wished, rapt away by this divine purpose, tc be " Nought and All." On the HcHaiid mis den Wassern this corre spondence throws no further light : what the new Creed specially was, which Werner felt so eager to plant and propagate, we nowhere learn with any distinctness. Probably, he might himself have been rather at a loss to explain it in brief compass. His theogony, we suspect, was still very much in posse ; and perhaps only the moral part of this system could stand before him with some degree of clearness. On this latter point, indeed, he is determined enough ; well assured of his dog- mas, and apparently waiting but for some proper vehicle in which to convey them to the minds of men. His fundamental princi- ple of morals we have seen in part already: it does not exclusively or primarily belong to himself; being little more than that high tenet of entire Self-forgetfulness, that " merg- ing of the Mc in the Idea " a principle which reigns both in Stoical and Christian ethics;, and is at this day common, in theory, among all German philosophers, especially of the Transcendental class. Werner has adopted this principle with his whole heart and his whole soul, as the indispensable condition of all Virtue. He believes it, we should say, in- tensely, and without compromise, exaggerating rather than softening or concealing its peculi- arities. He will not have Happiness, under any form, to be the real or chief end of man, this is but love of enjoyment, disguise it as we like; a more complex and sometimes more respectable species of hunger, he would sav 46 CARLYLE'S MISCELLANEOUS WRITINGS. 10 be admitted as an indestructible element m human nature, but nowise to be recognised as the highest ; on the contrary, to be resisted and incessantly warred with, till it become obedi- ent to love of God, Avhich is only, in the truest sense, love of Goodness, and the germ of which lies deep in the inmost nature of man ; of au- thority superior to all sensitive impulses; forming, in fact, the grand law of his being, as subjection to it forms the first and last condi- tion of spiritual health. He thinks that to pro- pose a reward for virtue is to render virtue im- po.ssible. He warmly seconds Schleiermacher in declaring that even the hope of Immortality is a consideration unfit to be introduced into re- ligion, and tending only to pervert it, and im- pair its sacredness. Strange as this may seem, Werner is firmly convinced of its importance ; and has even enforced it specifically in a pas- sage of his Sohne des ThaU, which he is at the pains to cite and expound in his correspond- ence with Hitzig. Here is another fraction of that wondrous dialogue between Robert d'Here- don and Adam of Valincourt, in the cavern of the Valley: • • « * » • BOBERT. And Death, — so dawns it on me, — Death perhaps, The doom that leaves nouffht of this Me remaining, May be perhaps the Symbol of that Self-denial,— Perhaps still more, perhaps, — I have it, friend ! — That cripplish Immortality, — think'st nof!— Which but spins forth our paltry Jt/e, so thin And pitiful, into Infinitude, That too must die ?— This shallow Self of ours. We are not nail'd to it eternally ? We can, we must be free of it, and then Uncumber'd wanton in the Force of All ! ADAIW (^calling joijfuUtj into the interior of the Cavern.) Brethren, he has renounced ! Himself has found it! Oh ! praised be Light ! He sees ! The North is saved ! CONCEALED VOICES o/tAe old men of the Valley. Hail and joy to thee, thou Strong One ; Force to thee from above, and Light! Complete, — complete the work! ADAM {embracing Robert.) Come to my heart ! — &c. &c. Such was the spirit of that new Faith, Avhich, symbolized under mythuses of BafTometus and Phosphoros, and "Saviours from the Waters," and " Trinities of Art, Religion, and Love," and to be preached abroad by the aid of Schlei- ermacher, and what was then called the New Poetical Sriwol, Werner seriously purposed, like another Luther, to cast forth, as good seed, among the ruins of decayed and down-trodden Protestantism ! "Whether Hitzig was still young enough to attempt executing his commission, and applying to Schlegel and Tieck for help ; and if so, in what gestures of speechless asto- nishment, or what peals of inextinguishable laughter they answered him, we are not in- formed. One thing, however, is clear: that a man with so unbridled an imagination, joined to so weak an understanding, and so broken a voli- tion , who had plunged so deep into Theoso- phy, and still hovered so near the surface in all practical knowledge of men and their af- fairs ; who, shattered and degraded in his own private character, could meditate such apos- tolic enterprises, was a man likely, if he lived long, to play fantastic tricks in abundance; and, at least, in his religious history, to set the world a-wondering. Conversion, not to Pope- ry, but, if it so chanced, to Braminism, was a thing nowise to be thought impossible. Nevertheless, let his missionary zeal have justice from us • It does seem to have been grounded on no wicked or even illaudable motive : to all appearance, he not only believed what he professed, but thought it of the high- est moment that others should believe it. And if the proselytizing spirit, which dwells in all men, be allowed exercise even when it only assaults what it reckons Errors, still more should this be so, when it proclaims what it reckons Truth, and fancies itself not taking from us what in our eyes may be good, but adding thereto what is better. Meanwhile, Werner was not so absorbed in spiritual schemes, that he altogether over- looked his own merely temporal comfort. In contempt of former failures, he was now court- ing for himself a third wife, " a young Poless of the highest personal attractions ;" and this under difficulties which would have appalled an ordinary wooer : for the two had no lan- guage in common ; he not understanding three words of Polish, she not one of Ger- man. Nevertheless, nothing daunted by this circumstance, nay, perhaps discerning in it an assurance against many a sorrowful cur- tain lecture, he prosecuted his suit, we sup- pose by signs and dumb-show, with such ardour, that he quite gained the fair mute; wedded her in 1801 ; and soon after, in her company quitted Warsaw for Konigsberg, where the helpless state of his mother re- quired immediate attention. It is from Konigs- berg that most of his missionary epistles to Hitzig are written ; the latter, as we have hint- ed above, being now stationed, by his official appointment, in Berlin. The sad duty of watching over his crazed, forsaken, and dying mother, Werner appears to have discharged with true filial assiduity : for three years she lingered in the most painful state, under his nursing; and her death, in 1804, seems not- withstanding to have filled him with the deep< est sorrow. This is an extract of his leUer to Hitzig on that mournful occasion : " I know not whether thou hast heard that oa the 24th of February, (the same day whe.i our excellent Mnioch died in Warsaw,) my mother departed here, in my arms. My Friend ! God knocks with an iron hammer at our hearts ; and we are duller than stone, if we do not feel it; and madder than mad, if we think it shame to cast ourselves into the dust before the All- powerful, and let our whole so highly misera- ble Self be annihilated in the sentiment of His infinite greatness and long-sufl!'ering. I wish I had words to paint how inexpressibly pitiful my Sdh)7c cks Thais appeared to me in that hour, when, after eighteen years of neglect, I again went to partake in the Communion ! This death of my mother, — the pure, royal poet-and- martyr spirit, who for eight years had lain con- tinually on a sick-bed, and suffered unspeaka- ble things, — affected me, (much as, for her sake and my own, I could not but wish it with alto- gether agonizing feelings.) Ah, Friend, how LIFE AND WRITINGS OF WERNER. 47 heavy do my youthful faults lie on me ! How- much would I give to have my mother — (though both I and my wife have of late times lived wholly for her, and had much to endure on her account) — now much would I give to have her back to me but one week, that I might dis- burden my heavy-laden heart with tears of re- pentance! My beloved Friend, give thou no grief to thy parents ! ah. no earthly voice can awaken the dead ! God and Parents, that is the first concern ; all else is secondarJ^" This affection for his mother forms, as it were, a little island of light and verdure in Werner's history, where, amid so much that is dark and desolate, one feels it pleasant to lin- ger. Here was at least one duty, perhaps, in- deed, the only one, which, in a wayward, wasted life, he discharged with fidelity: from his conduct towards this one hapless being, we may, perhaps, still learn that his heart, how- ever j)erverted by circunislances, was not in- capableof true, disinterested love. A rich heart by Nature; but unwisely squandering its riches, and attaining to a pure imion only with this one neart; for it seems doubtful whether he ever loved another! His poor mother, while alive, was the haven of all his earthly voyagings; and, in after years, from amid far scenes, and crush- ing perplexities, he often looks back to her grave with a I'eeling to which all bosoms must respond.* The date of her decease became a memorable era in his mind; as may appear from the title which he gave, long afterwards, to one of his most popular and tragical pro- duction';. Die Vici-Hiifl-zwanzigsle Februar (The Twenty-fourth of February.) After this event, which left him in posses- sion of a small but competent fortune, Werner returned with his wife to his post at Warsaw. By this time, Hitzig, too, had been sent back, and to a higher post: he was now married likewise; and the two wives, he says, soon be- came as intimate as their husbands. In a lit- tle while Hoffmann joined them ; a colleague in Hitzig's office, and by him ere long intro- duced to Werner, and the other circle of Prus- sian men of law, who, in this foreign capital, formed each other's chief society; and, of course, cleave to one another more closely than they might have done elsewhere. Hoff- mann does not seem to have loved Werner; as, indeed, he was at all times rather shy in his attachments; and, to his quick eye, and more rigid, fastidious feeling, the lofty theory and low selfish practice, the general diffuse- ness, nay, incoherence of character, the pe- dantry and solemn affectation, too visible in the man, could nowise be hidden. Neverthe- less, he feels and acknowledges the frequent ♦ See, for example, the Preface to \\\s Miitter der Mak- kablier, written at Vienna, in 1819. The tone of still, luit deep and heartfelt sadness, which runs lhroiif;ti the whole of this piece, cannot be coniniunicated in extracts. We quote only a half stan/.a, which, except in prose, we Khali not venture to translate : fell, dem der Liebe Kosen Und alle Freudeiirosen, Beym crsten Schaufcltosen ■^m Muttergrab' eiilfiohn.— "T. for whom the caresses of love and all roses of joy withe-ed away, as the first shovel with its mould sound- ed on the coftin of my motlier." charm of his conversation : for Werner many times could be frank and simple; and the true humour and abandonment with which he often launched forth into bland satire on his friends, and still ofteneron himself, atoned for many of his whims and weaknesses. Probably the two could not have lived together by themselves: but in a circle of common men, where these touchy elements were attempered by a fair ad- dition of wholesome insensibilities and for- malities, they even relished one another; and, indeed, the whole social union seems to have stood on no undesirable footing. For the rest, Warsaw itself was, at this lime, a gay, pic- turesque, and stirring city; full of resources for spending life in pleasant occupation, either wisely or unwisely.* It was here, that, in 1805, Werner's Kreuz an dcr Ostfce (Cross on the Baltic) was writ- ten : a sort of half-operatic performance, for which Hoffmann, who to his gifts as a writer added perhaps still higher attainments, both as a musician and a painter, composed the ac- companiment. He complains that, in this mat- ter, Werner was very ill to please. A ridicu- lous scene, at the first reading of the piece, the same shrewd wag has recorded in his Sera- pions-Bruder; Hitzig assures us that it is lite- rally true, and that Hoffmann himself was the main actor in the business. " Our Poet had invited a few friends, to read to them, in manuscript, his Kreuz under Ostsee, of which they already knew some fragments that had raised their expectations to the high- est stretch. Planted, as usual, in the middle of the circle, at a little miniature table,on which two clear lights, stuck in high candlesticks, were burning, sat the poet : he had drawn the manuscript from his breast; the huge snuff-box, the blue-checked handkerchief^, aptly reminding you of Baltic iTiuslin,as in use for petticoats and other indispensable things, lay arranged in order before him. — Deep silence on all sides! — Not a bieath heard! — The poet cuts one of those unparalleled, ever-memorable, altogether indescribable faces you have seen in him, and begins. — Now you recollect, at the rising of the curtain, the Prussians are assembled on the coast of the Baltic, fishing amber, and com- * Hitziff has thus described the first aspect it presented to Hoffmann : " Streets of stately breadth, formed of pa- laces in the finest Italian style, and wooden huts which threatened every moment to rush down over the heads of their inmates; in these edifices, Asiatic pomp com- bined in strange union with Greenland squalor. An ever-niovins population, forminj; the sharpest contrasts, as in a perpetual masquerade: long-bearded Jews; monks in the garb of every order ; here veiled and deep- ly-shrouded nuns of strictest discipline, walking, self- secluded and apart: there flijrhts of youns Polesses, in silk mantles of the hriffhiest colours, talking and prome- nading over broad squares. The venerable ancient Po- lish noble, with moustaches, caftan, girdle, sabre, and red or yellow hoots : the new generation equipt to the utmost pitch as Parisian Ivcroyables ; with Turks, Greeks, Russians, Italians, Frenchmen, in ever-chang- ing throng. Add to this a police of inconceivable toler- ance, disturbing no popular sport ; so that little puppet- theatres, apes, camels, dancing bears, practised inces santly in open spaces and streets ; while the most elogant equipages, and the poorest pedestrian bearers of burden, stood gazing at them. Further, a theatre in the national language ; a good French company; an Italian opera ; German players of at least a very passable sort ; mask- ed-balls on a quite original hut highly entertaining plan ; places for pleasure-excursions all round the city," Sit. &c. — Hoffmann's Leben und J^fachlass, b. i. p. 287. 48 CARLYLE'S MISCELLANEOUS WRITINGS. mence by calling on the god who presides over this vocation. — So — begins: Bangputtis! Bangputlis ! Bangputtis! —Brief pause ! — Incipient stare in the audi- ence ! — and from a fellow in the corner comes a small clear voice : ' My dearest, most valued friend! my best of poets ! If thy whole dear opera is written in that cursed language, no soul of us knows a syllable of it; and I beg, in the Devil's name, thou wouldst rather have the goodness to translate it first!' "* Of this Kreitz an dcr Ostsce our limits will permit us to say but little. It is still a frag- ment ; the Second Part, which was often pro- mised, and, we believe, partly written, having never yet been published. In some respects, it appears to us the best of Werner's dramas : there is a decisive coherence in the plot, such as we seldom find with him ; and a firmness, a rugged nervous brevity in the dialogue, which is equally rare. Here, too, the mystic dreamy agencies, which, as in most of his pieces, he has interwoven with the action, harmonize more than usually with the spirit of the whole. It is a wild subject, and this helps to give it a corresponding wildness of locality. The first planting of Christianity among the Prussians, by the Teutonic Knights, leads us back of itself into dim ages of antiquity, of supersti- tious barbarism, and stern apostolic zeal : it is a scene hanging, as it were, in half-ghastly chiaroscuro, on a ground of primeval Night: where the Cross and St. Adalbert come in con- tact with the Sacred Oak and the Idols of Romova, we are not surprised that spectral shapes peer forth on us from the gloom. In the constructing and depicting of charac- ters, Werner, indeed, is still little better than a mannerist: his persons, differing in external figure, differ too slightly in inward nature ; and no one of them comes forward on us with a rightly visible or living air. Yet, in scenes and incidents, in what maybe called the gene- ral costume of his subject, he has here attained a really superior excellence. The savage Prussians, with their amber-fishing, their bear- hunting, their bloody idolatry, and stormful un- tutored energy, are brought vividly into view ; no less so the Polish Court of Plozk, and the German Crusaders, in their bridal-feasts and battles, as they live and move, here placed on the verge of Heathendom, as it were, the van- guard of Light in conflict with the kingdoms of Darkness. The nocturnal assault on Plozk by the Prussians, where the handful of Teuto- nic Knights is overpowered, but the city saved from ruin by the miraculous interposition of the " Harper," who now proves to be the spirit of St. Adalbert; this, with the scene which follows it, on the Island of the Vistula, where the dawn slowly breaks over doings of wo and horrid cruelty, but of wo and cruelty atoned for by immortal hope, — belongs undoubtedly to Werner's most successful efforts. With much that is questionable, much that is merely common, there are intermingled touches from (he irue Land of Wonders ; indeed, the whole is overspread with a certain dim religious light, in which its r.^any pettinesses and exag- * Hoffmann's Serapions-Bruder, b. iv. s. 240. gerations are softened into something which at least resembles poetic harmony. We give this drama a high praise, when we say that more than once it has reminded us of Cal- deron. The " Cross on the Baltic" had been bespoke by Iffland for the Berlin theatre; but the com- plex machinery of the piece, the " little flames" springing, at intervals, from the heads of cer- tain characters, and the other supernatural ware with which it is replenished, were found to transcend the capabilities of any merely terrestrial stage. Itfland, the best actor in Germany, was himself a dramatist, and a man of talent, but in all points diflering from Wer- ner, as a stage-machinist may differ from a man with the second-sight. Hoffmann chuckles in secret over the perplexities in which the shrewd prosaic manager and playwright must have found himself, when he came to the "little flames." Nothing remained but to write back a refusal, full of admiration and expostu- lation : and Iffland wrote one which, says Hoff- mann, " passes for a master-piece of theatrical diplomacy." In this one respect, at least, Werner's next . play was happier, for it actually crossed the " Stygian marsh" of green-room hesitations, and reached, though in a maimed state, the Elysium of the boards; and this to the great joy, as it proved, both of Itfland and all other parties interested. We allude to the Martin Luther, oder die Wei'hc der Kraf:, (Martin Luther, or the Consecration of Strength,) Werner's most popular performance, which came out at Berlin in 1807, and soon spread over all Ger- many, Catholic as well as protestant, being acted, it M'oukl seem, even in Vienna, to over- flowing and delighted audiences. If instant acceptance, therefore, were a measure of dramatic merit, this play should rank high among that class of works. Never- theless, to judge from our own impressions, the sober reader of Martin Lvther will be far from finding in it such excellence. It cannot be named among the best dramas: it is not even the best of Werner's. There is, indeed, much scenic exhibition, many a "fervid senti- ment," as the newspapers have it; nay, with all its mixture of coarseness, here and there a glimpse of genuine dramatic inspiration; but, as a whole, the work sorely disappoints us ; it is of so loose and mixed a structure and falls asunder in our thoughts, like the iron and clay in the Chaldean's Dream. There is an interest, perhaps of no trivial sort, awakened in the First Act ; but, unhappily, it goes on de- clining, till, in the Fifth, an ill-natured critic might almost say, it expires. The story is too wide for Werner's dramatic lens to gather into a focus ; besides, the reader brings with him an image of it, too fixed for being so boldly metamorphosed, and too high and august for being ornamented M'ith tinsel and gilt paste- board. Accordingly, the Diet of Worms, plentifully furnished as it is with sceptres and armorial shields, continues a mUch grander scene in History, than it is here in Fiction, Neither, with regard to the persons of the play, excepting those of Luther and Catharine, the Nun whom he weds, can we find much scope LIFE AND WKITINGS OF WERNER. 4» for praise. Nay, our praise even of these two must have many limitations. Catharine, though carefully enough depicted, is, in fact, little more than a common tragedy-queen, with the storminess, the love, and other stage-hero- ism, which belong prescriptively to that class of dignitaries. With regard to Luther himself, it is evident that Werner has put forth his whole strength in this delineation ; and, trying him by common standards, we are far from saying that he has failed. Doubtless it is, in some respects, a significant and even sublime delineation : yet must we ask whether it is Luther, the Luther of History, or even the Luther proper for this drama; and not rather some ideal portraiture of Zacharias Werner himself] Is not this Luther, with his too as- siduous flute-playing, his trances of three days, his visions of the Devil, (at whom, to the sor- row of the housemaid, he resolutely throws his huge ink-bottle,) by much too spasmodic and brainsick a personage ] We cannot but ques- tion the dramatic beauty, whatever it may be in history, of that three days' trance ; the hero must before this have been in want of mere victuals ; and there, as he sits deaf and dumb, with his eyes sightless, yet fixed and staring, are we not tempted less to admire, than to send in all haste for some officer of the Humane Society 1 — Seriouslj^, we cannot but regret that these and other such blemishes had not been avoided, and the character, worked into chasteness and purity, been presented to us in the simple grandeur which essentially belongs to it. For, censure as we may, it were blind- ness to deny that this figure of Luther has in it features of an austere loveliness, a mild, yet awful beauty : undoubtedly a figure rising from the depths of the poet's soul ; and, marred as it is with such adhesions, piercing at times into the depths of ours ! Among so many poetical sins, it forms the chief redeeming virtue, and truly were almost in itself a sort of atone- ment. As for the other characters, they need not detain us long. Of Charles the Fifth, by far the most ambitious, — meant, indeed, as the counterpoise of Luther, — we may say, without hesitation, that he is a failure. An empty Gas- con this ; bragging of his power, and honour, and the like, in a style which Charles, even in his nineteenth year, could never have used. "One God, one Charles," is no speech for an emperor; and, besides, is borrowed from some panegyrist of a Spanish opera-singer. Neither can we fall in with Charles, when he tells us, that " he fears nothing, — not even God." We humbly think he must be mistaken. With the old Miners, again, with Hans Luther and his Wife, the Reformer's parents, there is more reason to be satisfied; yet in Werner's hands simplicity is always apt, in such cases, to be- come too simple, and these honest peasants, like the honest Hugo in the " Sons of the Val- ley," are vcr-y garrulous. This drama of "Martin Luther" is named likewise the "Consecration of Strength;" that is, we suppose, the purifying of this great theologian from all remnants of earthly pas- sion, into a clear heavenly zeal ; an operation which is brought about, strangely enough, by 7 two half-ghosts and one whole ghost, — a little fairy girl, Catharine's servant, who imper- sonates Faith ; a little fairy youth, Luther's servant, who represents Art ; and the "Spirit of Cotta's wife," an honest housekeeper, but defunct many years before, who stands for Purity. These three supernaturals hover about in very whimsical wise, cultivating flowers, playing on flutes, and singing dirge-like epilha- lamiums over unsound sleepers : we cannot see how aught of this is to "consecrate strength ;" or, indeed, what such jack-o'-lantern person- ages have in the least to do with so grave a business. If the author intended by such m.achinery to elevate his subject from the Common, and unite it with the higher region of the Infinite and the Invisible, we cannot think that his contrivance has succeeded, or was worthy to succeed. These half-allegorical, half-corporeal beings yield no contentment anywhere : Abstract Ideas, however they may put on fleshly garments, are a class of charac- ters whom we cannot sympathize with or de- light in. Besides, how can this mere imbody- ment of an allegory be supposed to act on the rugged materials of life, and elevate into ideal grandeur the doings of real men, that live and move amid the actual pressure of worldly things 1 At best, it can stand but like a ha}id in the margin : it is not perfarniing the task pro- posed, but only telling us that it was meant to be performed. To our feelings, this entire episode runs like straggling bindweed through the whole growth of the piece, not so much uniting as encumbering and choking up what it meets with; in itself, perhaps, a green and rather pretty weed; yet here superfluous, and, like any other weed, deserving only to be alto- gether cut away. Our general opinion of " Martin Luther," it would seem, therefore, corresponds ill with that of the "overflowing and delighted audiences" over all Germany. We believe, however, that now, in its twentieth year, the work may be somewhat more calmly judged of even there. As a classical drama it could never pass with any critic ; nor, on the other hand, shall we ourselves deny that, in the lower sphere of a popular spectacle, its attractions are manifold. We find it, what, more or less, we find all Werner's pieces to be, a splendid, sparkling mass ; yet not of pure metal, but of many- ctDloured scoria, not unmingled with metal ; and must regret, as ever, that it had not been re- fined in a stronger furnace, and kept in the crucible till the true silver-gleam, glancing from it, had shown that the process was complete. Werner's dramatic popularity could not re- main without influence on him, more espe- cially as he was now' in the very centre of its brilliancy, having changed his residence from Warsaw to Berlin, some time before his Weihe der Kraft was acted, or indeed written. Von Schrotter, one of the state-ministers, a man harmonizing with Werner in his " zeal both for religion and freemasonry," had been persuaded by some friends to appoint him his secretary. Werner naturally rejoiced in such promotion ; yet, combined with his theatrical success, it perhaps, in the long run, did him more harm than good. He might now, for the first time. 60 CARLYLE'S MISCELLANEOUS WRITINGS. be said to see the busy and influential world with his own eyes : but to draw future instruc- tion from it, or even to guide himself in its present complexities, he was little qualiiied. He took a shorter method: "he plunged into the vortex of society," says Hitzig, with brief ex- pressiveness ; became acquainted, indeed, with Fichte, Johannes Muller and other excellent men, but united himself also, and with closer partiality, to players, play-lovers, and a long list of jovial, admiring, but highly unprofitable companions. His religious schemes, perhaps, rebutted by collision with actual life, lay dor- mant fjr the timT, or mingled in strange union •with wine-vapours, and the "feast of^ reason, and the flow of soul." The result of all this might, in some measure, be foreseen. In eight weeks, for example, Werner had parted with his wife. It was not to be expected, he writes, that she should be happy with him. "I am no bad man," continues he, with considerable candour; "yet a weakling in many respects, (for God strengthens me also in several,) fret- ful, capricious, greedy, impure. Thou knowest me ! Still, immersed in my fantasies, in my occupation: so that here, what with playhouses, what with social parties, she had no manner of enjoyment with me. t>hc is innocent. I, too, perhaps, for can I pledge myself that I am sol" These repeated divorces of Werner's at length convinced him that he had no talent for managing wives ; indeed, we subsequently find him, more than once, arguing in dissuasion of marriage altogether. To our readers one other consideration may occur: astonishment at the state of marriage-law, and the strange foot- ing this "sacrament" must stand on throughout Protestant Germany. For a Christian man, at least not a Mohammedan, to leave Ihrcc widows behind him, certainly wears a peculiar aspect. Perhaps it is saying much for Geruian morality, that so absurd a system has not, by the dis- orders resulting from it, already brought about its own abrogation. Of Werner's further proceedings in Berlin, except by implication, we have little notice. After the arrival of the French armies, his secretaryship ceased; and now wifeless and placeless, in the summer of 1807, " he felt him- self," he says, "authorized by Fate to indulge his taste for pilgriming." Indulge it accord- ingly he did ; for he wandered to and fro many years, nay, we may almost say to the end of his life, like a perfect Bedouin. The various stages and occurrences of his travels, he has himself recorded in a paper, furnished by him for his own Name, in some Biographical Dic- tionar)'. Hitzig quotes great part of it, but it is too long and too meagre for being quoted here. Werner was at Prague, Vienna, Munich, —everywhere received with open arms ; " saw at Jena, in December, 1807, for the first time, the most universal and the clearest man of his age, (the man whose like no one that has seen him will ever see again,) the great, nay, only GoETiiE ; and, under his introduction, the pat- tern of German princes," (the Duke of Weimar;) and then, "after three ever-memora- ble months in this society, beheld at Berlin the triumphant entry of the pattern of European :yraiLts " (Napoleon.) On the summit of the Rigi, at sunrise, he became acquainted with the Crown-Prince, King of Bavaria; was by him introduced to the Swiss festival at In- terlacken, and to the most " intellectual lady of our time, the Baroness de Stael ;" and must beg to be credited when, after sufi^cicnt in- dividual experience, he can declare, that the heart of this high and noble woman was at least as great as her genius. Coppet, for a while, was his head quarters, but he went to Paris, to Weimar,* again to Switzerland ; in short, trudged and hurried hither and thither, inconstant as an ignis fatuus, and restless as the Wandering Jew. On his mood of mind during all this period, Werner gives us no direct information ; but so unquiet an outward life betokens of itself no inward repose ; and when we, from other lights, gain a transient glimpse into the wayfarer's thoughts, they seem still more fluctuating than his footsteps. His project of a New Religion u a i by this time abandoned: Hitzig thinks his closer survey of life at Berlin had taught him the impracticability of such chimeras. Nevertheless, the subject of Religion, in one shape or another, nay, of propagating it in new purity by teaching and preaching, had nowise vanished from his meditations. On the con- trary, we can perceive that it still formed the master-principle of his soul, " the pillar of cloud by day, and the pillar of fire by night," which guided him, so far as he had any guid- ance, in the pathless desert of his now solidary, barren, and cheerless existence. What h*is special opinions or prospects on the matter had, at this period, become, we nowhere learn ; except, indeed, negatively, — for if he has not yet found the new, he still cordially enough detests the old. All his admiration of Luther cannot reconcile him to modern Lutheranism. This he regards but as another and more hide- ous impersonation of the Utilitarian spirit of the age, nay, as the last triumph of Infidelity, which has now dressed itself in priestly garb, and even mounted the pulpit, to preach, in heaven- ly symbols, a doctrine which is altogether of the earth. A curious passage from his pre- face to the "Cross on the Baltic" we may quote, by way of illustration. After speaking of St. x^dalbert's miracles, and how his body, when purchased from the heathen for its weight in gold, became light as gossamer, he proceeds: "Though these things maybe justly doubted; yet OMP miracle cannot be denied him, the mi- racle, namely, that after his death he has ex- torted from this Spirit of Protestantism against Strength in general, — which now replaced the old heathen and catholic Spirit of Persecution, and weighs almost as much as Adalbert's body, — the admission, that he knew what he wanted; was what he wished to be ; was so wholly ; and therefore must have been a man, at all points diametrically opposite both to that Protestant- ism, and to the culture of our day." In a Note, he adds: "There is another Protestantism, ♦ It was tiore that Hitzis saw liim, for tJie last time, in 1809, found admittance, through liis means, to a court festival in honour of Bernadotte ; and he still recollects, with gratification, ''the lordly spectacle of Goethe and that sovereign standing front to front, engaged in tbo liveliest conversation." LIFE AND WRITINGS OF WERNER. 51 however, which constitutes in Conduct, what Art is in Speculation, and which I reverence so highly, that I even place it above Art, as Conduct is above Speculation at all times. But in tliis, St. Adalbert and St. Luther are — col- lear;ues : and if God, which I daily pray for, should awaken Luther to us before the Last Day, \.\\e first task he would find, in respect of that degenerate and spurious Protestantism, would be, in his somewhat rugged manner, to — pro'tcst against it." A similar, or pel'haps still more reckless temper, is to be traced elsewhere, in passages of a gay, as well as grave character. This is the conclusion of a letter from Vienna, in 1807 "We have Tragedies here which contain so many edifying maxims, that you might use them instead of Jesus Sirach, and have them read from beginning to end in the Berlin Sun- day-schools. Comedies, likewise, absolutely bursting with household felicity and nobleness of mind. The genuine Kasperl is dead, and Schilcander gone his ways; but here, too, Bigotry and Superstition are attacked in enlightened Journals with such profit, that the people care less for Popery than even you in Berlin do; and prize, for instance, the Wcihc der Kraft, which has also been declaimed in Regensburg and Munich to thronging audiences, — chiefly for the multitude of liberal Protestant opinions 'therein brought to light ; and regard the author, ail his struggling to the contrary unheeded, as a secret Illuminnius, or at worst an amiable Enthusiast. In a word, Vienna is determined, without loss of time, to overtake Berlin in the career of improvement; and when I recollect that Berlin, on her side, carries Porsten's IJyniii-Lioolc with her, in her reticule, to the shows in the Thiergarten ; and that the ray of Christiano-catholico-plaionic Faith pierces deeper and deeper into your (already by nature very deep) Privy-councillor Mamsell, — I al- most fancy that Germany is one great mad- house; and could find in my heart to pack up my goods, and set ofl" for Italy to-morrow morn- ing;— not, indeed, that I might work there, where follies enough are to be had too ; but that, amid ruins and -flowers, I might forget all things, and myself in the first place." — Lcbcns- Mriss, s. 70. To Italy accordingly he went, though with rather different objects, and not quite so soon ".s on the morrow. In the course of his wander- iogs, a munificent ecclesiastical Prince, the Frirst Primas von Dalberg, had settled a year- ly pension on him; so that now he felt still more at liberty to go whither he listed. In the course of a second visit to Coppet, and which lasted four months, Madame de Stael encouraged and assisted him to execute his favourite project; he set out, through Turin and Florence, and "on the 9th of December, 1800, saw, for the first time, the capital of the world !" Of his proceedings here, much as we should desire to have minute details, no information is given in this narrative ; and Hilzig seems to know, by a letter, merely, that " he knelt with streaming eyes over the graves of St. Peter and St. Paul." This little phrase says much. Werner appears likewise to have assisted at certain "Spiritual Exercitations" (Geistliche Uebungen ;) a new invention set on foot. at Rome for quickening the devotion of the faithful, consisting, so far as we can gather, in a sort of fasting-and-prayer meetings, con- ducted on the most rigorous principles, the considerable band of devotees being bound over to strict silence, and secluded for several days, with conventual care, from every sort of intercourse with the world. The effect of these Exercitations, Werner elsewhere declares, was edifying to an extreme degree ; at parting on the threshold of their holy tabernacle, all the brethren " embraced each other, as if intoxi- cated with divine joy; and each confessed to the other, that throughout these precious days he had been, as it were, in heaven ; and now, strengthened as by a soul-purifying bath, was but loath to venture back into the cold week- day world." The next step from these Tabor- feasts, if, indeed, it had not preceded them, was a decisive one: "On the 19th of April, 1811, Werner had grace given him to return to the Faith of his fathers, the Catholic!" Here, then, the "crowning mercy" had at length arrived! This passing of the Rubicon determined the whole remainder of Werner's life, which had henceforth the merit, at least, of entire consistency. He forthwith set about the professional study of Theology ; then being perfected in this, he left Italy in 181.3, taking care, however, by the road, " to supplicate, and certainly not in vain, the help of the Gracious Mother at Loretto; and after due preparation, under the superintendence of his patron, the Prince Archbishop von Dalberg, had himself ordained a Priest at Aschaffenburg, in June, 1814. Next, from Aschaffenburg he hastened to Vienna ; and there, with all his might, began preaching; his first auditory being the Con- gress of the Holy Alliance, which had then just begun its venerable sessions. "The novelty and strangeness," he says, "nay, originality of his appearance, secured him an extraor- dinary concourse of hearers." He was, indeed, a man worth hearing and seeing ; for his name, noised abroad in many-sounding peals, was filling all Germany from the hut to the palace. This, he thinks, might have affected his head; but he " had a trust in God, which bore him through." Neither did he seem anywise anx- ious to still this clamour of his judges, least of all to propitiate his detractors : for already, before arriving at Vienna, he had published, as a pendant to his " Martin Luther, or the Consecration of Strength," a pamphlet, in dog- grel metre, entitled the "Consecration of Weakness," wherein he proclaims himself to the whole world as an honest seeker and finder of truth, and takes occasion to revoke his old "Trinity," of art, religion, and love; love hav- ing now turned out to be a dangerous ingredi- ent in such mixtures. The writing of this Weihe der Unkrnfl. was reckoned by many a bold but injudicious measure, — a throwing down of the gauntlet when the lists were fuL of tumultuous foes, and the knight w.is bu4 weak, and his cause, at best, of the most ques tionable sort. To reports, and calumnies, and criticisms, and vituperations, there was no limit. hi CARLYLE'S MISCELLANEOUS WRITINGS. What remains of this strange eventful his- tory may be summed up in few words. Wer- ner accepted no special charge in the Church ; but continued a private and secular Priest; preaching diligently, but only where he him- self saw good; oftenest at Vienna, but in sum- mer over all parts of Austria, in Styria, Carin- thia, and even Venice. Everywhere, he says, the opinions of his hearers were "violently divided." At one time, he thought of becom- ing Monk, and had actually entered on a sort of noviciate; but he quitted the establishment rather suddenly, and, as he is reported to have said, "for reasons known only to God and himself." By degrees, his health grew very •weak; yet he still laboured hard both in public and private; writing or revising poems, devo- tional or dramatic; preaching, and officiating as father-confessor, in which last capacity he is said to have been in great request. Of his poetical productions during this period, there is none of any moment known to us, except the Mother of the Maccabees (1819); a tragedy of careful structure, and apparently in high favour Vith the author, but which, notwithstanding, /leed not detain us long. In our view, it is the worst of all his pieces; a pale, bloodless, in- deed quite ghost-like affair; for a cold breath as from a sepulchre chills the heart in perus- ing it: there is no passion or interest, but a certain wo-struck martyrzeal, or rather frenzy, and this not so much storming as shrieking; not loud and resolute, but shrill, hysterical, and bleared with ineffectual tears. To read it may well sadden us: it is a convulsive fit, whose uncontrollable writhings indicate, not strength, but the last decay of it.* Werner was, in fact, drawing to his latter end: his health had long been ruined; espe- cially of later years, he had suffered much from disorders of the lungs. In 1817, he was thought to be dangerously ill; and afterwards, in 1822, when a journey to the Baths partly restored him; though he himself still felt that his term was near, and spoke and acted like a man that was shortly to depart. In January, 1823, he was evidently dying: his affairs he had already settled ; much of his time he spent in prayer; was constantly cheerful, at inter- vals even gay. "His death," says Hitzig, " was especially mild. On the eleventh day of his disorder, he felt himself, particularly towards evening, as if altogether light and well; so that he would hardly consent to have any one to watch with him. The servant whose turn it was did watch, however; he had sat down by the bedside between two and three next morning, (the 17th,) and continued there a con- siderable while, in the belief that his patient was asleep. Surprised, however, that no breathing was to be heard, he hastily aroused * Of liis Jittila^ (1808.) his Vier-mid-ncamisste Fe.bruar, {1809,) his Ciinen-unde. (1814,) and various other pieces written in his wanderings, we have not room to speaR It is ttie less necessary, as the Jlttila and Twenty fvurth of Ftbruarij. by much the best of these, have already been forcibly, aiid, on the whole, fairly characterized by Ma- dame de Stat'l. Of the last-named little work we niifht say, with double emphasis, JVcc pneros coraiiupopvlo Me- dea trucidet : it has a deep and jrenuine tragic interest, were it not so painfully protracted into the regions of pure horror. Werner's Sermons, his Ilynnis, his Preface te Tkomas H Kerapis, l^-c., are entirely unknown to us. the household, and it was found that Werner had already passed away." In imitation, it is thought, of Lipsius, he bequeathed his Pen to the treasury of the Vir« gin at Mariazell, " as a chief instrument of his aberrations, his sins, and his repentance." He was honourably interred at Enzersdorf on the Hill, where a simple inscription, composed by himself, begs the wanderer to " pray charitably for his poor soul;" and expresses a trembling ho])e that, as to Mary Magdalen, " because she loved much," so to him also, "much maybe forgiven." We have thus, in hurried movement, travelled over Zacharias Werner's Life and Works; noting down from the former such particulars as seemed most characteristic; and gleaning from the latter some more curious passages, less indeed with a view to their intrinsic ex- cellence, than to their fitness for illustrating the man. These scattered indications we must now leave our readers to interpret each for himself: each will adjust them into that com- bination which shall best harmonize with his own way of thought. As a writer, Werner's character will occasion little difficulty. A richly gifted nature; but never wisely guided, or resolutely applied: a loving heart; an in- tellect subtile and inquisitive, if not always clear and strong; a gorgeous, deep, and bold imagination; a true, nay, keen and burning sympathy with all high, all tender and holy" things; — here lay the main elements of no common poet; save only that one was still wanting, — the force to cultivate them, and mould them into pure union. But they have remained uncultivated, disunited, too often struggling in wild disorder: his poetry, like his life, is still not so much an edifice as a quarry. Werner had cast a look into perhaps the very deepest region of the Wonderful; but he had not learned to live there: he was yet no deni- zen of that mysterious land : and, in his visions, its splendour is strangely mingled and over- clouded with the flame or smoke of mere earthly fire. Of his dramas we have already spoken ; and with much to praise, found always more to censure. In his rhymed pieces, his shorter, more didactic poems, we are better satisfied: here, in the rude, jolting vehicle of a certain Sternhold-and-Hopkins metre, we often find a strain of true pathos, and a deep, though quaint significance. His prose, again, is among the worst known to us : degraded with silliness ; diffuse, nay, tautological, yet obscure and vague; contorted into endless involutions; a misshapen, lumbering, complected coil, well nigh inexplicable in its entanglements, and seldom worth the trouble of unravelling. He does not move through his subject, and arrange it, and rule over it; for the most part, he but welters in it, and laboriously tumbles it, and at last sinks under it. As a man, the ill-fated Werner can still less content us. His feverish, inconstant, and wasted life we have already looked at. Hitzig, his determined well-wisher, admits that in practice he was selfish, wearying out his best friends by the most barefaced importunities ; a man of no dignit}^ ; avaricious, greedy, sensual, at times obscene; in discourse, with all hia LIFE AND WRITINGS OF WERNER. S» Bumour and heartiness, apt to be intolerably long-winded; and of a maladroitaess, a blank ineptitude, which exposed him to incessant ridicule and manifold mystifications from peo- ple of the world. Nevertheless, under all this rubbish, contends the friendly Biographer, there dwelt, for those who could look more narrowly, a spirit, marred indeed in its beauty, and languishing in painful conscious oppres- sion, yet never wholly forgetful of its original nobleness. Werner's soul was made for affec- tion; and often as, under his too rude colli- sions with external things, it was struck into harshness and dissonance, there was a tone which spoke of melody, even in its jarrings. A kind, a sad, and heartfelt remembrance of his friends seems never to have quitted him : to the last he ceased not from warm love to men at large; nay, to awaken in them, with such knowledge as he had, a sense for what was best and highest, may be said to have formed the earnest, though weak and unstable aim of his whole existence. The truth is, his defects as a writer were also his defects as a man: he was feeble, and without volition; in life, as in poetry, his endowments fell into con- fusion ; his character relaxed itself on all sides into incoherent expansion; his activity became gigantic endeavour, followed by most dwarfish performance. The grand incident of his life, his adoption of the Roman Catholic religion, is one on which we need not heap further censure; for already, as appears to us, it is rather liable to be too harshly than too leniently dealt with. There is a feeling in the popular mind, which, in well-meant hatred of inconsistency, perhaps in general too sweepingly condemns such changes. Werner, it should be recollected, had at all periods of his life a religion ; nay, he hungered and thirstedafter truth in this matter, as after the highest good of man ; a fact which of itself must, in this respect, set him far above the most consistent of mere unbelievers, — in whose barren and callous soul consistency, perhaps, is no such brilliant virtue. We par- don genial weather for its changes; but the steadiest of all climates is that of Greenland. Further, we must say that, strange as it may seem, in Werner's whole conduct, both before and after his conversion, there is not visible the slightest trace of insincerity. On the whole, there are fewer genuine renegades than men arc apt to imagine. Surely, indeed, that must be a nature of extreme baseness, who feels that, in worldly good, he ran gain by such a step. Is the contempt, the execration of all that have known and loved us, and of millions that have never known us, to be weighed as^ainst a mess of pottage, or apiece of money 1 We hope there are not many, even in the rank of sharpers, that would think so. But for Wer- ner there was no gain in any way; nay, rather certainty of loss. He enjoyed or sought no patronage; -with his own resources he was already independent though poor, and on a footing of good esteem with all that was most estimable in his country. His little pension, conferred on him, at a prior date, by a Catholic Prince, was not continued after his conversion, .jxcept by the Duke of Weimar, a Protestant. He became a mark for calumny; the defence* less butt at which every callow witling made his proof-shot; his character was more de- formed and mangled than that of any other man. What had he to gain I Insult and per- secution ; and with these, as candour bids us believe, the approving voice of his own con- science. To judge from his writings, he was far from repenting of the change he had made ; his Catholic faith evidently stands in his own mind as the first blessing of his life; and he clings to it as to the anchor of his soul. Scarce- ly more than once (in the Preface to his MiUtc- (ler Mukkabder) does he allude to the legions of falsehoods that were in circulation against him; and it is in a spirit which, without en- tirely concealing the querulousness of nature, nowise fails in the meekness and endurance which became him as a Christian. Here is a fragment of another Paper, published since his death, as it was meant to be ; which ex- hibits him in a still clearer light. The reader may condemn, or what will be better, pity and sympathize with him; but the structure of this strange piece surely bespeaks any thing but in- sincerity. We translate it with all its breaks and fantastic crotchets, as it stands before us : " Testamextaut Inschiption, from Fried- rich Ludwig Zacharias Werner, a son," &c. — (here follows a statement of his parentage and birth, with vacant spaces for the date of his death,) — " of the following lines, submitted to all such as have more or less felt any friendly interest in his unworthy person, with the re- quest to take warning by his example, and charitably to remember the poor soul of the writer before God, in prayer and good deeds. "Begun at Florence, on the 24th of Septem- ber, about eight in the evening, amid the still distant sound of approaching thunder. Con- cluded, when and where God will ! " Motto, Device, and Watchword in Death : Remittunlur ei peccata mv.lta, quoniam dilexit mul' turn ! ! ! — Lucas, Caput vii. v. 47. "N. B. Most humbly and earnestly, and in the name of God, does the Author of this Writ- ing beg, of such honest persons as may find it, to submit the same in any suitable way to public examination. " Fecisti nos, Domine, ad Te, et irrequietum est cor nostrum, donee requiescat in Te. — S. Augustiniis, "Per multa dispergitur, et hie illueque qucerit (^cor") ubi requicscerc possit, et nihil invenit quod ei sufficiat, donee ad ipsutn (^sc, Deuni) redeat. — S. Bernardus. "In the name of God the Father, Son, and Holy Ghost, Amen! "The thunder came hither, and is still roll- ing, though now at a distance. — The name of the Lord be praised! Hallelujah! — I begix: "This Paper must needs be brief; because the appointed term for my life itself may al- eady be near at hand. There are not wai.ting iPinrle^ ^f .mportant and unimportant aieu. 64 CARLYLE'S MISCELLANEOUS WRITINGS. rvhu have left behind them in writing the de- fence, or even sometimes the accusation, of their earthly life. Without estimating such procedure, I am not minded to imitate it. With trembling I reflect that I myself shall first learn in its whole terrific compass what properly I was, when these lines shall be read by men ; that is to say, in a point of Time which for me will be no Time; in a condition wherein all experience will for me be too late ! Rex trevicnda inajestatis. Qui salvandos salvas gratis, Salva me, fans pietatis ! ! ! But if I do, till that day when All shall be laid open, draw a veil over my past life, it is not merely out of false shame that I so order it; for though not free from this vice also, I would willingly make known my guilt to all and every one whom my voice might reach, could I hope, by such confession, to atone for what I have done; or thereby to save a single soul from perdition. There are two motives, how- ever, which forbid me to make such an open personal revelation after death : the one, because the unclosing of a pestilential grave may be dangerous to thehealth of the uninfected looker- on ; the other, because in my writings, (which may God forgive me !) amid a wilderness of poisonous weeds and garbage, there may also be here and there a medicinal herb lying scat- tered, from which poor patients, to whom it might be useful, would start back with shud- dering, did they know the pestiferous soil on which it grew. " So much, however, in regard to those good creatures as they call themselves, namely, to those feeble weaklings who brag of what they designate their good hearts, — so much must I say before God, that such a heart alone, when it is not checked and regulated by forethought and steadfastness, is not only incapable of saving its possessor from destruction, but it is rather certain to hurry him, full speed, into that abyss, where I have been, whence I — per- haps ?!! ! — by God's grace am snatched, and from which may God mercifully preserve every reader of these lines." — Werner's Letzte Leben- stageti, (quoted by Hitzig, p. 80.) " All this is melancholy enough ; but it is not like the writing of a hypocrite or repentant apostate. To Protestantism, above all things, Werner shows no thought of returning. In al- lusion to a rumour, which had spread, of his having given up Catholicism, he says (in the Pre/are already quoted) : " A stupid falsehood I must reckon it; since, according to my deepest conviction, it is as impossible that a soul in Bliss should return back into the Grave, as that a man, who, like me, after a life of error and search has found the priceless jewel of Truth, should, I will not say, give up the same, but hesitate to sacrifice for it blood and life, nay, many things perhaps far dearer, with joyful heart, when the one good cause is concerned." And elsewhere in a private letter: '' I not only assure thee, but I beg of thee to assure all men, if God should ever so withdraw ■he light of his grace from me, that I ceased to bo a Catholic,! would a thousand times sooner join myself to .Judaism, or to the Bramins oa the Ganges : but to that shallowest, driest, most contradictory, inanest Inanity of Protest- antism, never, never, never!" Here, perhaps, there is a touch of priestly, of almost feminine vehemence ; for it is to a Protestant and an old friend that he writes: but the conclusion of his Prefare shows him in a better light. Speaking of Second Parts, and regretting that so many of his works were un- finished, he adds : " But what specially comforts me is the pros- pect of — our general Second Part; where, even in the first Scene, tins consolation, that there all our works will be known, may not indeed prove solacing/or vs all: but where, through the strength of Him that alone completes all works, it will be granted to those whom He has saved, not only to know each other, but even to know Him, as by Him they are known ! — With my trust in Christ, whom I have not yet won, I regard, with the Teacher of the Gentiles, all things but dross that I may win Him; and to him, cordially and lovingly do I, in life or at death, commit you all, my beloved Friends and my beloved Ene- mies !" On the whole, we cannot think it doubtful that Werner's belief was real and' heartfelt. But how then, our wondering readers may in quire, if his belief was real and not pretended, hnn^ then did he believe ? He, who scoffs in infidel style at the truths of Protestantism, by what alchemy did he succeed in tempering into credibility the harder and bulkier dogmas of Popery? Of Popery, too, the frauds and gross corruptions of which he has so fiercely exposed in his Martin Luther! and this, more over, without cancelling, or even softening his vituperations, long after his conversion, in the very last edition of that drama? To this question, we are far from pretending to have any answer that altogether satisfies ourselves, much less that shall altogether satisfy others. Meanwhile, there are two considerations which throw light on the difficulty for us : these, af some step, or at least, attempt towards a solu tion of it, we shall not withhold. The Jirslliei in Werner's individual character and mode of life. Not only was he born a mystic, not only had he lived from of old amid freemasonry, and all manner of cabalistic and other traditionarj chimeras; he was also, and had long been what is emphatically called difsolnte : 9 -yord which has now lost somewhat of it<" origina force; but which, as applied here. "^ s'Jil morv just and significant in its etyn,j/cgical, thav in its common acception. H'. VdS a man dis solit'e ; that is, by a long c urse of vicious in- dulgences, enervated (.iid loosened asunder. Everywhere in Werr ,r'j life and actions, we discern a mind re'i.xcd from its proper ten- sion ; no longer cupable of effort and toilsome resolute vigilav^e; but floating almost pas- sively with th^ current of its impulses, in lan- guid, imagi: dtive, Asiatic reverie. That such a man sV ^uld discriminate, with sharp, fear- less lo,<^lc, between beloved errors and unwel- come .ruths, was not to be expected. His belief is li .ely to have been persuasion rather than ron* v-Jion, both as it related to Religion, and to LIFE AND WRITINGS OF WERNER. 66 other .subjects. What, or how much a man-in this way may bring himself to bclmv, wiih sncli force and distinctness as he honestly and usually calls belief, there is no predicting. But ano'hcr consideration, which we think should nowise be omitted, is the general state of religious opinion in Germany, especially among such minds as Werner was most apt to take for his examplars. To this complex and high- ly interesting subject, we can for the present do nothing more than allude. So much, how- ever, we may say: It is a common theory among the Germans, that every Creed, every Form of worship, is a. form merely ; the mortal and everchanging bod)/, in which the immortal and unchanging spirit of Religion is, with more or less completeness, expressed to the mate- rial eye, and made manifest and influen- tial among the doings of men. It is thus, for instance, that Johannes Miiller, in his Uait^er- sal History, professes to consider the Mosaic Law, the creed of Mahomet, nay, Luther's Re- formation ; and, in short, all other systems of Faith ; which he scruples not to designate, "without special praise or censure, simply as Vorstcllv.n^sartcn, " modes of Representation." We could report equally singular things of Schelling and others, belonging to the philoso- phic class ; nay of Herder, a Protestant clergy- man, and even bearing high authority in the Church. Now, it is clear, in a country where such opinions are openly and generally pro- fessed, a change of religious creed must be comparatively a slight matter. Conversions to Catholicism are accordingly by no means unknown among the Germans: Friedrich Schlegel, and the younger Count von Stolberg, men, as we should think, of vigorous intellect, and of character above suspicion, were col- leagues, or rather precursors, of Werner in this adventure; and, indeed, formed part of his acquaintance at Vienna. It is but, they would pay perhaps, as if a melodist, inspired with harmony of inward music, should choose this instrument in preference to that, for giving voice to it : the inward inspiration is the grand concern ; and to express it, the " deep majestic solemn organ" of the Unchangeable Church maybe better fitted than the "scrannel pipe" of a withered, trivial, Arian Protestantism. That Werner, still more that Schlegel and Stol- berg, could, on the strength of such hypotheses, put otr or put on their religious creed, like a new suit of apparal, we are far from asserting; they are men of earnest hearts, and seem to have a deep feeling of devotion : but it should be remembered, that what forms the ground- work of their religion, is professedly not De- monstration but Faith ; and so pliant a theory could not but help to soften the transition from the former to the latter. That some such prin- ciple, in one shape or another, lurked in Wewier's mind, we think we can perceive from several indications ; among others, from the Prologue to his last tragedy, where, mys- teriously enough, under the emblem of a Phoe- nix, he seems to be shadowing forth the histo- ry of his own Faith; and represents himself even then as merely "climbing the ?/tc, where the pinions of his PhcEnix last vanished " but not hoping to regain that blissful vision, till his e3'es shall have been opened by death. On the whole, we must not pretend to under- stand Werner, or expound him with scientific rigour: acting many times with only half con- sciousness, he was always, in some degree, an enigma to himself, and may well be obscure to us. Above all, there are mysteries and un- sounded abysses in every human heart ; and that is but a questionable philosophy which undertakes so readily to explain them. Reli- gious belief especially, at least when it seems heartfelt and well-intentioned, is no subject for harsh or even irreverent investigation. He is a wise man that, having such a belief, knows and sees clearly the grounds of it in himself: and those, we imagine, who have explored with strictest scrutiny the secret of their own bosoms, will be least apt to rush with intolerant violence into that of other men's. "The good Werner," says Jean Paul, "fell, like our more vigorous Hoffmann, into the po- etical fermenting vat (Giihrbottich) of our time, where all Literatures, Freedoms, Tastes, jmkI Untastes are foaming through each other: and where all is to be found, excepting truth, dili- gence, and the polish of the file. Both would have come forth clearer had they studied in liCssing's day."* We cannot justify Werner: yet let him be condemned with pity! And well were it could each of us apply to him- self those words, which Hitzig, in his friendly indignation, would " thunder in the ears" of many a German gainsayer: Ta/.e thou the beam out of thine own eye : then shitlt thou see clearly to take the mote out of thy brother's. * Letter to Hitzig, in Jean Paul's Leien, by Daertrg. 56 CARLYLE'S MISCELLANEOUS WRITINGS. GOETHE'S HELENA/ [Foreign Review, 1828.] NovALis has rather tauntingly asserted of Goethe, that the grand law of his being is to conclude whatsoever he undertakes ; that, let, him engage in any task, no matter what its difhculties or how small its worth, he cannot quit it till he has mastered its whole secret, finii^hed it, and made the result of it his own. This, surely, whatever Novalis might think, is a quality of which it is far sater to have too much than too little ; and if, in a friendlier spirit, we admit that it does strikingly belong to Goethe, these his present occupations will not seem out of harmony with the rest of his life ; but rather it may be regarded as a sin- gular constancy of fortune, which now allows him, after completing so many single enter- prizes, to adjust deliberately the details and combination of the whole; and thus, in per- fecting his individual works, to put the last hand to the highest of all his works, his own literary character, and leave the impress of it to posterity in that form and accompaniment which he himself reckons fittest. For the last two years, as many of our readers may know, the venerable Poet has been employed in a pa- tient and thorough revisal of all his Writings; an edition of which, designated as the " complete and final" one, was commenced in 1827, under external encouragements of the most flattering sort, and with arrangements for private co-ope- ration, which, as we learn, have secured the constant progress of the work " against every accident." The first Licfenmg, of five vo- lumes, is now in our hands; a second of like extent, we understand to be already on its way hither; and thus by regular "Deliveries," from half-year to half-year, the whole Forty Volumes are to be completed in 1831. To the lover of German literature, or of literature in general, this undertaking will not be indifferent: considering, as he must do, the works of Goethe to be among the most import- ant which Germany for some centuries has sent forth, he will value their correctness and completeness for its own sake ; and not the less, as forming the conclusion of a long pro- cess to which the last step was still wanting; whereby he may not only enjoy the result, but instruct himself by following so great a mas- ter through the changes which led to it. We can now add, that, to the mere book-collector also, the business promises to be satisfactory. I'his Edition, avoiding any attempt at splen- dour or unnecessary decoration, ranks, never- theless, in regard to accuracy, convenience, and true, simple elegance, among the best spe- cimens of German typography. The cost, too, * Goellie's Sdwmtliche Ji'crkc. Vollstavdige Jius[rahe letzter JIanil. (fVoetlie's Collective Works. Complete Edition, with his final Corrections.) First Portion, vols. i — V. 16mo and 8vo. Colla : Stuttgard & Tiibingcn. 1827. seems moderate; so that, on every account, we doubt not but that these tasteful volumes will spread far and wide in their own country, and by and by, we may hope, be met with here in many a British library. Hitherto, in the First Portion, we have found little or no alteration of what was already known ; but, in return, some changes of ar- rangement ; and, what is more important, some additions of heretofore unpublished poems ; in particular, a piece entitled " Helena, a clussico-romanlic Phantasmagoria," which oc- cupies some eighty pages of Volume Fourth. It is to this piece that we now propose direct- ing the attention of our readers. Such of these, as have studied Helena for themselves, must have felt how little calculated it is, either intrinsically or by its extrinsic relations and allusions, to be rendered very interesting or even very intelligible to the English public, and may incline to augur ill of our enterprise. Indeed, to our own eyes it already looks dubi- ous enough. But tlie dainty little " Phantas- magoria," it would appear, has become a subject of diligent and truly wonderful specu- lation to our German neighbours ; of which, also, some vague rumours seem now to have reached this country, and these likely enough to awaken on all hands a curiosity,* which, whether intelligent or idle, it were a kind of good deed to allay. In a Journal of this sort, what little light on such a matter is at our disposal may naturally be looked for. Helena, like many of Goethe's works, by no means carries its significance written on its forehead, so that he who runs may read ; but, on the contrary, it is enveloped in a certain mystery, under coy disguises, which, to hasty readers, may not be only offensively obscure, but altogether provoking and impenetrable. Neither is this any new thing with Goethe. Often has he produced compositions, both in prose and verse, which bring critic and com- mentator into straits, or even to a total non- plus. Some we have, wholly parabolic; some half-literal, half-parabolic; these latter are oc- casionally studied, by dull heads, in the literal sense alone ; and not only studied, but con- demned : for, in truth, the outward meaning seems unsatisfactory enough, were it not that ever and anon we are remhided of a cunning, manifold meaning which lies hidden under it; and incited by capricious beckonings to evolve this, more and more completely, from its quaint concealment. Did we believe that Goethe adopted this mode of writing as a vulgar lure, to confer on his poems the interest which might belong to ♦ See, for instance, the " Athenspiim," No. vii., where an iirlicle stands headed with these words: Faust Helen of Troy, and I.oed Byron. GOETHE'S HELENA. 67 so many charades, we should hold it a very poor proceeding. Of this most readers of Goethe will know that he is incapable. Such juggleries, and uncertain anglings for distinc- tion, are a class of accomplishments to which hz has never made any pretension. The truth is, this styl6 has, in many cases, its own ap- propriateness. Certainly, in all matters of Business and Science, in all expositions of fact or argument, clearness and ready compre- hes.jibility are a great, often an indispensable, objec;, Nor is there any man better aware of this priticiple than Goethe, or who more rigo- rously adheres to it, or more happily exempli- fies it, wherever it seems applicable. But in this, as in many other respects, Science and Poetry, having separate purposes, may have each its several law. If an artist has con- ceived his subject in the secret shrine of his own mind, and knows, with a knowledge be- yond all power of cavil, that it is true and pure, he may choose his own manner of exhibiting it, and will generally be the fittest to choose it well. One degree of light, he may find, will beseem one delineation ; quite a different de- gree of light another. The Face of Agamem- non was not painted but hidden in the old Pic- ture: the Veiled Figure at Sais was the most expressive in the Temple. In fact, the grand point is to have a meaning, a genuine, deep, and noble one; the proper form for embodying this, the form best suited to the subject and to the author, will gather round it almost of its own accord. We profess ourselves unfriendly to no mode of communicating Truth ; which we rejoice to meet with in all shapes, from that of the child's Catechi^im to the deepest poetical Allegory. Nay, the Allegory itself may some- times be the truest part of the matter. John Bunyan, we hope, is nowise our best theolo- gian ; neither, unhappily, is theology our most attractive science ; yet, which of our compends and treatises, nay, which of our romances and poems, lives in such mild sunshine as the good old Ptlgriin''s Progress, in the memory of so many men 1 Under Goethe's management, this style of composition has often a singular charm. The reader is kept on the alert, ever conscious of his own active co-operation ; light breaks on him, and clearer and clearer vision, by degrees ; till at last the whole lovely Shape comes forth, definite, it may be, and bright with heavenly radiance, or fading, on this side and that, into vague expressive mystery; but true in both cases, and beautiful with nameless enchant- ments, as the poet's own eye may have beheld it. We love it the more for the labour it has given us ; we almost feel as if we ourselves had assisted in its creation. And herein lies the highcst.meritof a piece, and the proper art of reading it. We have not rend an author till we have seen his object, whatever it may be, as l(c saw it. It is a matter of reasoning, and has he reasoned stupidly and falsely 1 We should understand the circumstances which to his mind made it seem true, or persuaded him to write it, knowing that it was not so. In any other way we do him injustice if we judge him. Is it of poetry] His word? are so many sym- bols, tc which we out selves must furnish the interpretation ; or they remain, as in all prosaic minds the words of poetry ever do, a dead letter: indications they are, barren in them- selves, but by following which, we also may reach, or approach, that Hill of Vision where the poet stood, beholding the glorious scene which it is the purport of his poem to show others. A reposing state, in which the Hill were brought under us, not we obliged to mount it, might, indeed, for the present be more conve- nient; but, in the end, it could not be equally satisfying. Continuance of passive pleasure, it should never be forgotten, is here, as under all conditions of mortal existence, an impossi bility. Everywhere in life, the true question is, not what we gain, but what we do: so also in intellectual matters, m conversation, in read- ing, which is more precise and careful con- versation, it is not what we receive, but what we are made to give, that chiefly contents and profits us. True, the mass of readers will object; be- cause, like the mass of men, they are too indo- lent. But if any one aifect, not the active and watchful, but the passive and somnolent line of study, are there not writers, expressly fashioned for him, enough and to spare '.' It is but the smaller number of books that become more instructive by a second perusal : the great majority are as perfectly plain as perfect triteness can make them. Yet, if time is pre- cious, no book that will not improve by re- peated readings deserves to be read at all. And were there an artist of a right spirit; a, man of wisdom, conscious of his high voca- tion, of whom we could know beforehand that he had not written without purpose and earnest meditation, that he knew what he had written, and had imbodied in it, more or less, the crea- tions of a deep and noble soul, — should we not draw near to him reverently, as disciples to a master; and what task could there "be more profitable than to read him as we have de- scribed, to study him even to his minutest meanings 1 For, were not this to think as he had thought, to see with his gifted eyes, to make the very mood and feeling of his great and rich mind the mood also of our poor and little one 1 It is under the consciousness of some such mutual relation that Goethe writes, and his countrymen now reckon themselves bound to read him; a relation singular, we might say solitary, in the present time ; but which it is ever necessary to bear in mind in estimating his literary procedure. To justify it in this particular, mucb more might be said, were it our chief business at present. But what mainly concerns us herr, is, to know that such, justified or not, is the poet's manner of writing; which also must prescribe for us a correspondent manner of studying him, if we study him at all. For the rest, on this latter point he nowhere expresses any undue anxie'y. His works have invaria bly been sent fi.nh without preface, withou* note or commen of any kind ; but left, some limes plain anc' direct, sometimes dim a.xi'f typical, in what legree of clearness or obscu rity he himself may have judged b' A, to b« scanned, and g'ossed, and censur i, 'Md dis torted, as mighi ,ilrase the innume-- .o'e multi tude of critics to whose verdict ne 'las' been tt CARLYLE'S MISCELLANEOUS WRITINGS. for a great part of his life, accused of listening •with unwarrantable composure. Helena is no exception to that practice, but rather among the strong instances of it. This Interlude to Faust presents itself abruptly, under a charac- ter not a littler enigmatic ; so that, at first view, we know not well what to make of it ; and only after repeated perusals, will the scattered glimmerings of significance begin to coalesce into continuous light, and the whole, in any measure, rise before us with that greater or less degree of coherence which it may have had in the mind of the poet. Nay, after all, no perfect clearness may be attained, but only various approximations to it; hints and half glances of a meaning, which is still shrouded in vague- ness; nay, to the just picturing of which this very vagueness was esse::tial. For the whole piece has a dream-like character; and, in these cases, no prudent soothsayer will be altogether confident. To our readers we must now en- deavour, so far as possible, to show both the dream and its interpretation : the former as it stands written before us ; the latter from our own private conjecture alone; for of those strange German comments we yet know no- thing, except by the faintest hearsay. Helena forms part of a continuation to Faust : but, happily for our present undertaking, its connecticm with the latter work is much looser than might have been expected. We say, happily; because Faust, though considerably talked of in England, appears still to be nowise known. We have made it our duty to inspect the English translation o[ Faust, as well as the Extracts which accompany Retzsch's Outlines ; and various disquisitions and animadversions, vituperative or laudatory, grounded on these two works ; but, unfortunately, have found there no cause to alter the above persuasion. Faust is emphatically a woi'k of Art; a work matured in the mysterious depths of a vast and wonderful mind; and bodied forth with that truth and curious felicity of composition, in which this man is generally admitted to have no living rival. To reconstruct such a work in another language; to show it in its hard yet graceful strength; with those slight witching traits of pathos or of sarcasm, those glimpses of solemnity or terror, and so many reflexes and evanescent echoes of meaning, which con- nect it in strange union with the whole Infinite / of thought, — were business for a man of diflx^r- ent powers than has yet attempted German translation among us. In fact, Faust is to be read not once but many times, if we would un- derstand it : every line, every word has its pur- port; and only in such minute inspection will the essential significance of the poem display itself. Perhaps it is even chiefly by following these fainter traces and tokens, that the true point of vision for the whole is discovered to us; and we stand at last in the proper scene of Faust ; a wild and wondrous region, where, in pale light, the primeval Shapes of Chaos, —as it were, the Foundations of Being itself, — seem to loom forth, dim and huge, in the vague Immensity around us; and the life and nature of man, with its brief interests, its misery and sin, its mad passion and poor frivolity, struts find frets its hour, encompassed and overlooked by that stupendous All, of which it forms an indissoluble though so mean a fraction. He who would study all this must for a long time, we are afraid, be content to study it in the original. But our English criticisms of Faust have been of a still more unedifying sort. Let any man fancy the (Edipus Tyrannus discovered for the first time, translated from an unknown Greek manuscript, by some ready-writing manufacturer, and "brought out" at Drury Lane, with new music, made as "apothecaries make new mixtures, by pouring out of one vessel into another !" Then read the theatrical report in the morning Papers, and the Maga- zines of next month. Was not the whole affair rather " heavy 1" How indifferent did the audience sit; how little use was made of the handkerchief, except by such as took snuflT! Did not (Edipus somewhat remind us of a blubbering schoolboy, and Jocasta of a decayed milliner? Confess that the plot was mon- strous ; nay, considering the marriage-law of England, highly immoral. On the whole, what a singular deficiency of taste must this Sopho- cles have laboured under! But probably he was excluded from the " society of the influ- ential classes:" for, after all, the man is no? without indications of genius: had we had the training of him, — And so on, through all the variations of the critical cornpipe. So might it have fared with the ancient Gre cian; for so has it fared with the only modern that writes in a Grecian spirit. This treat- ment of Faust may deserve to be mentioned, for various reasons; not to be lamented over, because, as in much more important instances, it is inevitable, and lies in the nature of the case. Besides, a better state of things is evi- dently enough coming round. By and by, the labours, poetical and intellectual, of the Ger- mans, as of other nations, will appear before us in their true shape; and Favst, among the rest, will have justice done it. For ourselves, it were unwise presumption, at any time, to pretend opening the full poetical significance oi Faust ; nor is this the place for making such an attempt. Present purposes will be answer- ed if we can point out some general features and bearings of the piece; such as to exhibit its relation with Helena; by what con*rivances this latter has been intercalated into it, and how far the strange picture and the strange framing it is inclosed in correspond. The story of Faust forms one of the most remarkable productions of the Middle Ages; or rather, it is the most striking embodiment of a highly remarkable belief, which originated or prevailed in those ages. Considered strictly, it may take the rank of a Christian mythus, in the same sense as the story of Prometheus, of Titan, and the like, are Pagan ones; and to our keener inspection, it will disclose a no less impressive or characteristic aspect of the same human nature, — here bright, joyful, self-confi- dent, smiling even in its sternness; there deep, meditative, awe-struck, austere. — in which both they and it took their rise. To us, in these days, it is not easy to estimate how this story of Faust, invested with its magic and infernal hon-ors, must have harrowed up the souls of a GOETHE'S HELENA. 59 rude and earnest people, in an age when its dialect was not yet obsolete, and such contracts with the principle of Evil were thought not only credible in general, but possible to every individual auditor who here shuddered at the mention of them. The day of Magic has gone by; Witchcraft has been put a stop to by act of parliament. But the mysterious relations which it emblemed still continue; the Soul of Man still fights with the dark influences of Ignorance, Misery, and Sin; still lacerates itself, like a captive bird, against the iron limits which Necessity has drawn round it; still follows False Shows, seeking peace and ojood on paths where no peace or good is to be found. In this sense, Faust may still be con- sidered as true; nay, as a truth of the most impressive sort, and one which will always remain true. To body forth, in modern sym- bols, a feeling so old and deep-rooted in our whole European way of thought, were a task not unworthy of the highest poetical genius. In Germany, accordingly, it has several times been attempted, and with very various success. Klinger has produced a Romance of Fmist, fuW of rugged sense, and here and there not with- out considerable strength of delineation ; yet, on the whole, of an essentially unpoetical cha- racter; dead, or living with only a mechanical life ; coarse, almost gross, and, to our minds, far too redolent of pilch and bitumen. Maler Miller's Faust, which is a Drama, must be re- garded as a much more genial performance, so far as it goes ; the secondary characters, the Jews and rakish Students, often remind us of our own Fords and Marlowes. His main per- sons, however, Faust and the Devil, are but inadequately conceived; Faust is little more than self-willed, supercilious, and, alas, insol- vent; the Devils, above all, are savage, long- winded, and insufferably noisy. Besides, the piece has been left in a fragmentary state; it can nowise pass as the best work of MUller's.* Klingemann's Faust, which also is (or lately M'.is) a Drama, we have never seen ; and have only heard of it as of a tawdry and hollow ♦ Frederic Muller (more commonly called Maler, or Painter Muller) is here, so far as we know, named for The first time to Enprlish readers. Nevertheless, in any solid study of German literature, this autlior must take precedence of many hundreds whose reputation has tra- velled f:ister. But Muller has been unfortunate in his own country, as well as here. At an early age, meeting with no success as a poet, he quitted that art for paint- ing ; and retired, perhaps in disgust, into Italy; where also but little preferment seems to have awaited him. His writings, a("ter almost half a century of neglect, were at length brought into sight and general estimation by Ludwig Tieck ; at a time when the author might indeed say, that he was "old and could not enjoy it, solitary and could not impart it," but not, unhappily, that he was "known and did not want it," for his line genius had yet made for itself no free way auiiil so uiany obstruc- tions, and still continued unrewarded and unrecognised. His paintings, chiefly o{ still-life and animals, are said to possess a true though no very extraordinary merit : but of his poetry we will venture to assert that it be- speaks a genuine feeling and talent, nay, rises at tinies even into the higher regicms of Art. His Jldam's Jiwak- enitif!, his Satyr Mopsiis, his J^imskernen (Nutshelling), inf'Drmi^l as they are with simple kindly strength, with cle.ir vision, and love of nature, are incomparably the best (ii-riuan or, indeed, inodern Idyls; his "Oenoveva" will still stand reading, oven with that of Tieck. These things are now acknowledged .imoiig the Oermans ; but to ftlijller the acknowledgment is of no avail. lie died some two years ago at Kome, where he seems to have subsisted latterly as a sort oC picture-cicerone article, suited for immediate use, and immedi- ate oblivion. Goethe, we believe, was the first who tried this subject; and is, on all hands, considered as by far the most successful. His manner of treating it appears to us, so far as we can un- derstand itj^peculiarly just and happy. He retains the supernatural vesture of the story, but retains it with the consciousness, on his and our part, that it is a chimera. His art- magic comes forth in doubtful twilight; vague in its outline ; interwoven everywhere with light sarcasm ; nowise as a real Object, but as a real Shadow of an Object, which is also real, yet lies be)-ond our horizon, and, except in its shadows, cannot itself be seen. Nothing were simpler than to look into this poem for a new "Satan's Invisible World displayed," or any effort to excite the skeptical minds of these days by goblins, wizards, and other infernal ware. Such enterprises belong to artists of a different species : Goethe's Devil is a culti- vated personage, and acquainted with the modern sciences ; sneers at witchcraft and the black-art, even while employing them, as heartily as any member of the French Insti- tute ; for he is a philosophe, and doubts most things, nay, half disbelieves even his own ex- istence. It is not without a cunning effort that all this is managed; but managed, in a consi- derable degree, it is ; for a world of magic is opened to us which, we might almost say, we feel to be at once true and not true. In fact, Mephistopheles comes before us, not arrayed in the terrors of Cocytus and Phle- gethon, but in the natural indelible deformity of Wickedness; he is the Devil, not of Super- stition, but of Knowledge. Here is no cloven foot, or horns and tail: he himself informs us that, during the late march of intellect, the very Devil has participated in the spirit of the age, and laid these appendages aside. Doubt- less, Mephistopheles "has the manners of a gentleman ; " he " knows the world ; " nothing can exceed the easy tact with which he ma- nages himself; his wit and sarcasm are unli- mited; the cool heartfelt contempt with which he despises all things, human and divine, might make the fortune of half a dozen " fel- lows about town." Yet, withal, he is a devil in very deed ; a genuine Son of Night. He calls himself the Denier, and this truly is his name ; for, as Voltaire did with historical doubt, so does he with all moral appearances; settles them with a N'eii cmyez rien. The shrewd, all-informed intellect he has, is an at- torney intellect ; it can contradict, but it cannot affirm. With lynx vision, he descries at a glance the ridiculous, the unsuitable, the bad; but for the solemn, the noble, the worthy, he is blind as his ancient Mother. Thus does he go along, qualifying, confuting, despisinsr : on ail hands detecting the false, but without force to bring forth, or even to discern, any glimpse of the true. Poor Devil ! what truth should there be for him 1 To see Falsehood is his only truth : falsehood ar.JL evil are the ""ul-e, truth and f.'..U the exception which confirms it. He cai. believe in nothing, but \n his own self-conceit, and in the indestructible baseness, folly, and hypocrisy of men. For him, virtue CARLYLE'S MISCELLANEOUS WRITINGS is some bubtle of the blood : " it stands written on his face that he never loved a living soul." Nay, he cannot even hate : at Faust himself he has no grudge; he merely tempts him by way of experiment, to pass the time scientifi- cally. Such a combination of perfect Under- standing with perfect Selfishness, of logical Life with moral Death; so universal a denier, both in heart and head, — is undoubtedly a child of Darkness, an emissary of the pri- meval Nothing: and coming forward, as he does, like a person of breeding, and without any flavour of Brimstone, may stand here, in his merely spiritual deformity, at once potent, dangerous, and contemptible, as the best and only genuine Devil of these latter times. In strong contrast with this impersonation of modern worldly-mindedness, stands Faust himself, by nature the antagonist of it, but des- tined also to be its victim. If Mephistopheles represent the spirit of Denial, Faust may re- present that of Inquiry and Endeavour: the two are, by necessity, in conflict ; the light and the darkness of man's life and mind. In- trinsically, Faust is a noble being, though no wise one. His desires are towards the high and true; nay, with a whirlwind impetuosity he rushes forth over the Universe to grasp all excellence; his heart yearns towards the infi- nite and the invisible : only that he knows not the conditions under which alone this is to be attained. Confiding in his feeling of himself, he has started with the tacit persuasions, so natural to all men, that he at least, however it may fare with others, shall and must be happy .- a deep-seated, though only half-conscious con- viction lurks in him, that wherever he is not successful, fortune has dealt with him unjustly. His purposes are fair, nay, generous: why should he not prosper in them ? For in all his lofty aspirings, his strivings after truth and more than human greatness of mind, it has never struck him to inquire how he, the striver, was warranted for such enterprises ; with what faculty Nature had equipped him ; within what limits she had hemmed him in; by what right he pretended to be happy, or could, some short space ago, have pretended to he at all. Experience, indeed, will teach him, for " Experience is the best of school- masters ; only the schnol-fees are heavy." As yet, too, disappointment, which fronts him on every hand, rather maddens than instructs. Faust has spent his youth and manhood, not ^n olheis do in the sunny crowded paths of profit, or among the rosy bowers of pleasure, but darkly and alone in the search of Truth : is it fit that Truth should now hide herself, and his sleepless pilgrimage towards Know- ledge and Vision end in the pale shadow of Doubt? To his dream of a glorious higher happiness, all earthly happmess has been sa- crificed; friendship, love, the social rewards of ambition were cheerfully cast aside, for his eye and his heart were bent on a region of clear and supreme good ; and now, in its stead, he finds isolation, silence, and despair. What solace remains'? Virtue once promised to be her own reward; but because she does not Ttay him in the current coin of worldly enjoy- ;nent, he reckons her loo a delusior. j and, like Brutus, reproaches as a shadow, what he once worshipped as a substance. Whither shall he now tend] For his loadstars have gone out one by one; and as the darkness fell, the strong and steady wind has changed into a fierce and aimless tornado. Faust calls him- self a monster, "without object, yet without rest." The vehement, keen, and stormful na- ture of the man is stung into fury, as bethinks of all he has endured and lost; he broods in gloomy meditation, and, like Bellerophon, wanders apart, "eating his own heart;" or bursting into fiery paroxysms, ciirses man's whole existence as a mockery ; curses hope, ■ and faith, and joy, and care, and what is worst, "curses patience more than all the rest." Had his weak arm the power, he could smite the Universe asunder, as at the crack of Doom, and hurl his own vexed being along with it into the silence of Annihilation. Thus Faust is a man who has quitted the ways of vulgar men, without light to guide him on a better way. No longer restricted by the sympathies, the common interests and common persuasions by which the mass of mortals, each individually ignorant, nay, it may be, stolid, and altogether blind as to the proper aim of life, are yet held together, and like stones in the channel of a torrent, by their very multi- tude and mutal collision, are made to move with some regularity, — he is still but a slave; the slave of impulses, which are stronger, not truer or better, and the more unsafe that they are soli- tary. He sees the vulgar of mankind happy ; but happy only in their baseness. Himself he feels to be peculiar ; the victim of a strange, an unexampled destiny; not as other men, he is "with them, not o/'them." There is misery here ; nay, as Goethe has elsewhere wisely remarked, the beginning of madness itself. It is only in the sentiment of companionship that men feel safe and assured: to all doubts and mysterious " questionings of destiny," their sole satisfying answer is, Others do and suffer the like. Were it not for this, the dullest day-drudge of Mammon might think himself into unspeak- able abysses of despair; for he, too, is " fear- fully and wonderfully made ;" Infinitude and Incomprehensibility surround him on this hand and that; and the vague spectre Death, silent and sure as Time, is advancing at all moments to sweep him away for ever. But he answers, Others do and suffer the like; and plods along without misgivings. Were there but One Man in the world, he would be a terror to himself; and the highest man not less so than the low- est. Now it is as this One Man that Faust re- gards himself; he is divided from his fellows; cannot answer with them. Others do the like ; and yet, why or how he specially is to do or suffer will nowhere reveal itself. For he is still "in the gall of bitterness ;" Pride and an entire tincompromising, though secret love of Self, are still the mainsprings of his conduct. Knowledge with him is precious only be- cause it is power; even virtue he would love chiefly as a finer sort of sensu;/ity, and be- cause it was his virtue. A rav.-.nous hunger for enjoyment haunts him everywhere; the stinted allotments of earthly life are as a mockery to him : to the iron law of Force h GOETHE'S HELENA. 61 will not yield, for his heart, though torn, is yet unweakened, and till Humility shall open his eyes, the soft law of Wisdom will be hidden from him. To invest a man of this character with su- pernatural powers is but enabling him to re- peat his error on a larger scale, to play the same false game with a deeper and more ruinous stake. Go where he may, he will " find himself again in a conditional world;" widen his sphere as he pleases, he will find it again encircled by the empire of Necessity; the gay island of Existence is again but a fraction of the ancient realm of Night. Were he all-wise and all-powerful, perhaps he might be content- ed and virtuous ; scarcely otherwise. The poorest human soul is infinite in wishes, and the infinite Universe was not made for one, but for all. Vain were it for Faust, by heap- ing height on height, to struggle towards infi- nitude; while to that law of Self-denial, by which alone man's narrow destiny may become an infinitude within itself, he is still a stran- ger. Such, however, is his attempt: not in- deed incited by hope, but goaded on by des- pair, he unites himself with the Fiend, as with a stronger though a wicked agency ; reck- less of all issues, if so were that by these means the craving of iiis heart might be stayed, and the dark secret of Destiny unravelled or for- gotten. It is this conflicting union of the higher nature of the soul with the lower elements of human life; of Faust, the son of Light and Free-will, with the influences of Doubt, Denial, and Obstruction, or Mephistopheles, who is the symbol and spokesman of these, that the poet has here proposed to delineate. A high problem; and of which the solution is yet far from completed ; nay, perhaps, in a poetical sense, is not, strictly speaking, capable of com- pletion. For it is to be remarked that, in this contract with the Prince of Darkness, little or no mention or allusion is made to a Future Life; whereby it might seem as if the action was not intended, in the manner of the old Legend, to terminate in Faust's perdition ; but rather as if an altogether different end must be provided for him. Faust, indeed, wild and wilful as he is, cannot be regarded as a wicked, much less as an utterly reprobate man : we do not reckon him ill-intentioned, but misguided and miserable; he falls into crime, not by purpose, but by accident and blindness. To send him to the Pit of Wo, to render such a character the eternal slave of Mephistopheles, would look like making darkness triumphant over light, blind force over erring reason ; or, at best, were cutting the Gordian knot, not loosing it. If we mistake not, Goethe's Faust will have a finer moral than the old nursery- tale, or the other plays and tales that have been founded on it. Our seared and blighted, yet still noble Faust, will not end in the madness of horror, but in Peace grounded on better Knowledge. Whence that Knowledge is to come, what higher and freer world of Art or Religion may be hovering in the mind of the po»?t, we will not try to surmise : perhaps in bright aerial emblematic glimpses, he may yet sh Faust, as it yet stands, is, indeed, only a stating of the difficulty; but a stating of it wisely, truly, and with deepest poetic emphasis. For how many living hearts, even now imprisoned in the perplexities of Doubt, do these wild pierc- ing tones of Faust, his withering agonies and fiery desperation, " speak the word they have long been waiting to hear !" A nameless pain had long brooded over the soul: here, by some light touch, it starts into form and voice; we see it and know it, and see that another also knew it. This Faust is as a mystic Oracle for the mind; a Dodona grove, where the oaks and fountains prophesy to us of our destiny, and murmur unearthly secrets. How all this is managed, and the poem so curiously fashioned; how the clearest insight is combined with the keenest feeling, and the noblest and wildest imagination; by what soft and skilful finishing these so heterogeneous elements are blended in fine harmony, and the dark world of spirits, with its merely meta- physical entities, plays like a chequering of strange mysterious shadows among the palpa- ble objects of material life; and the whole, firm in its details, and sharp and solid as reality, yet hangs before us melting on all sides into air, and free, and light, as the baseless fabric of a vision ; all this the reader can learn fully nowhere but, by long study, in the work itself. The general scope and spirit of it we have now endeavoured to sketch: the few incidents on which, with the aid of much dialogue and exposition, these have been brought out, are perhaps already known to most readers, and, at all events, need not be minutely recapitu- lated here. Mephistopheles has promised to himself that he will lead Faust "through the bustling inanity of life," but that its pleasures shall tempt and not satisfy him; "food shall hover before his eager lips, but he shall beg for nourishment in vain." Hitherto they have travelled but a short way together; yet, so far, the Denier has kept his engagement well. Faust, endowed with all earthly, and many more than earthly advantages, is still no nearer contentment; nay, after a brief season of marred and uncertain joj% he finds himself sunk into deeper wretchedness than ever. Marga- ret, an innocent girl whom he loves, but has betrayed, is doomed to die, and already crazed in brain, less for her own errors than for his: in a scene of true pathos, he would fain per- suade her to escape with him, by the aid of Mephistopheles, from prison; but in the in- stinct of her heart she finds an invincible aversion to the Fiend; she chooses death and ignomin)% rather than life and love, if of his giving. At her final refusal, Mephistopheles proclaims that " she is judged," a " voice froru Above" that " she is saved ;" the action termi- nates; Faust and Mephistopheles vanish from our sight, as into boundless Space. And now, after so long a preface, we arrive at Helena, the " Classico-romantic Phantasma- goria," -0 nere these Adventurers, strangely F 63 CARLYLE'S MISCELLANEOUS WRITINGS. altered by travel, and in altogether different costume, have again risen into sight. Our long preface was not needless, for Faust and Helena, though separated by some wide and marvel- lous interval, are nowise disconnected. The characters may have changed by absence; Faust is no longer the same bitter and tem- pestuous man, but appears in chivalrous com- posure, with a silent energy, a grave, and, as it were, commanding ardour. Mephistopheles alone may retain somewhat of his old spiteful shrewdness: but still the past state of these personages must illustrate the present; and onl}' by what we remember of them, can we try to interpret what we see. In fact, the style 0^ Helena is altogether new : quiet, simple, joy ful ; passing by a short gradation from Classic dignity into Romantic pomp; it has every- where a full and sunny tone of colouring; re- sembles not a tragedy, but a gay gorgeous mask. Neither is Faust's former history al- luded to, or any explanation given us of oc- currences that may have intervened. It is a light scene, divided by chasms and unknown distance from that other country of gloom. Nevertheless, the latter still frowns in the back-ground; nay, rises aloft, shutting out fur- ther view, and our gay vision attains a new significance as it is painted on that canvas of storm. We question whether it ever occurred to any English reader of Faust, that the work needed a continuation, or even admitted one. To the Germans, however, in their deeper study of a favourite poem, which also they have full means of studying, this has long been no se- cret; and such as have seen with what zeal most German readers cherish Favst, and how the younger of them will recite whole scenes of it, with a vehemence resembling that of Gil Bias and his Figures Hibemoises, in the streets of Oviedo, may estimate the interest excited in that country by the following Notice from the Author, published last year in his Kunst nnd Allcrthum. " Helena. Interlude in Faust. " Faust's character, in the elevation to which latter refinement, working on the old rude Tradition, has raised it, represents a man who, feeling impatient and imprisoned within the limits of mere earthly existence, regards the possession of the highest knowledge, the enjoyment of the fairest blessings, as insuffi- cient even in the slightest degree to satisfy his longing : a spirit, accordingly, which, strug- gling out on all sides, ever returns the more unhappy. "This form of mind is so accordant with our modern disposition, that various persons of ability have been induced to undertake the treatment of such a subject. My manner of attempting it obtained approval: distinguished men considered the matter, and commented on my performance; all which I thankfully observed. At the same time I could not but wonder that none of those who undertook a continuation and completion of my Fragment, had lighted on the thought, which seemed so obvious, that the compoGition of a Second Part must necessarily elevate itself altogether away from the hampered sphere of the First, and conduct a man of such a nature into higher regions, under worthier circumstances. " How I, for my part, had determined to essay this, lay silently before my own mind, from time to time exciting me to some progress; while, from all- and each, I carefully guarded my secret, still in hope of bringing the work to the wished-for issue. Now, however, I must no longer keep back; or, in publishing my collective Endeavours, conceal any further se- cret from the world; to which, on the con- trary, I feel myself bound to submit my whole labours, even though in a fragmentary state. " Accordingly I have resolved that the above- named Piece, a smaller drama, complete withia itself, but pertaining to the Second Part of Favst, shall be forthwith presented in the Fir&t Portion of my Works. " The wide chasm between that well-known dolorous conclusion of the first part, and the entrance of an antique Grecian Heroine, is not yet overarched ; meanwhile, as a preamble, my readers will accept what follows : "The old Legend tells us, and the Puppet- play fails not to introduce the scene, that Faust, in his imperious pride of heart, required from Mephistopheles the love of the fair Helena of Greece ; in which demand the other, after some reluctance, gratified him. Not to overlook so important a concern in our work, was a duty for us ; and how we have endeavoured to dis- charge it, will be seen in this Interlude. But what may have furnished the proximate occa- sion of such an occurrence, and how, afler manifold hindrances, our old magical Crafts- man can have found means to bring back the individual Helena, in person, out of Orcus into Life, must, in this stage of the business, remain undiscovered. For the present, it is enough if our reader will admit that the real Helena may step forth, on antique tragedy-cothurnus, before her primitive abode in Sparta. We then re- quest him to observe in what way and manner Faust will presume to court favour from this royal all-famous Beauty of the world." To manage so unexampled a courtship will be admitted to be no easy task; for the mad hero's prayer must here be fulfilled to its largest extent, before the business can proceed a step; and the gods, it is certain, are not in the habit of annihilating time and space, even to "make two lovers happy." Our Marlowe was not ignorant of this mysterious liaison of Faust's: however, he slurs it over briefly, and without fronting the difficulty; Helena merely flits across the scene as an airy pageant, with- out speech or personality, and makes the love- sick philosopher " immortal by a kiss." Pro- bably there are not many that would grudge Faust such immortality ; we at least nowise envy him : for who does not see that this, in all human probability, is no real Helena, but only some hollow phantasm attired in her shape, while the true Daughter of Leda still dwells afar off in the inane kingdoms of Dis, and heeds not and hears not the most poten: invocations of black-art T Another n-itter it is to call forth the frail fair one in very deed ; not in form only, but in soul and life, the same Heleoa GOETHE'S HELENA. 63 whom the Son of Atreus wedded, and for whose sake Ilion ceased lo be. For Faust must be- hold this Wonder, not as she seemed, but as she was; and at his unearthly desire, the Past shall become Present; and the antique Time must be new-created, and give back its per- sons and circumstances, though so long since reingulphed in the silence of the blank by-gone Eternity! However, Mephistopheles is a cun- ning genius; and will not start at common obstacies. Perhaps, indeed, he is Metaphysi- cian enough to know that Time and Space are but quiddities, not entities ;/owis of the human soul, Laws of Thought, which to us appear in- dependent existences, but, out of our brains, have no existence whatever; in which case the whole nodus maybe more of a logical cobweb, than any actual material perplexity. Let us see how he unravels it, or cuts it. The scene is Greece; not our poor oppressed Ottr'man Morea, but the old heroic Hellas; for the sun again shines on Sparta, and " Tynda- rus' high House" stands here bright, massive, and entire, among its mountains, as when Menelaus revisited it, wearied with his ten years of warfare, and eight of sea-roving. He- ena appears in front of the Palace, with a Chorus of captive Trojan maidens. These are but Shades, we know, summoned from the deep realms of Hades, and imbodied for the nonce : but the Conjurer has so managed it, that they themselves have no consciousness of this their true and highly precarious state of existence: the intermediate three thousand years have been obliterated, or compressed into a point; and these fair figures, on revisiting the upper air, entertain not the slightest suspicion that they had ever left it, or, indeed, that any thing special had happened; save only that they had just disembarked from the Spartan ships, and been sent forward by Menelaus to provide for his reception, which is shortly to follow. AH these indispensable preliminaries, it would ap- pear, Mephistopheles has arranged with con- siderable success. Of the poor Shades, and their entire ignorance, he is so sure that he would not scruple to cross-question them on this very point, so ticklish for his whole enter- prise; nay, cannot forbear, now and then, throwing out malicious hints to mystify Hele- na herself, and raise the strangest doubts as to her personal identity. Thus on one occasion, as we shall see, he reminds her of a scandal which had gone abroad of her being a double personage, of her living with King Proteus in Egypt at the very time when she lived with Beau Paris in Troy; and, what is more extra- ordinary still, of her having been dead, and married to Achilles afterwards in the Island of Leuce! Helena admits that it is the most in- explicable thing on earth; can only conjecture that "she a Vision was joined to him a vision;" and then sinks into a reverie, or swoon, in the arms of the Chorus. In this way, can the nether-world Scapin sport with the perplexed Beauty; and by sly practice make her show us the secret, which is unknown to herself! For the present, however, there is no thought of such scruples. Helena and her maidens, far from doubting that they are real authentic denizens of this world, feel themselves in a deep embarrassmen. about its cincerns. From the dialogue, in long Alexandrines, or choral Recitative, we soon gather that matters wear a threatening aspect. Helena salutes her pater nal and nuptial mansion in such style as may beseem an erring wife, returned from so event- ful an elopement; alludes with charitable le- nience to her frailty; which, indeed, it would seem, was nothing but the merest accident, for she had simply gone to pay her vows, "accord- ing to sacred wont," in the temple of Cytherea, when the "Phrygian robber" seized her; and further informs us that the Immortals still foreshow lo her a dubious future: For seldom, in our swift ship, did my husband deign To look on nie ; and word of comfort spake he none. As if a-brooding mischief, there he silent sat ; Until, when steered into Enrotas' bending bay, The first ships with their prows but kissed the land. He rose, and said, as by the voice of gods inspired : Here will I that my warriors, troop by troop, disbark; I muster them, in battle-order, on the ocean strand. But thou, go forward, up Eurotas' sacred bank, Guiding the steeds along the flower-besprinkled space, Till thou arrive on the fair plain where I.acedaemon, Erewhile a broad fruit-bearing field, has piled its roofs Amid the mountains, and sends up the snmke of hearths. Then enter thou the high-towered Palace ; call the Maids I left at parting, and the wise old Stewardess : With her inspect the Treasures which thy father left, And I, in war or peace still adding, have heaped up. Thou findest all in order standing ; for it is The prince's privilege to see, at his return, Each household item as it was, and where it was ; For of himself the slave hath power to alter nought. It appears, moreover, that Manelaus has given her directions to prepare for a solemn Sacrifice : the ewers, the pateras, the altar, the axe, dry wood, are all to be in readiness, only of the victim there was no mention ; acircum stance from which Helena fails not to draw some rather alarming surmises. However, re fleeting that all issues rest with the higher Powers, and that, in any case, irresolution and procrastination will avail her nothing, she at length determines on this grand enterprise of entering the palace, to make a general review and enters accordingly. But long before any such business could have been finished, she hastily returns with a frustrated, r.ay, terrified aspect; much to the astonishment of her Cho- rus, who pressingly inquire the cause. HELENA {who has left the door-leaves open, agitated.) Beseems not that Jove's daughter shrink with cummon fright, Nor by the brief cold touch of Fear be chill'd and stunned. Yet the Horror, which ascending, in the womb of Xig'at, From deeps of Chaos, rolls itself together many-shaped, Like glowing Clouds from out the mountain's fire-throat| In threatening ghastliness, may shake even heroes' hearts. So have the Stygian here to-day appointed me A welcome to my native Mansion, such that fain From the oft-trod, long-wished-for threshold, like a guest That has took leave, I would withdraw my steps, for ay But no ! Retreated have I to the light, nor shall Ye farther force rne, angry Powers, be who ye may, New expiations will I use ; then purified, The blaze of the Hearth may greet the Mistress as the Lord. PANTHALIS the CHOUAGE.* Discover, noble queen, to us thy handmaidens. That wait by thee in love, what misery has befallet? * Leader of the Chorus. «4 CARLYLE'S MISCELLANEOUS WRITINGS. HELEKA. What I have seen, ye too with your own eyes shall see, If Night have not already sucked her Phantoms back To the abysses of her wonder-bearing breast. Yet, would ye know this thins, I '«ll '• y" '" words. When bent on present duly, yet with anxious thought, 1 solemnly set foot [n these high royal Halls, The silent, vacant passages astounded me ; For tread of hasty footsteps nowhere met the ear, Nor bustle as of busy menial-work the eye. No maid comes forth to me, no Stewardess, such as Still wont with friendly welcome to salute all guests, But as, alone advancing, 1 approach the Hearth, There, by the ashy remnant of dim outbMrnt coals, Sits, crouching on the ground, up-muflled, some huge Crone ; Not as in sleep she sat, but as in drowsy muse. With ordering voice 1 bid her rise ; nought doubting 't was The Stewardess the King, at parting hence, had left. But, heedless, shrunk together, sits she motionless ; And as I chid, at last outstretched her lean right arm. As if she beckgned me from hall and hearth away. I turn indignant from her, and hasten out forthwith Towards the steps whereon aloft the Thalamos Adorned rises ; and near by it the Treasure-room ; When lo ! the Wonder starts abruptly from the floor ; Imperious, barring my advance, displays herself In haggard stature, hollow bloodshot eyes ; a shape Of hideous strangeness, to perple.x all sight and thought. But I discourse to the air : for words in vain attenipt To body forth to sight the form that dwells in us. There see herself! She ventures forward to the light! Here we are masters till our Lord and King shall come. The ghastly births of Night, Apollo, beauty's friend, Disperses back to their abysses, or subdues. (PHOHCTAS enters on the threshold, between the door- posts.) CHORUS. Much have I seen, and strange, though the ringlets Youthful and thick still wave round my temples: Terrors a many, war and its horrors Witnessed I once in Ilion's night, When it fell Thorough the clanging, cloud-covered din of Onrushing warriors, heard I th' Immortals Shouting in anger, heard I Bellona's Iron-toned voice resound from without City-wards. Ah ! the city yet stood ; with its Bulwarks ; lUion safely yet Towered ; but spreading from house over House, the flame did begirdle us ; Sea-like, red, loud, and billowy ; Hither, thither, as tempest-floods, Over the death-circled city. Flying, saw 1, through heat and through Gloom and glare of that fire-ocean. Shapes of Gods in ttieir wralhfulnessj Stalking grim, fierce, and terrible, Giant-high, through the luridly Flame-dyed dusk of that vapour. Did I see it, or was it but Terror of heart that fashioned Forms so afl'righting t Know can I Never : but here that 1 view this Horrible Thing with my own eyes, This of a surety believe I : Yea, I could clutch 't in my fingers Did not, from Shape so dangerous, Fear at a distance keep me. Which of old Phorcys' Daughters then art thou 1 For I compare thee to That generation. Art thou belike, of thi- Graiae, Gray-born, one eye, and one tooth Using alternate. Child or descendant ■} Darest thou. Haggard, Close by such beauty, 'I'ore the divine glance of Pl.ii;bus, display thee ? Bu; display as it pleases thee ; For the uirly he heedeth not. As his bright eye yet never did Look on a shadow. But as mortals, alas for it! Law of destiny burdens us With the unspeakable eye-sorrow Which sin h a sight, unblessed, detestable. Doth in lovers of beauty awaken. Nay then, hear, since Ihou shamelessly Com'st forth fronting us, henr only Curses, hear all imnner of threatenings, Out of the scornful lips of the happier That were made by the Deities. PlIOnCTAS. Old is the saw, but high and true remains its sense, That Shame and Beauty ne'er, together hand in hand, Were seen pursue their journey over the earth's green path. Deep rooted dwells an ancient hatred in these two ; So that wherever, on their way, one haps to meet The other, each on its adversary turns his back : Then hastens forth the faster on its separate road; Shame all in sorrow, Beauty pert and light of mood ; Till the hollow night of Orcus catches it at length, If age and wrinkles have not tamed it long before. So you, ye wantons, wafted hither from strange lands, I find in tunmlt, like the cranes' hoarse jingling flight. That over our heads, in long-drawn cloud, sends down Its creaking gabble, and tempts the silent wanderer that he look Aloft at them a moment: but they go their way, And he goes his; so also will it be with us. Who then are ye ■? that here in Bacchanalian-wise, Like drunk ones ye dare uproar at this Palace-gate 1 Who then are ye tliat at the Stewardess of the King's House Ye howl, as at the moon the crabbed hrood of dogs 1 Think ye 'tis hid from me what manner of thing ye arel Ye war-begotten, fight-bred, feather-headed crew! Lascivious crew, seducing as seduced, that waste. In rioting, alike the soldier's and the burgher's strength ! Here seeing you gathered, seems as a cicada-swarm Had lighted, covering the herbage of the fields. Consumers ye of other's thrift, ye greedy-mouthed Quick squanderers of fruits men gain by tedious toil ; Cracked market-ware, stol'n, bought, and bartered troop of slaves ! We have thought it right to give so much of these singular expositions and altercations, in the words, as far as might be, of the parties themselves ; happy, could we, in any measure, have transfused the broad, yet rich and chaste simplicity of these long iambics ; or imitated the tone as we have done the metre, of that choral song; its rude earnestness, and tortuous, awkward-looking, artless strength, as we have done its dactyls and anapaests. The task was no easy one ; and we remain, as might have been expected, little contented with our efforts; having, indeed, nothing to boast of, except a sincere fidelity to the original. If the reader, through such distortion, can obtain any glimpse of Helena itself, he will not only pardon us, but thank us. To our own minds, at least, there is everywhere a strange, piquant, quite peculiar, charm in these imitations of the old Grecian style; a dash of the ridiculous, if we might say so, is blended with the sublime, yet blended with it softly, and only to temper its austerity : for often, so graphic is the delinea GOETHE'S HELENA. m tion, we could almost feel as if a vista were opened through the long gloomy distance of ages, and we with our modern eyes and modern levity, beheld afar off, in clear light, the very figures of that old grave time ; saw them again living in their old antiquarian costume and environment, and heard them audibly dis- course in a dialect which had long been dead. Of all this no man is more master than Goethe ; as a modern-antique, his i/>/i/gc«iemustbe con- sidered unrivalled in poetry. A similar, tho- roughly classical spirit will be found in this First Part of Helena; yet the manner of the two pieces is essentially different. Here, we should say, we are more reminded of Sophocles, perhaps of ^Eschylus, than of Euripides: it is more rugged, copious, energetic, inartificial; a still more ancient style. How very primi- tive, for instance, are Helena and Phorcyas in their whole deportment here ! How frank and downright in speech; above all, how minute and specific; no glimpse of "philosophical culture;" no such thing as a "general idea;" thus, every different object seems a new un- known one, and requires to be separately stated. In like manner, what can be more honest and edifying than the chant of the Chorus] With what inimitable naivete they recur to the sack of Troy, and endeavour to convince themselves that they do actually see this "horrible Thing;" then lament the law of Destiny which dooms them to such " unspeaka- ble eye-sorrow;" and, finall)', break forth into sheer cursing ; to all which, Phorcyas answers in the like free and plain-spoken fashion. But to our story. This hard-tempered and so dreadfully ugly old lady, the reader cannot help suspecting, at first sight, to be some cousin-german of Mephistopheles, or, indeed, that great Actor of all Work himself; which latter suspicion the devilish nature of the bel- dame, by degrees, confirms into a moral cer- tainty. There is a sarcastic malice in the " wise old Stewardess" which cannot be mis- taken. Meanwhile the Chorus and the beldame indulge still further in mutual abuse; she up- braiding them with their giddiness and wanton disposition; they chanting unabatedly her ex- treme deficiency in personal charms. Helena, however, interposes ; and the old Gorgon, pre- tending that she has not till now recognised the stranger to be her mistress, smooths her- self into gentleness, aflects the greatest hu- manity, and even appeals to her for protection against the insolence of these young ones. But wicked Phorcyas is only waiting her op- portunity; still neither unwilling to wound, nor afraid to strike. Helena, to expel some unpleasant vapours of doubt, is reviewing her past history, in concert with Phorcyas ; and observes that the latter had been appointed Stewardess by Menelaus, on his return from his Cretan expedition to Sparta. No sooner is Sparta mentioned, than the crone, with an ofB- cious air of helping out the story, adds : Wliich ihou forsookest, Ilion's tower-encircled town Preferring, and the unexlifiusted joys of Love. Remind me not of jnys ; an all ton heavy vvo's Infinitude soon follow'd, crnshing breast and heart. PHOKCTAS. But I have heard thou livest on earth a double life; In Ilion seen, and seen the while in Egypt too. HELENA. Confound not so the weakness of my weary sense ; Here even, who or what I am, I know it not. PHOnCTAS. Then I have heard how, from the hollow Realm ol Shades, Achilles, too, did fervently unite himself to thee; Thy earlier love reclaiming, spite of all Fate's laws. HELENA. To him the Vision, I a Vision joined myself: It was a dream, the very words may teach us this. But I am faint ; and to myself a Vision grow. {Sinks into the arms of one division of the Chorus.) CHORUS. Silence! silence! Evil-eyed, evil-tnngued. thou! Thro' sn shrivclled-up, one-tooth'd a Mouth, what good can come from that Throat of horrors detestable — — In which style they continue musically rating her, till "Helena has recovered, and again stands in the middle of the Chorus ;" when Phorcyas, with the most wheedling air, hastens to greet her, in a new sort of verse, as if no- thing whatever had happened: PHORCTAS. Issues forth from passing cloud the sun of this bright day; If when veil'd she so could charm us, now her beams in splendour blind. As the world doth look before thee, in such gentle wise thou look'st. Let them call me so unlovely, what is lovely know I well. Come so wavering from the Void which in that faintncM circled me, Glad I were to rest again, a space : so weary are my limbs. Yet it well becometh queens, all mortals it becometh welJ, To possess their hearts in patience, and await what can betide. PHORCTAS. Whilst thou standest in thy greatness, in thy beauty here^ Says thy look that thou cnnjmandest: what command'st thou ? Speak it out. HELENA. To conclude your quarrel's idle loitering be prepared : Haste, arrange the Sacrifice, the King commanded me. PHORCTAS. Alt is ready in the Palace, bowl and tripod, sharp-gTOUnd a.\e ; For besprinkling, for befuming : now the Victim let us seo. HELENA. This the King appointed not. P:iORCTAS. SpoKe not of this 1 O word of ^ol HELENA. What strange sorrow overpowers thee 1 PHORCTAS. Queen, 'tis Ihou he meant. HELENA. And these. PHORCTAS. M CARLYLE'S MISCELLANEOUS WRITINGS. O wo ! O wo ! PHOnCYAS Thou fallest by the axe's stroke. UELEITA. Horrible, yet look'd for: hapless I! PHOUCVAS. Inevitable seems it me. CHORUS. Ah, and us f What will become of us 1 FHORCTAS. She dies a noble death : Ye, on the high Beam within that bears the rafters and the roof. As in birding-time so many woodlarks, in a row, shall sprawl. (HELENA and CHORUS Stand astounded and terror-struck ; in expressive, well-concerted grouping.) PHOnCYAS. Poor spectres! — All like frozen statues there ye stand, In fright to leave the Day which not belongs to you. No man or spectre, more than you, is fund to quit The Upper Light ; yet rescue, respite finds not one : All kTiow it, all believe it, few delight in It. Enough, 't is over with you ! And .so let's to work. How the cursed old beldame enjoys the agony of these poor Shades: nay, we suspect, she is laughing in her sleeve at the very clas- sicism of this drama, which she herself has contrived, and is even now helping to enact! Observe, she has quitted her octameter tro- chaics again, and taken to plain blank verse; a sign, perhap.s, that she is getting weary of the whole classical concern ! But however this may be, she now claps her hands ; where- upon certain distorted dwarf figures appear at the door, and with great speed and agility, at her order, bring forth the sacrificial apparatus ; on which she fails not to descant demonstra- tively, explaining the purpose of the several articles as they are successively fitted up before her. Here is the "gold-horned" altar, the "axe glitteringover its silver edge :" then there must be " water-urns to wash the black blood's defilement," and a " precious mat," to kneel on, for the victim is to be beheaded queenlike. On all hands, mortal horror! But Phorcyas hints darkly that there is still a way of escape left ; this, of course, every one is in deepest eager- ness to learn. Here, one would think, she might for once come to the point without di- gression ; but Phorcyas has her own way of stating a fact. She thus commences : PHOHCYAS, Whoso, collecting store of wealth, at home abides To parget in due season his high dwelling's walls, Kn(\ prudent guard his roof from inmad of the rain, ^ith him, thnnigh long sliil years of life, it shall be well. But he who lightly, in kis folly, bent to rove, O'ersteps with wand'ring foot his threshold's sacred line, Will find, at his return, the ancient place, indeed Still there, but else all alter'd, if not overthrown. / HELENA. Why these trite sawsl Thou wert to teach us, not re- prove. PHOnCTAS. Historical it is, is nowise a reproof. Sea-roving, steer'd King Menelaus, brisk from bay to bay j Descended on all ports and isles, a pliir /ering fee, And still came back with booty, which yet moulders here, Then by the walls of Ilion spent he ten long years ; How many in his hrjtneward voyage were hard to know. But all thi.s while how stands it here with Tyndarus' High house 1 How stands it with bis own domains around? HELENA. Is love of railing, then, so interwoven with thee, ' That thus, except to chide, thou canst not move thy lips 1 PHORCYAS. So many years forsaken stood the mountain glen ; Which, north from Sparta, towards the higher land as- cends Behind Taygetus; where, as yet a merry brook, Eurotas gurgles on, and then, along our Vale, In sep'rate streams abroad outflowing feeds your Swans, There, backwards in the rocky hills, a daring race Have fix'd themselves, forth issuing from Cimmerian Night ; An inexpugnable stronghold have piled aloft, From which they harry land and people as they please. HELENA. How could they 1 All impossible it seems to me. PHORCYAS. Enough of time they had ! 't is haply twenty years. HELENA. Is One the Master? Are there Robbers many? leagued 1 PHORCYAS. Not Robbers these : yet many, and the Master One. Of him I suy no ill, though hither too he came. What mi{;ht not he have took? yet did content himsell With some small Present, so he called it, Tribute, not. HELENA. How looks he? PHORCYAS. Nowise ill ! To me he pleasant look'd. A jocund, gallant, hardy, handsome man it is. And rational In speech, ms of the Greeks are few. We call the folk Barbarian ; yet I question much If one tiiere be so cruel, as at Ilion Full many of our best heroes man-devouring were. I do respect his greatness, and confide in him. And for his Tower! This with your own eyes ye shouM see : Another thing it is than clumsy boulder-work. Such as our Fathers, nothing scrupling, huddled up, Cyclopean, and like Cyclops-builders, one rude crag On other rude crags tumbling : in that Tow'r of theirs 'Tis plumb and level all, and done by square and rule. Look on it from without! Heav'tiward it soars on high, .So strait, so tight of joint, and mirror-smooth as steel : To clamber there — Nay, even your very Thought slides down, And then, within, such courts, broad spaces, all around, With masonry encompass'd of every sort and use There have ye arches, archlets, pillars, pillarlets, Biilconies, galleries, for looking out and in, And coats of arms. CHORUS. Of arms? What mean st thou? PHORCYAS Ajax bore A twisted Snake on his shield, as ye yourselves have seen. The Seven also before Thebes bore carved work Each on his Shield ; devices rich and full of Sense : There saw ye moon and stars of the nightly heaven's vault. And goddesses, and heroes, ladcers, torches, swords. And dangerous tools, such as in storm o'erfall good towns. Escutcheons of like sort our heroes also bear: GOETHE'S HELENA. There sfte ye lions, eagles, claws besides and bills,. The buff ilo-hnrns, and wings, and roses, peacock's tails ; And bandelets, gold and black and silver, blue and red. Such like are llicre uphung in Hallri, row after row ; In halls, so large, so lofty, boundless as the World; There might ye dance; CHoncs. Ha! Tell us, are there dancers there 1 PUOnCTAS. The best on earth ! A golden-haired, fresh, younker band, They breathe of youth ; Paris alone so breathed when to Our Queen he came too near. Thou quite dost lose The tenor of thy story : say me thy last word. PHORCTAS, I Thysplf wilt say it: say in earnest audibly, Yes! Next moment, 1 surround thee with that Tow'r. The Step is questionable: for is not this Phorcyas a person of the most suspicious cha- racter; or rather, is it not certain that she is a Turk in grain, and will almost, of a surety, go how it may, turn good into bad] And yet, what is to be done 1 A trumpet, said to be that of Menelaus, sounds in the distance; at which the Chorus shrink together in increased terror. Phorcyas coldl\^ reminds them of Dei- ))hobus, with his slit nose, as a small token of Menelaus' turn of thinking on these matters ; supposes, however, that there is now nothing for it but to wait the issue, and die with pro- priety. Helena has no wish to die either with propriety or impropriety; she pronounces, though with a faltering resolve, the definitive Yes. A burst of joy breaks from the Chorus; thick fog rises all round; in the midst of v/hich, as we learn from their wild tremulous chant, they feel themselves hurried through the air: Eurotas is swept from sight, and the cry of its Swans fades ominously away in the distance; for now, as we suppose, "Tyndarus' high House," with all its appendages, is rush- ing back into the depths of the Past; old Lacc- dfrmon has again become new Miseira ; only Taygetus, with another name, remains un- changed; and the King of Rivers feeds among his sedges quite a different race of Swans than those of Leda ! The mist is passing away, but yet, to the horror of the Chorus, no clear day- light returns. Dim masses rise round them: Phorcyas has vanished. Is it a castle 1 Is it a cavern? They find themselves in the "In- terior Court of the Tower, surrounded with rich fantastic buildings of the middle ages!" If, hitherto, we have moved along, with con- siderable convenience, over ground singular enough, indeed, yet, the nature of it once un- derstood, affording firm footing and no unplea- sant scenery, we come now to a strange mixed element, in which it seems as if neither walk- ing, swimming, nor even flying, could rightly avail us. We have cheerfully admitted, and honestly believed, that Helena and her Chorus were Shades; but now they appear tp be changing into mere Ideas, mere Metaphors, or poetic Thoughts! Faust, too, for hr, as every one sees, must be lord of this Fortress, is a much altered man since we last met him, Nay, sometimes we could fancy he were only acting a part on this occasion ; were a mere mummer, representing not so much his owu natural personali'y, as some shadow and im- personation of his history; not so much his own Faustship, as the tradition of Faust's ad- ventures, and the Genius of the People among whom this took its rise. For, indeed, he has strange gifts of flying through the air, and living, in apparent friendship and content- ment, with mere Eidolons; and, being exces- sively reserved withal, he becomes not a little enigmatic. In fact, our whole "Interlude" changes its character at this point: the Greek style passes abruptly into the Spanish; at one bound we have left the Seven before Thebes, and got into the Virla es Sueno. The acti« n, too, be- comes more and more typical ; or rather, we should say, half-typical ; for it will neither hold rightly together as allegory nor as matter of fact. Thus do we see ourselves hesitating on the verge of a wondrous region, "neither sea nor good dry land;" full of shapes and musical tones, but all dim, fluctuating, unsubstantial, chaotic. Danger there is that the critic may require "both oar and sail;" nay, it will be well if, like that other great Traveller, he meet not some vast vacuity, where, all unawares, Fluttering his pennons vain, plumb down he drop Ten thousand fathom deep .... and so keep falling till The strong rebulTof some tumultuous cloud, Instinct with fire and nitre, hurry him As many miles aloft .... — Meaning, probably, that he is to be "blown up" by nonplused and justly exasperated Re- view-reviewers ! — Nevertheless, unappalled by these possibilities, we venture forward into this impalpable Limbo; and must endeavour to render such account of the "sensible spe- cies," and " ghosts of defunct bodies," we may meet there, as shall be moderately satisfactory to the reader. In the little notice from the Author, quoted above, we were bid specially to observe in what way and manner Faust would presume to court this World's-beauty. We must say, his style of gallantry seems to us of the most chivalrous and high-flown description, if, indeed, it is not a little euphui^tk. In their own eyes, Helena and her Chorus, encircled in this Gothic Court, appear, for some minutes, no better than captives; but, suddenly is- suing from galleries and portals, and descend- ing the stairs in stately procession, are seen .-v numerous suite of Pages, whose gay habili- ments and red downy cheeks are greatly ad- mired by the Chorus: these bear with them a throne and canopy, with footstools and cush ions, and every other necessary apparatus ^f royalty; the portable machine, as we gather from the Chorus, is soon put together, and Helena, being reverently beckoned into the same, is thus forthwith constituted Sovereign of the whole Establishment. To herself sucn royalty still seems a little dubious; but no sooner have the Pages, in long train, fairlj^ 68 CARLYLE'S MISCELLANEOUS WRITINGS. descended, than " Faust appears above, on the stairs, in knightly court-dress of the middle ages, and with deliberate dignity comes down," astonishing the poor " feather-headed" Chorus with the gracefulness of his deportment and his moie than human beauty. He leads with him a culprit in fetters; and, by way of intro- duction, explains to Helena that this man, Lynceus, has deserved death by his miscon- duct; but that to her, as Queen of the Castle, must a])pertain the right of dooming or of par- doning him. The crime of Lynceus is, in- deed, of an extraordinary nature: he was Warder of the Tower; but now, though gifted, as his name imports, with the keenest vision, he has failed in warning Faust that so august a visitor was approaching, and thus occasioned the most dreadful breach of politeness. Lyn- ceus pleads guilty: quick-sighted as a lynx, in usual cases, he has been blinded with ex- cess of light, in this instance. While looking towards the orient at the " course of morning," he noticed "a sun rise wonderfully in the .south," and, all his senses taken captive by such surpassing beauty, he no longer knew his right hand from his left, or could move a limb, or utter a word, to announce her arrival. Under these peculiar circumstances, Helena sees room for extending the royal prerogative ; and, after expressing unfeigned regret at this so fatal influence of her charms over the whole male sex, dismisses the Warder with a reprieve. We must beg our readers to keep an eye on this Innamorato; for there may be meaning in him. Here is the pleading, which produced so fine an effect given in his own words : Let me kneel and let me view her, Let me live, or let me die, Sliive to this high vifoman, truer Than a bondsman born, am I. Watrhinff o'er the course of morning, Eastward, as I mark it run. Rose there, all the sky adorning, Strangely in the South a sun. Draws my look towards those places, Not the valley, not the hpiirht, Not the earth's or heaven's spaces ; She alone the queen of light. Eyesight truly hath been lent me. Like the lynx on liigliest tree ; Boots not ; for aniaze hath shent me ; Do I dream, or do I see 1 Knew I aught? or could I ever Thhik of tow'r or bolted gate f Va;ionrs waver, vapours sever, Such a goddess comes in state ! Eye and heart I must surrender Drown'd as in a radiant sea ; "Tiat high creature with her splendour -*linding all hath blinded me. I forgot the warder's duty; Triiinpet, challenge, word of call: Chain me, threaten : sure this beauty Stills thy anger, saves her thrall. Save him accordingly she did; but no soon- er IS he dismissed, and Faust has made a re- maric on the multitude of "arrows" which she is darting forth on all sides, than Lynceus re- turns in a sti' madder humour. "Re-enter Lynceus with a chest, and men carrying other chests behind him." LTITCEUS. Thou see'st me. Queen, again advanse, The wealthy begs of thee one glance; Ho look'd at thee, and feels e'er since As beggar poor, and rich as prince. What was I erst ■? What am 1 grown? What have I meant, or done, or known 1 What boots the sharpest forct? of eyes? Back from thy throne it baffled flies. From Eastward marching came we on, And soon the West was lost and won; A long broad army forth we pass'd. The foremost knew not of the last. The first did fall, the second stood, The third hew'd in with falchion good; And still the next had prowess more, Forgot the thousands slain before. We stormed along, we rushed apace. The masters we from place to place. And where I lordly ruled to-day, To-uiorrow another did rob and slay. We look ; our choice was quickly made j This snatch'd with him the fairest Maid, That seized the .Steer for burden bent. The horses all and sundry went. But I did love apart to spy Tlie rarest things could meet the eye : Whate'er in others' hands I saw. That was for me but chaff and straw. For treasures did 1 keep a look. My keen eyes pierced to every nook; Into all pockets 1 could see. Transparent each strong-box to me. And heaps of gold I gained this way. And precious Stones of clearest ray: Now Where's the Diamond meet to shine! 'Tis meet alone for breast like thine. So let the Pearl from depths of sea. In curious stringlets wave on thee : The Ruby fur some covert seeks, 'Tis paled by redness of thy cheeks. And so the richest treasure's brought Before thy throne, as best it ought; Beneath thy feet here let nie lay The fruit of many a bloody fray. So many chests we now do bear; More chests 1 have, and finer ware : Think me but to be near thee worth Whole treasure-vaults I empty forth. For scarcely art thou hither sent. All hearts and wills to thee are bent ; Our riches, reason, strength, we must Before the loveliest lay a.s dust. All this I reckon'd great, and mine. Now small I reckon it, and thine. I thought it worthy, high, and good ; 'Tis naught, poor, and misunderstood. So dwindles what my glory was, A heap of mown and wilher'd grass : What worth it had, and now does lack, O, with one kind look, give it back ! FAUST. Away ! away : take back the bold-earn'd load. Not blamed indeed, but also not rewarded. Her'sis already whatsoe'er our Tower Of costliness conceals. Go heap me treasure! On treasures, yet with Order ; let the blaze Of Pomp unspeakable appear ; the ceilings GOETHE'S HELENA. Gem-fretted, shine like skies ; a Paradise Of lifeless life create. Before her feet Unfolding quick, let flow'ry carpet roll Itself from flow'ry carpet, that her step May light on softness, and her eye meet nought But splendour blinding only not the Gods. LYNCEUS. Small is what our Lord doth say; Servants do it ; 'tis but phiy : For o'er all we do or dream Will this Beauty reign supreme. Is not all our host grown tame 1 Every sword is blunt and lame. To a form of such a mould Sun himself is dull and cold: To the richness of that face, What is beauty, what is grace, Loveliness we saw or thought? All is empty, all is imuglit. And herewith exit Lynceus, and we see no more of him! We have said that we thought there might be method in this madness. In fact, the allegorical, or at least fantastical and figura- tive, character of the whole action is growing more and more decided everj^ moment. He- lena, we must conjecture, is, in the course of this her real historical intrigue with Fatjst, to present, at the same time, some dim adumbra- tion of Grecian Art, and its flight to the North- ern Nations, when driven by stress of War from its own country. Faust's Tower will, in this case, afibrd not only a convenient station for lifting black-mail over the neighbouring dis- trict, but a cunning, though vague and fluctu- ating, emblem of the Product of Teutonic Mind; the Science, Art, Institutions of the Northmen, of whose Spirit and Genius he himself may in some degree become the representative. In this way, the e.xtravagant homage and admiration paid to Helena are not without their meaning. The mannerof her arrival, enveloped as she was in thick clouds, and frightened onwards by hos- tile trumpets, may also have more or less pro- priety. And v/ho is Lynceus, the mad Watch- man 1 We cannot But suspect him of being a Schoolman Philosopher, or School Philosophy itself, in disguise; and that this wonderful " march" of his has a covert allusion to the great "march of intellect," which did march in those old ages, though only at " ordinary time." We observe, the military, one after the other, all fell; for discoverers, like other men, must die ; but " still the next had prowess more," and forgot the thousands that had sunk in clearing the way for him. However, Lyn- ceus, in his love of plunder, did not take "the fairest maid," nnr "the steer" fit for burden, but rather jewels and other rare articles of value; in which quest his high power of eye- sight proved of great service to him. Better had it been, perhaps, to have done as others did, and seized "the fairest maid," or even the "steer" fit for burden, or one of the "horses" •which were in such request: for, when he quitted practical Science and the philosophy of Life, and addicted himself to curious subtil- ties and Metaphysical crotchets, what did it avail him 1 At the first glance of the Grecian beauty, he found that it was " naught, poor, and misunderstood." His extraordinary obscura- tion of vision on Helena's approach ; his nar- w escape fn^^m d«ath, on that account, at the hands of Faust; his pardon by the fair Greek; his subsequent magnanimous offer to her, and discourse with his master on the subject, — might give rise to various considerations. But we must not loiter, questioning the strange Shadows of that strange country, who, besides, are apt to mystify one. Our nearest business is to get across it : we again proceed. Whoever or whatever Faust and Helena may be, they are evidently fast rising into high favour with each other; as, indeed, from so generous a gallant, and so fair a dame, was to be anticipated. She invites him to sit with heron the throne, so instantaneously acquired by force of her charms; to which graceful proposal he, after kissing her hand in knightly wise, fails not to accede. The courtship now advances apace. Helena admires the dialect of Lynceus, and how " one word seemed to kiss the other," for the Warder, as we saw, .speaks in doggerel; and she cannot but wish that she also had some such talent. Faust assures her that nothing is more easy than this same prac- tice of rhyme: it is but speaking right from the heart, and the rest follows of course. Withal, he proposes that they should make a trial of it themselves. The experiment suc- ceeds to mutual satisfaction: for not only can they two build the lofty rhyme, in concert, with all convenience, but, in the course of a page or two of such crambo, many love-tokens come to light; nay, we find by the Chorus, that the wooing has well nigh reached a happy end: at least, the two are "sitting near and nearer each other, — shoulder on shoulder, knee by knee, hand in hand, they are swaying over the throne's upcushioned lordliness;" which, surely, are promising symptoms. Such ill-timed dalliance is abruptly disturb- ed by the entrance of Phorcyas, now, as ever, a messenger of evil, with malignant tidings that Menelaus is at hand, with his whole force, to Storm the Castle, and ferociously avenge his new injuries. An immense "explosion of signals from the towers, of trumpets, cla- rions, military music, and the march of nume- rous armies," confirms the news. Faust how- ever, treats the matter coolly; chides the unceremonious trepidation of Phorcyas, and summons his men of war; who accordingly enter, steel-clad, in military pomp, and quitting their battalions, gather round him to take his orders. In a wild Pindaric ode, delivered with due emphasis, he directs them not so much how they are to conquer Menelaus, whom doubtless he knows to be a sort of dream, as how they are respectively to manage and par- tition the Countr}^ they shall hereby acquire. Germanus is to have "the bays of Corinth;" while " Achaia, with its hundred dells," is re- commended to the care of Goth; the host of the Franks must go towards Elis; Messene is to be the Saxon's share; and Normann is to clear the seas, and make Argolis great. Sparta, however, is to continue the territory of Helena, and be queen and patrc:-«ss of these 'nferior Dukedoms. In all this, are we to trace some faint changeful shadow of the National Cha- racter, and respective Intellectual Performance of the several European tribes 1 Or, perhaps, of the real History of the Middle Ages ; the 70 CARLYLE'S MISCELLANEOUS WRITINGS. irruption of the northern swarms, issuing, like Fanst and his air-warriors, "from Cimmerian Night," and spreading over so many fair regions] Perhaps of both, and of more; per- haps properly of neither: for the whole has a chameleon character, changing hue as we look on it. However, be this as it may, the Chorus cannot sufficiently admire Faust's strategic faculty; and the troops march off, without speech indeed, but evidently in the highest spirits. He himself concludes with another rapid dithyrambic, describing the Peninsula of Greece, or rather, perhaps, typically the Region of true Poesy, "kissed by the sea- waters," and "knit to the last mountain- branch" of the firm land. There is a wild glowing fire in these two odes; a musical in- distinctness, yet enveloping a rugged, keen sense, which, were the gift of rhyme so com- mon as Faust thinks it, we should have plea- sure in presenting to our readers. Again and again, we think of Calderon and his Life a Dream. Faust, as he resumes his seat by Helena, observes that " she is sprung from the highest gods, and belongs to the first world alone. It is not meet that bolted towers should encircle her; and near by Sparta, over the hills, "Ar- cadia blooms in eternal strength of youth, a blissful abode for them two." " Let thrones pass into groves ; Arcadianly free be such felicity!" No sooner said, than done. Oar Fortress, we suppose, rushes asunder like a Palace of Air, for, "^/le scene altogether changes. A series of Grottoes now are shtU in by close Eowers. Shady Grove, to the foot of the Rocks tvhich encircle the place. Faust and Ifelena are not seen. The Chorus, scattered around, lie sleeping." In Arcadia, the business grows wilder than ever. Phorcyas, who has now become won- derfully civil, and, notwithstanding her ug- liness, stands on the best footing with the poor light-headed Cicada-Swarm of a Chorus, awakes them to hear and see the wonders that have happened so shortly. It appears, too, that there are certain " Bearded Ones" (we suspect, Devils) waiting with anxiety, "sitting watchful there below," to see the issue of this extraordinary transaction ; but of these Phor- cyas gives her silly woman no hint what- ever. She tells them, in glib phrase, what great things are in the wind. Faust and Helena have been happier than mortals in these grottoes. Phorcyas, who was in waiting, gradually glided away, seeking " roots, moss, and rinijs," on household duty bent, and so " they two remained alone." cHonus. 1 ill<'st as if within those grottoes lay whole tracts of country, Wood and meadow, rivers, takes: what tales thou palm'st on us ! PHORCYAS. Sure enough, ye foolish creatures ! These are unexplor- ed recesses ; Hall runs out on hall, spaces there on spaces: these I musing traced. Bui at once re-echoes from within a peal of laughter : Peeping in, what is it 1 Leaps a boy from mother's breast 10 Father's, from the Father to the Mother: such a fondling, such a dandling. Foolish Love's caressing, teasing ; cry of jest, and shrieJl of pleasure. In their turn do stun me quite. Naked, without wings a Genius, Faun in humour with- out coarseness. Springs he sportful on the ground ; but the ground rever- berating, Darts hirri up to airy heights; and at the third, the second gambol. Touches he the vaulted Roof. Frightened cries the Mother: Bound away, away,and as thou pleasest, But, my Son, beware of Flying; wings nor power of flight are thine. And the Father thus advises : in the Earth resides the virtue Which so fast doth send thee upwards; touch but with thy toe the surface. Like the earth-born old Antseus, straightway thou art strong again. And so skips he, hither, thither, on these jagged rocks; from summit Still to summit, all about, like stricken ball rebounding, springs. But at once in clefl of some rude cavern sinking as he vanished. And so seems it we have lost him. Mother mourning, Father cheers her. Shrug my shoulders I, and look about me. But again, behold, what vision! Are there treasures lying here concealed I There he is again, and garments Glittering, flower-bestriped has on. Tassels waver from his arms, about his bosom flutter breastknots. In his hand the golden Lyre ; wholly like a little Phoebus, Steps he light of heart upon the beetling cliffs: asto- nifhed stand we. And the Parents, in their rapture, fly into each other's arms. For what glittering 's that about his headl Were hard to say what glitters, Whether Jewels and gold, or Flame of atl-subduing strength of soul. And with such a bearing moves he, in himself this boy announces Future Master of all Beauty, whom the Melodies Eternal Do inform through every fibre ; and forthwith so shall ye hear him. And forthwith so shall ye see him, to your uttermost amazement. The Chorus suggest, in their simplicity, that J this elastic little urchin may have some rela- I tionship to the " Son of Maia," who, in old times, whisked himself so nimbly out of his swaddling clothes, and stole the "'Sea-ruler's trident" and " Hephtestos' tongs," and various other articles before he was well span-long. But Phorcyas declares all this to be superan- nuated fable, unfit for modern uses. And now, "a beautiful, purely melodious music of stringed in- strnments resounds from the Cave. .All listen, and soon appear deeply moved. It continues playing in full tone ;" while Euphorion, in person, makes his appearance, " in the costume above described ; ' larger of stature, but no less frolicsome and tuneful. Our readers are aware that this Euphorion, the offspring of Northern Character wedded to Grecian Culture, frisks it here not without re- ference to Modern Poesy, which had a birth so precisely similar. Sorry are we that we can- not follow him through these fine warblings and trippings on the light fantastic toe : to our ears there is a quick, pure, small-toaed music GOETHE'S HELENA. iti them, as perhaps of elfin bells when the Queen of Faery rides by moonlight. It is, in truth, a jjraceful emblematic dance, this little life of Euphorion ; full of meanings and half- meanings. The history of Poetry, traits of in- dividual Poets ; the Troubadours, the Three Italians; glimpses of all things, full vision of nothing ! Euphorion grows rapidly, and passes from one pursuit to another. Quitting his boyish gambols, he takes to dancing and romp- ing with the Chorus; and this in a style of tu- mult which rather dissatisfies Faust. The wild- est and coyest of these damsels he seizes with avowed intent of snatching a kiss; but, alas, she resists, and still more singular, "Jlnshcs iip in flame into the air :" inviting him, perhaps in mockery, to follow her, and "catch his van- ished purpose." Euphorion shakes off the remnants of the flame, and now, in a wilder humour, mounts on the crags, begins to talk of courage and battle ; higher and higher he rises, till the Chorus see him on the topmost cliff, shining " in harness as for victory;" and vet, though at such a distance, they still hear his tones, neither is his figure diminished in their eyes ; which indeed, as they observe, al- ways is, and should be, the case with " sacred Poesy," though it mounts heavenward, farther and farther, till it "glitter like the fairest star." But Euphorion's life-dance is near ending. From his high peak, he catches the sound of war, and fires at it, and longs to mix in it, let Chorus, and Mother, and Father say what they will. EUPHORIOX. And hear ye thiimlers on the ocean. And thuniiers roll fioiri tower and wall, And host with host in tierce commotion, See mixing at llie trumpet's call: And to die in strife Is tlie law of life, That is certain once for all. HELENA, FAUST, and CHORUS. What a horror ! sjioken madly ! Wilt thou die ■? then what must I ■? EUPIIORIOX. Shall I view it, safe and gladly ? No! to share it will I hie. HELE!<^A, FAUST, and CHORUS. Fatal are such haughty things, War is for the stout. EUPUORIOX. Ha! — and a pair of wings Folds itself out! Thither! I must! I must! 'T is my hest to fly '. (He casts himself into the air: his Garments support kirn for a moment , his Head radiates, a Train of Light follows him.) cHonus. Icarus! earth and dust ! O, wo! thou mount'st too high. (A beautiful Youth rushes down at the feet of the Pa- rents ; you fancy yon recoirnise in the dead a veil-known Form ;* hut the hndilij part instantly disappears ; the s'old * It is perhaps in reference to this phrase, that certain sagacious critics amons; the Germans have hit upon the wonderful discovery of Euphorion being— Lord Byron ! A fact, if it is one, which curiously verifies the author's prediction in this passage. But unhappily, while we fancy that wo recognise in the dead a well-known form, " the bodily part instantly disappears ; " and the keen- Crownlet mounts like a comet to the $Tcy , Coot, AfastM^ and Lyre, are left lying.) HELEXA and FAUST. Joy soon changes to wo. And mirth to heaviest moan. euphorion's voice (from beneath.) Let me not to realms below Descend, O mother, alone ! The prayer is soon granted. The Choms chant a dirge over his remains, and then : HELENA (to FAUST.) A sad old saying proves itself again in me, Good hap with beauty hath no long abode. So with love's Band is life's asunder rent: Lamenting both, I clasp thee in my arms Once more, and bid thee painfully farewell. Persephoneia take my boy, and with him me. (She embraces Faust ; her Body melts away ; Oarmenl and_ Veil remain in his arms.) PHORCTAS [to FAUST.) Hold fast, what now alone remains to thee That Garment quit not. They are tugging there, These Demons at the skirt of it ; would fain To the Nether Kingdoms lake it down. Hold fast! The goddess is it not, whom thou hast lost, Yet godlike is it. See thou use aright The priceless high bequest, and soar aloft : 'T will lift thee away above the common world, Far up to . and poetical, still reigns, full of years and honours, with a soft undisputed sway ; still labouring in his vocation, still forwarding, as with knightly benignity, whatever can profit the culture of his nation: such a man might justly attract our notice, were it only by the singularity of his fortune. Supremacies of 74 CARLYLE'S MISCELLANEOUS WRITINGS. this sort are rare in modern times; so univer- sal, and of such contmviance, they are almost unexampled. For the age of the Prophets and Theoldgic Doctors had long since passed away; and now it is by much slighter, by transient and mere earthly ties, that bodies of men connect themselves with a man. The wisest, most melodious voice cannot in these days pass for a divine one; the word Inspira- tion still lingers, but only in the shape of a poetic figure, from which the once earnest, awful, and soul-subduing sense has vanished without return. The polity of Literature is called a Republic; oftener it is an Anarchy, where, by strength or fortune, favourite after favourite rises into splendour and authority, but like Masaniello, while judging the people, is on the third day deposed and shot. Nay, few such adventurers can attain even this painful pre-eminence; for at most, it is clear, any given age can have but one first man ; many ages have only a crowd of secondary men, each of whom is first in his own eyes : and seldom, at best, can the "Single Person" long keep his station at the head of this wild commonwealth; most sovereigns are never universally acknowledged, least of all in their lifetimes ; few of the acknowledged can reign peaceably to the end. Of such a perpetual dictatorship Voltaire among the French gives the last European instance; but even with him it was perhaps a much less striking aflair. Voltaire reigned over a sect, less as their lawgiver than as their general; for he was at bitter enmity with the great numerical majority of his nation, by whom his services, far from being acknow- ledged as benefits, were execrated as abomina- tions. But Goethe's object has, at all times, been rather to unite than to divide ; and though he has not scrupled, as occasion served, to speak forth his convictions distinctly enough on many delicate topics, and seems, in general, to have paid little court to the prejudices or private feelings of any man or body of men, we see not at present that his merits are any- where disputed, his intellectual endeavours controverted, or his person regarded otherwise than with affection and respect. In later years, too, the advanced age of the poet has invested him with another sort of dignity; and the ad- miration to which his great qualities give him claim, is tempered into a milder, grateful feel- ing, almost as of sons and grandsons to their common father. Dissentients, no doubt, there are-and must be; but, apparently, their cause is not pleaded in words : no man of the small- est note speaks on that side; or at most, such men may question, not the worth of Goethe, but the cant and idle affectation with which, in many quarters, this must be promulgated and bepraised. Certainly there is not, probably there never was, in any European country, a writer who, with so cunning a style, and so deep, so abstruse a sense, ever found so many readers. For, from the peasant to the king, from the callow dilettante and innamorato, to th° j^rave transcendental philosopher, men of Uil dcg ees and dispositions are familiar with the wi. tings of Goethe: each studies them with afftction, with a faith which, " where it cannot unriddle, learns to trust;" each takes with him what he is adequate to carry, and de- parts thankful for his own allotments. Two of Goethe's intensest admirers are Schelling of Munich, and a worthy friend of ours in Berlin; one of these among the deepest men in Europe, the other among the shallowest. All this is, no doubt, singular enough ; and a proper understanding of it would throw light on many things. Whatever we may think of Goethe's ascendency, the existence of it re- mains a highly curious fact; and to trace its history, to discover by what steps such in- fluence has been attained, and how so long preserved, were no trivial or unprofitable in- quiry. It would be worth while to see so strange a man for his own sake ; and here we should see, not only the man himself, and his own progress and spiritual development, but the progress also of his nation ; and this at no sluggish or even quiet era, but in limes marked by strange revoluiions of opinions, by angry controversies, 'high enthusiasm, novelty of en- terprise, and doubtless, in many respects, by rapid advancement : for that the Germans have been, and still are, restlessly struggling for- ward, with honest unwearied efibrt, sometimes with enviable success, no one, who knows them, will deny; and as little, that in every province of Literature, of Art, and humane accomplishment, the influence, often the direct guidance of Goethe may be recognised. The history of his mind is, in fact, at the same time, the history of German culture in his day; for whatever excellence this individual might realize has sooner or later been acknowledged and appropriated by his country; and the title of Mwiiigctcs, which his admirers give him, is perhaps, ih sober strictness, not unmerited. Be it for good or for evil, there is certainly no German, since the days of Luther, whose life can occupy so large a space in the intellectual history of that people. In this point of view, were it in no other, Goethe's JUichtung mid Wiihrhcit, so soon as it is completed, may deserve to be reck'oned one of his most interesting works. We speak not of its literary merits, though in that respect, too, we must say that few Autobiographies have come in our way. where so difficult a matter was so successfully handled; where perfect knowledge could be found united so kindly with perfect tolerance; and a personal narrative, moving along in soft clearness, showed us a man, and the objects that en- vironed him, under an aspect so verisimilar, yet so lovely, with an air dignified and earnest, yet graceful, cheerful, even gay: a story as of a Patriarch to his children ; such indeed, as few men can be called upon to relate, and few, if called upon, could relate so well. What would we give for such an Autobiography of Shakspeare, of Milton, even of Pope or Swift! TJirhiuns mill Wiilirheit has been censured con- siderably in England ; but not, we are inclined to believe, with any insiglit into its proper ineaning. The misfortune of the work among us was, that we did not know the narrator be- fore his narrative; and could not judge what sort of narrative, he was bound to give, in these circumstances, or whether he was bound t« GOETHE. 75 give any at all. We say nothing; of his situa- tion; heard only the sound of his voice; and hearing it, never douhted that he must be per- orating in official garments from the rostrum, instead of speaking trustfully by the fireside. For the chief ground of offence seemed to be, that the story was not noble enough ; that it entered on details of too poor and private a nature; verged here and there towards garru- lity; was not, in one word, written in the style of what we call a genllemnn. Whether it might be written in the style of a man, and how far these two styles might be compatible, and what might be their relative worth and prefer- ableness, was a deeper question, to which ap- parently no heed had been given. Yet herein lay the very cream of the matter; for Goethe was not writing to " persons of quality"' in England, but to persons of heart and head in Europe : a somewhat different problem perhaps, and requiring a somewhat different solution. As to this ignobleness and freedom of detail, especially, we may say, that, to a German, few accusations could appear more surprising than this, which, with us, constitutes the head and front of his offending. Goeihe, in his own country, far from being accused of undue familiarity towards his readers, had, up to that date, been labouring under precisely the oppo- site charge. It was his stateliness, his reserve, his indifference, his contempt for the public, that were censured. Strange, almost inexpli- cable, as many of his worUs might appear; loud, sorrowful, and altogether stolid as might be the criticisms they underwent, no word of explanation could be wrung from him. ; he had never even deigned to write a preface. And in later and juster days, when the study of Poetry came to be prosecuted in another spirit, and it was found that Goethe was standing, not like a culprit to plead for himself before the literary /.'/e^cia/is, but like a higher teacher and preacher, speaking for truth, to whom both plehcims and pnh-icians were bound to give all ear, the outward difliculty of interpreting his works began indeed to vanish ; but enough still remained, nay, increased curiosity had given rise to new difliculties, and deeper inquiries. Not only what were these works, but hotc did they originate, became questions for the critic. Yet several of Goethe's chief productions, and, of his smaller poems, nearly the whole, seemed so intimately interwoven with his private his- tory, that without some knowledge of this, no answer to such questions could be given. Nay, commentaries have been written on single pieces of his, endeavouring, by way of guess, to supply this deficiency.* We can thus judge whether, to the Germans, such minuteness of exposition in this Dichtuns. und Wuhrheit may have seemed a sin. Few readers of Goethe, we believe, but would wish rather to see it ex- tended than curtailed. It is our duty also to remark, if any one be still unaware of it, that the Memoirs of Goethe, published some years ago in London, can have no real concern with this autobiography. The rage of hunger is an excuse for much ; other- wise that German translator, whom indignant Reviewers have proved to know «o German, were a highly reprehensible man. His work, it appears, is done from the French, and shows subtractions, and, what is worse, additions. But the unhappy Dragoman has already been chastised, perhaps too sharply. If warring with the reefs and breakers and cross eddies of Life, he still hover on this side the shadow of Night, and any word of ours might reach him, we would rather say : Courage, Brother! Grow honest, and times will mend! It would appear, then, that for inquirers intc Foreign Literature, for all men, anxious to see and understand the European; world as it lies around them, a great problem is presented in this Goethe ; a singular, highly significant phe- nomenon, and now, also, means more or less complete for ascertaining its significance. A man of wonderful, nay unexampled reputation and intellectual influence among forty millions of reflective, serious, and cultivated men, in- vites us to study him ; and to determine for ourselves whether and how far such influence has been salutary, such reputation merited. That this call will one day be answered, that Goethe will be seen and judged of in his real character among us, appears certain enough. His name, long familiar everywhere, has now awakened the atteution of critics in all Eu- ropean countries to his works : he is studied wherever true study exists; eagerly studied even in France ; nay, some considerable know- ledge of his nature and spiritual importance seems already to prevail there.* For ourselves, meanwhile, in giving all due weight to so curious an exhibition of opinion, it is doubtless our part, at the same time, to beware that we do not give it too much. This universal sentiment of admiration is wonder- ful, is interesting enough; but it must not lead us astray. We English stand as yet without the sphere of it; neither will we plunge blindly in, but enter considerately, or, if we see good, keep aloof from it altogether. Fame, we may understand, is no sure test of merit, but only a probability of such: it is an accident, not a property, of a man ; like light, it can give little or nothing, but at most may show what is given ; often, it is but a false glare, daz- zling the eyes of the vulgar, lending by casual, extrinsic splendour the brightness and mani- fold glance of the diamond to the pebbles of no value. A man is in all cases simply the man, of th« same intrinsic worth and weakness, whether his worth and weakness lie hidden in the depths of his own consciousness, or Je be- trumpeted and beshouted from end to end of the habitable globe. These are plain truths, which no one should lose sight of: though, whether in love or in anger, for praise or foi condemnation, most of us are too apt to forget them. But lea^t of all can it become the critic to " f )llow a multitude to do evil," even when that evil is excess of admiration; on the con- trary, it will behove him to lift up his voice, how feeble soever, how unheeded soever, against the common delusion; from which, if ♦ See, in particular. Dr. Kannengiesser {/efrer Goethe's Bausreise in M'intcr, 1820. * Witness Le. Tasse, Drame par Duval, and ttie CrUl cisms on it. See also the Essays in the Globe. Nos 5\ 64. (1826.) 76 CARLYLE'S MISCELLANEOUS WRi TINGS. he can save, or help to save, any mortal, his endeavours will have been repaid. With these things in some measure before us, we must remind our readers of another in- tluence at work in this affair, and one acting, as we think, in the contrary direction. That pitiful enough desire for " originality," which lurks and acts in all minds, will rather, we imagine, lead the critic of Foreign Literature to adopt the negative than the affirmative with regard to Goethe. If a writer, indeed, feel that he is writing for England alone, invisibly and inaudibly to the rest of the Earth, the tempta- tions m.ay be pretty equally balanced; if he write for some small conclave, which he mis- takenly thinks the representative of England, thej'' may sway this way or that, as it chances. But writing in such isolated spirit is no long- er possible. Traffic, with its swift ships, is uniting all nations into one; Europe at large is becoming more and more one public: and in this public, the voices for Goethe, compared with those against him, are in the proportion, as we reckon them, both as to the number and value, of perhaps a hundred to one. We take in, not Ger^nany alone, but France and Italy; not the Schlegels and Schellings, but the Man- zonis and de Staels. The bias of originality, therefore, may lie to the side of the censure : and whoever among us shall step forward, with such knowledge as our common critics have of Goethe, to enlighten the European public, by contradiction in this matter, displays a heroism, which, in estimating his other merits, ought nowise to be forgotten. Our own view of the case coincides, we con- fess, in some degree with that of the majority. We reckon that Goethe's fame has, to a conside- rable extent, been deserved; that his influence has been of high benefit to his own country; nay more, that it promises to be of benefit to us, and to all other natioris. The essential grounds of this opinion, which to explain minutely were a long, indeed boundless task, we may state without manj' words. We find, then, in Goethe, an Artist, in the high and an- cient meaning of that term; in the meaning which it may have borne long ago among the masters of Italian painting, and the fathers of Poetry in England ; we say that we trace in the creations of this man, belonging in every sense to our own time, some touches of that old, divine spirit, which had long passed away from among us, nay, which, as has often been la- boriously demonstrated, was not to return to this world any more. Or perhaps we come nearer our meaning, if we say that in Goethe we discover by far the most striking instance, in our time, of a writer who is, in strict speech, what Philosophy can call a Man. He is neither noble nor plebeian, neither liberal nor servile, nor infidel, nor de- votee; but the best excellence of all these, joined in pure union; "a clear and universal Man." Goethe's poetry is no separate faculty, no menial handicraft; but the voice of the whole harmonious manhood : na}'' it is the very harmony, the living and life-giving harmony of that rich manhood which forms his poetry. All good men may be called poets in act, or in word; all good poets are so in both. But Goethe besides appears to us a person of thai deep endowment, and giftel vision, of that ex- perience also and sympathy in the ways of all men, which qualify him to stand forth, not only as the literary ornament, but in many respects too as the Teacher and exemplar of his age. For, to say nothing of his natural gifts, he has cultivated himself and his art, he has studied how to live and write, with a fidelity, an un- wearied earnestness, of which there is no other living instance; of which, among British poets especially, Wordsworth alone offers any resemblance. And this in our view is the re- sult: To our minds, in these soft, melodious imaginations of his, there is embodied the Wis- dom which is proper to this time; the beauti- ful, the religious Wisdom, which may still, with something of its old impressiveness, speak to the whole soul; still, in these hard, unbe- lieving, utilitarian days, reveal to us glimpses of the Unseen but not unreal W"orld, that so the Actual and the Ideal may again meet to- gether, and clear Knowledge be again wedded to Religion, in the life and JDUsiness of men. Such is our conviction or persuasion with regard to the poetry of Goethe. Could we de- monstrate this opinion to be true, could we even exhibit it with that degree of clearness and consistency which it has attained in our own thoughts, Goethe were, on our part, suffi- ciently recommended to the best attention of all thinking men. But, unhappily, it is not a subject susceptible of demonstration : the merits and characteristics of a Poet are not to be set forth by logic ; but to be gathered by personal, and as, in this case, it must be, by deep and careful inspection of his works. Nay, Goethe's world is every way so difl"erent from ours; it costs us such effort, we have so much to remember and so much to forget, before we can transfer our- selves in any measure into his peculiar point of vision, that a right study of him, for an English- man, even of ingenuous, open, inquisitive mind, becomes unusually difficult ; for a fixed, decided, contemptuous Englishman, next to impossible. To a reader of the first class, helps may be given, explanations will remove many a diffi- culty; beauties that lay hidden may be made apparent; and directions, adapted to his actual position, will at length guide him into the proper track for such an inquir3^ All this, however, must be a work of progression and detail. To do our part in it, from time to time, must rank among the best duties of an English Foreign Review. Meanwhile, our present endeavour limits itself within far narrower bounds. We cannot aim to make Goethe known, but only to prove that he is worthy of being known; at most, to point out, as it were afar off, the path by which some knowledge of him may be ob- tained. A slight glance at his general literary character and procedure, and one or two of his chief productions, which throw light on these, must for the present suffice. A French diplomatic personage, co:ittm- plating Goethe's physiognomy, is said to have observed: Voild vn hommc qui a eu beatrt//H(arinfr, or Power-men ; but have all long since, like sick children, cried themselves to rest. Byron was our English Sentimentalist and Power-man; the strongest of his kind in Europe; the wildest, the gloomiest, and it may be hoped, the last. For what good is it to " whine, put finger i' the eye, and sob," in such a case ] Still more, to snarl and snap in malignant wise, " like dog distract, or a monkey sickl" Why sliould we quaxrel with our existence, here as it lies before us, our field and inheritance, to make or to mar, for better or for^ worse ; in which, too, so many noblest men have, ever from the beginning, warring with the very evils we war with, both made and been what will be vene- rated to all time 1 What fhapest thou here at the World ■? 'Tis shapen long ago ; The Maker shaped it, and thought it were best even so. Th\ lot is appointed, go follow its hest ; Thy journey's begun, thou must move and not rest ; For sorrow and care cannot alter thy case. And running, not raging, will win thee the race. Meanwhile, of the philosophy which reigns in Werter, and which it has been our lot to hear so often repeated elsewhere, we may here produce a short specimen. The following passage will serve our turn ; and be, if we mistake not, new to the mere English reader. "That the life of man is but a dream, has come into many a head ; and with me, too, fjme feeling of that sort is ever at work. When I look upon the limits within which man's powers of action' and inquiry are hem- med in ; when I see how all effort issues sim- ply in procuring supply for wants, which again have no object but continuing this poor exist- ence of ours ; and then, that ail satisfaction on certain points of inquiry is but a dreaming resignation, while you paint, with many-co- loured figures and gay prospects, the walls you sit imprisoned by, — all this, Wilhelm, makes me dumb. I return to my own heart, and find there such a world ! Yet a world too, more in forecast and dim desire, than in vision and living power. And then all swims before my mind's eye; and so I smile, and again go dreaming on as others do. " That children know not what they want, all conscientious tutors and education-philoso- phers have long been agreed : but that full- grown men, as well as cliildren, stagger to and fro along this earth; like these, not knowing whence they come or whither they go ; aiming, just as little, after true objects : governed just as well by biscuit, cakes, and birch-rods : this is what no one likes to believe ; and yet, it seems to me; the fact is lying under our very nose. "I M'ill confess to thee, for I know what thou wouldstsay to me on this point, that those are the happiest, who, like children, live from one day to the other, carrying their dolls about with them, to dress and undress : gliding, also, with the highest respect, before the drawer where mam- ma has locked the gingerbread: and, when they do get the wished-for morsel, devouring it with pufl-'^d-out cheeks, and crying. More! — These are the fortunate of the earth. Well is it likewise with those who can label their rag^ gathering employments, or perhaps their pas- sions, v/ith pompous titles, and represent them to mankind as gigantic undertakings for its welfare and salvation. Happy the man who can live in such wise ! But he who, in hi.s iiunaiiity, observes where all this issues, who sees how featly any small thriving citizen can trim his patch of garden into a Paradise, and with what unbroken heart even the unhappy crawls along under his burden, and all are alike ardent to see the light of this sun but one minute longer: — yes, he is silent, and he too forms his world out of himself, and he too is happy because he is a man. And then, hem- med in as he is, he ever keeps in his heart the sweet feeling of freedom, and that this dungeon — can be left when he likes." * What Goethe's own temper and habit of thought must have been, while the materials of such a work were forming themselves with- in his heart, might be in some degree conjec- tured, and he has himself informed us. We quote the following passage from his Dirhlung und Wahrhcit. The writing of Werter, it would seem, vindicating so gloomy, almost desperate a state of mind m the author, was at the same time a symptom, indeed a cause, of his now having got delivered from such melancholy. Far from recommending suicide to others, as ]]"erler has often been accused of doing, it was 'he first proof that Goethe himself had aban- doned these " hypochondriacal crotchets: " the imaginary "Sorrows" had helped to free him from many real ones. "Such weariness of life," he says, "has its physical and spiritual causes; those we shall leave to the Doctor, these to the Moralist, for investigation; and in this so trite matter, touch only on the main point, when that phenome- non expresses itself most distinctly. All plea- sure in life is founded on the regular return of external things. The alternations of day and night, of the seasons, of the blossoms and fruits, and whatever else meets us from epoch to epoch with the offer and command of en- joyment,— these are the essential springs of earthly existence. The more open we are to such enjoyments, the happier we feel our- selves; but, should the vicissitude of these ap- pearances come and go without our taking interest in it, should such benignant invi tations address themselves to us in vain, then follows the greatest misery, the heaviest malady ; one grows to view life as a sickening burden. We have heard of the Englishman who hanged himself, to be no more troubled with daily putting off and on his clothes. T knew an honest gardener, the overseer of some extensive pleasure-grounds, who once splenet- ically exclaimed : Shall I ^ee these clouds for ever passing, then, from east to west 1 It is told of one of our most distinguished men,f that he viewed with dissatisfaction the spring again growing green, and wished that, by way of change, it would for once be red. These are specially the symptoms of life-weariness, * Leiden des jumren Wertlier. Jim 22 Maij. fijessing, we believ:: hut perhaps it was less the greenness of spring that vexed him than Jacobi'a tot lyric admiration of it. — Ed. GOETHE. 81 which not seldom issues in suicide, and, at this time, among men of meditative, secluded character, was more frequent than might be supposed. " Nothing, however, will sooner induce this feeling of satiety than the return of love. The first love, it is said justly, is the only one ; for in the second, and by the second, the highest significance of love is in fact lost. That idea of infinitude, of everlasting endurance, which supports and bears it aloft, is destroyed ; it seems transient, like all that returns. * * * " Further, a young man soon comes to find, if not in himself, at least in others, that moral epochs have their course, as well as the sea- sons. The favour of the great, the protection of the powerful, the help of the active, the good-will of the many, the love of the few, all fluctuates up and down ; so that we cannot hold it fast, any more than we can hold sun, moon, and stars. And yet these things are not mere natural events: such blessings flee away from us, by our own blame or that of others, by accident or destiny; but they flee away, they fluctuate, and we are never sure of them. " But what most pains the young man of sen- sibility is the incessant return of our faults: for how long is it before we learn, that in cul- tivating viur virtues, we nourish our faults along with them 1 The former rests on the latter, as on their roots ; and these ramify themselves in secret as strongly and as wide as those others in the open light. Now, as we for the most part practise our virtues with forethought and will, but by our faults are overtaken unexpectedly, the former seldom give us much joy, the latter are continually giving us sorrow and distress. Indeed, here lies the subtilest difliculty in Self-knowledge, the difficulty which almost renders it impossi- ble. But figure, in addition to all this, the heat of youthful blood, an imagination easily fasci- nated and paralyzed by individual objects; further, the wavering commotions of the day, and you will find that an impatient striving to free one's self from such a pressure was no unnatural state. " However, these gloomy contemplations, which, if a man yield to them, will lead him to boundless lengths, could not have so decidedly developed themselves in our young German minds, had not some outward cause excited and forwarded us in this sorrowful employ- ment. Such a cause existed for us in the Lit- erature, especially the Poetical Literature, of England, the great qualities of which are ac- companied by a certain earnest melancholy, which it imparts to every one that occupies himself with it. • »*»*« "In such an element, with such an environ- ment of circumstances, with studies and tastes of this sort, harassed by unsatisfied desires, externally nowhere called forth to important actinn ; with the sole prospect of dragging on a languid, spiritless, mere civic life, we had re- curred, in our disconsolate pride, to the thought that life, when it no longer suited one, might be cast aside at pleasure ; and had helped our- selves hereby, stintedly enough, over the 11 crosses and tediums of the time. These sen- timents were so universal, that Werter, on this very account, could produce the greatest ef- fect; striking in everywhere with the domi- nant humour, and representing the interior of a sickly, youthful heart, in a visible and pal- pable shape. How accurately the English have known this sorrow, might be seen from these few significant lines, written before the appearant3 of [Verier : To eriefs congenial prone More wounds than nature gave he knew, While misery's form his fancy drew In dark ideal hues, and horrors not its own.* " Self-murder is an occurrence in men's af- fairs, which, how much soever it may have already been discussed and commented upcn, excites an interest in every mortal; and, at every new era, must be discussed again. Mon- tesquieu confers on his heroes and great men the right of putting themselves to death when they see good; observing, that it must stand at the will of every one to conclude the Fifth Act of his Tragedy whenever he thinks best. Here, however, our business lies not with per- sons who, in activity, have led an important life, who have spent their days for some mignty empire, or for the cause of freedom : and whom one may forbear to censure, when, seeing the high ideal purpose which had inspired them vanish from the earth, they meditate pursuing it to that other undiscovered country. Our business here is with persons to v.'hom, pro- perly for want of activity, and in the pedoc- fullest condition imaginable, life has, never- theless, by their exorbitant requisitions on themselves, become a burden. As I myseif was in this predicament, and know best what pain I suflJered in it, what efforts it cost me to escape from it, I shall not hide the specizlo^ tions, I from time to time considerately prose cuted, as to the various modes of death one had to choose from. " It is something so unnatural for a man to break loose from himself, not only to hurt, but to annihilate himself, that he for the most part catches at means of a mechanical sort for put- ting his purpose in execution. When Ajax falls on his sword, it is the weight of his body that performs this service for him. When the warrior adjures his armour-bearer to slay him, rather than that he come into the hands of the enemy, this is likewise an external force which he secures for himself; only a moral instead of a physical one. Women seek in the water a cooling for their desperation ; and the highly mechanical means of pistol- shoot- ing insures a quick act with the small ist eflJbrt. Hanging is a death one mentions un s-illingly, because it is an ignoble one. In England it may happen more readily than elsewhere, because from youth upwards you there see that punish- ment frequent without being specially ignomini- ous. By poison, by opening of veins, men aim but at parting slowly from life ; and the most re- fined the speediest, the most painless death, by means of an asp, was worthy of a Queen, who had spent her life in pomp and luxurious plea sure. All these, however, are external helps ♦ So in the original. 82 CARLYLE'S MISCELLANEOUS WRITINGS. are enemies, with' which a man, that he may fight against himself, makes league. " When I considered these various methods, and, further, looked abroad over history, I could find among all suicides no one that had gone about this deed with such greatness and freedom of spirit as the Emperor Otho. This man, beaten indeed as a general, yet nowise reduced to extremities, determines for the good of the Empire, which already in some measure belonged to him, and for the saving of so many thousands, to leave the world. With his friends he passes a gay, festive night, and next morning it is found that with his own hand he has plunged a sharp dagger into his heart. This sole act seemed to me worthy of imitation; and I convinced myself that who- ever could not proceed herein as Otho had done, was not entitled to resolve on renouncing life. By this conviction, I saved myself from the purpose, or indeed, more properly speaking, from the whim, of suicide, which in those fair peaceful times had insinuated itself into the mind of indolent youth. Among a considera- ble collection of arms, I possessed a costly well-ground dagger. This I laid down nightly beside my bed ; and before extinguishing the light, I tried whether I could succeed in send- ing the sharp point an inch or two deep into my breast. But as I truly never could suc- ceed, I at last took to laughing at myself; threw away all these hypochondriacal crotchets, and determined to live. To do this with cheerful- ness, however, I required to have some poetical task given me, wherein all that I had felt, thought, or dreamed on this weighty business, might be spoken forth. With such view, I endeavoured to collect the elements which for a year or two had been floating about in me ; I represented to myself the circumstances which had most oppressed and afflicted me ; but nothing of all this would take form ; there was wanting an incident, a fable, in which I might imbody it. "All at once I hear tidings of Jerusalem's death; and directly following the general rumour, came the most precise and circum- stantial description of the business; and in this instant the plan of Wcilcr was invented ; the whole shot together from all sides, and be- came a solid mass; as the water in the vessel, which already stood on the point of freezing, is by the slightest motion changed at once into firm ice."* A wide, and every way most important, in- terval divides Werier, with its skeptical philo- sophy, and "hypochondriacal crotchets," from Goethe's next novel, IVilliclm Meister^s Appren- ticeship, published some twenty years after- wards. This work belongs, in all senses, to the second and sounder period of Goethe's life, and may indeed serve as the fullest, if perhaps not the purest, impress of it; being written with due forethought, at various times, during a period of no less than ten years. Considered as a piece of Art, there were much to be said on Meistcr ; all which, however, lies beyond our present purpose. We are here .